If we want to decolonize the history of art, argues Kristopher Kersey, we must rethink our approach to the historical record. This means dispensing with Eurocentric binaries-divisions between Western and non-Western, modern and premodern-and making a commitment to artworks that challenge the perspec...

Ausführliche Beschreibung

Bibliographische Detailangaben

1. Verfasser:	Kersey, Kristopher W. (VerfasserIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	University Park, PA Penn State University Press [2024]
Schriftenreihe:	Refiguring Modernism
Schlagworte:	ART / Asian / Japanese Art, Japanese > History Art, Japanese > Heian period, 794-1185 > Influence
Online-Zugang:	URL des Erstveröffentlichers
Zusammenfassung:	If we want to decolonize the history of art, argues Kristopher Kersey, we must rethink our approach to the historical record. This means dispensing with Eurocentric binaries-divisions between Western and non-Western, modern and premodern-and making a commitment to artworks that challenge the perspectives we build upon them. In Facing Images, the question takes elegant and intriguing form: If the aesthetic hallmarks of "modernity" can be found in twelfth-century art, what does it really mean to be "modern"?Kersey's answer to this question models a new historiography. Facing Images begins by tracing the turbulent discourse surrounding the emergence of Japanese art history as a modern field. In lieu of examining canonical works from the twelfth century, Kersey foregrounds the elusive and the enigmatic in artworks little known and understudied outside Japan; the manuscripts he selects defy traditional art-historical narratives by exhibiting decidedly modern techniques, including montage, self-reference, reuse, noise, dissonance, and chronological disarray. Kersey weaves these medieval case studies together with insights from a wide range of interdisciplinary scholarship, using a methodology that will prove important for historians: Facing Images produces a history of non-Western art in which diverse and anachronic works are brought responsibly and equitably into dialogue with the present, without being subsumed under Eurocentric formalisms or false universals.A timely intervention in the history of medieval Japanese art, art historiography, and the history of global modernism, Facing Images redefines the relationship of the "premodern" non-West to "modern" art. It will be of particular interest to scholars of medieval Japanese art and of modernism
Beschreibung:	Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024)
Beschreibung:	1 Online-Ressource (324 Seiten)
ISBN:	9780271098166
DOI:	10.1515/9780271098166