My Affair with Art House Cinema: Essays and Reviews
Phillip Lopate fell hard for the movies as an adolescent. As he matured into an acclaimed critic and essayist, his infatuation deepened into a lifelong passion. My Affair with Art House Cinema presents Lopate's selected essays and reviews from the last quarter century, inviting readers to exper...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2024]
|
| Schlagworte: | |
| Online-Zugang: | DE-Aug4 Volltext |
| Zusammenfassung: | Phillip Lopate fell hard for the movies as an adolescent. As he matured into an acclaimed critic and essayist, his infatuation deepened into a lifelong passion. My Affair with Art House Cinema presents Lopate's selected essays and reviews from the last quarter century, inviting readers to experience films he found exhilarating, tantalizing, and beguiling-and sometimes disappointing or frustrating-through his keen eyes.In an essayist's sinuous prose style, Lopate captures the formal mastery, artistic imagination, and emotional intensity of art house essentials like Yasujirō Ozu's Late Spring, David Lynch's Mulholland Drive, and Andrei Tarkovsky's Solaris, as well as works by contemporary filmmakers such as Maren Ade, Hong Sang-soo, Hou Hsiao-hsien, Christian Petzold, Paolo Sorrentino, and Jafar Panahi. Essays explore Chantal Akerman's rigorous honesty, Ingmar Bergman's intimacy, Abbas Kiarostami's playfulness, Kenji Mizoguchi's visual style, and Frederick Wiseman's vision of the human condition. Lopate also reflects on the work of fellow critics, including Roger Ebert, Pauline Kael, and Jonathan Rosenbaum. His considered, at times contrarian critiques and celebrations will inspire readers to watch or rewatch these films. Above all, this book showcases Lopate's passionate advocacy for not only particular films and directors but also the joys and value of a filmgoing culture |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 9780231561266 |
| DOI: | 10.7312/lopa21640 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV049858912 | ||
| 003 | DE-604 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 240909s2024 |||| o||u| ||||||eng d | ||
| 020 | |a 9780231561266 |9 978-0-231-56126-6 | ||
| 024 | 7 | |a 10.7312/lopa21640 |2 doi | |
| 035 | |a (ZDB-23-DGG)9780231561266 | ||
| 035 | |a (OCoLC)1456134865 | ||
| 035 | |a (DE-599)BVBBV049858912 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Aug4 | ||
| 082 | 0 | |a 791.43/611 |2 23//eng/20240212eng | |
| 100 | 1 | |a Lopate, Phillip |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a My Affair with Art House Cinema |b Essays and Reviews |c Phillip Lopate |
| 264 | 1 | |a New York, NY |b Columbia University Press |c [2024] | |
| 264 | 4 | |c 2024 | |
| 300 | |a 1 Online-Ressource | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) | ||
| 520 | |a Phillip Lopate fell hard for the movies as an adolescent. As he matured into an acclaimed critic and essayist, his infatuation deepened into a lifelong passion. My Affair with Art House Cinema presents Lopate's selected essays and reviews from the last quarter century, inviting readers to experience films he found exhilarating, tantalizing, and beguiling-and sometimes disappointing or frustrating-through his keen eyes.In an essayist's sinuous prose style, Lopate captures the formal mastery, artistic imagination, and emotional intensity of art house essentials like Yasujirō Ozu's Late Spring, David Lynch's Mulholland Drive, and Andrei Tarkovsky's Solaris, as well as works by contemporary filmmakers such as Maren Ade, Hong Sang-soo, Hou Hsiao-hsien, Christian Petzold, Paolo Sorrentino, and Jafar Panahi. Essays explore Chantal Akerman's rigorous honesty, Ingmar Bergman's intimacy, Abbas Kiarostami's playfulness, Kenji Mizoguchi's visual style, and Frederick Wiseman's vision of the human condition. Lopate also reflects on the work of fellow critics, including Roger Ebert, Pauline Kael, and Jonathan Rosenbaum. His considered, at times contrarian critiques and celebrations will inspire readers to watch or rewatch these films. Above all, this book showcases Lopate's passionate advocacy for not only particular films and directors but also the joys and value of a filmgoing culture | ||
| 546 | |a In English | ||
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 4 | |a Art in motion pictures | |
| 650 | 4 | |a Experimental films |x History and criticism | |
| 650 | 4 | |a Film criticism | |
| 650 | 4 | |a Independent films |x History and criticism | |
| 856 | 4 | 0 | |u https://doi.org/10.7312/lopa21640 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 940 | 1 | |q FHA_PDA_EMB | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035198673 | |
| 966 | e | |u https://doi.org/10.7312/lopa21640 |l DE-Aug4 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1812974012339322880 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Lopate, Phillip |
| author_facet | Lopate, Phillip |
| author_role | aut |
| author_sort | Lopate, Phillip |
| author_variant | p l pl |
| building | Verbundindex |
| bvnumber | BV049858912 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780231561266 (OCoLC)1456134865 (DE-599)BVBBV049858912 |
| dewey-full | 791.43/611 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/611 |
| dewey-search | 791.43/611 |
| dewey-sort | 3791.43 3611 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.7312/lopa21640 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000zc 4500</leader><controlfield tag="001">BV049858912</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">240909s2024 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231561266</subfield><subfield code="9">978-0-231-56126-6</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7312/lopa21640</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780231561266</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1456134865</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049858912</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Aug4</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43/611</subfield><subfield code="2">23//eng/20240212eng</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Lopate, Phillip</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">My Affair with Art House Cinema</subfield><subfield code="b">Essays and Reviews</subfield><subfield code="c">Phillip Lopate</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY</subfield><subfield code="b">Columbia University Press</subfield><subfield code="c">[2024]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Phillip Lopate fell hard for the movies as an adolescent. As he matured into an acclaimed critic and essayist, his infatuation deepened into a lifelong passion. My Affair with Art House Cinema presents Lopate's selected essays and reviews from the last quarter century, inviting readers to experience films he found exhilarating, tantalizing, and beguiling-and sometimes disappointing or frustrating-through his keen eyes.In an essayist's sinuous prose style, Lopate captures the formal mastery, artistic imagination, and emotional intensity of art house essentials like Yasujirō Ozu's Late Spring, David Lynch's Mulholland Drive, and Andrei Tarkovsky's Solaris, as well as works by contemporary filmmakers such as Maren Ade, Hong Sang-soo, Hou Hsiao-hsien, Christian Petzold, Paolo Sorrentino, and Jafar Panahi. Essays explore Chantal Akerman's rigorous honesty, Ingmar Bergman's intimacy, Abbas Kiarostami's playfulness, Kenji Mizoguchi's visual style, and Frederick Wiseman's vision of the human condition. Lopate also reflects on the work of fellow critics, including Roger Ebert, Pauline Kael, and Jonathan Rosenbaum. His considered, at times contrarian critiques and celebrations will inspire readers to watch or rewatch these films. Above all, this book showcases Lopate's passionate advocacy for not only particular films and directors but also the joys and value of a filmgoing culture</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / History & Criticism</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art in motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Experimental films</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Independent films</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7312/lopa21640</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">FHA_PDA_EMB</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035198673</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/lopa21640</subfield><subfield code="l">DE-Aug4</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV049858912 |
| illustrated | Not Illustrated |
| indexdate | 2024-10-15T10:05:51Z |
| institution | BVB |
| isbn | 9780231561266 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035198673 |
| oclc_num | 1456134865 |
| open_access_boolean | |
| owner | DE-Aug4 |
| owner_facet | DE-Aug4 |
| physical | 1 Online-Ressource |
| psigel | ZDB-23-DGG FHA_PDA_EMB ZDB-23-DGG FHA_PDA_DGG |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Columbia University Press |
| record_format | marc |
| spelling | Lopate, Phillip Verfasser aut My Affair with Art House Cinema Essays and Reviews Phillip Lopate New York, NY Columbia University Press [2024] 2024 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) Phillip Lopate fell hard for the movies as an adolescent. As he matured into an acclaimed critic and essayist, his infatuation deepened into a lifelong passion. My Affair with Art House Cinema presents Lopate's selected essays and reviews from the last quarter century, inviting readers to experience films he found exhilarating, tantalizing, and beguiling-and sometimes disappointing or frustrating-through his keen eyes.In an essayist's sinuous prose style, Lopate captures the formal mastery, artistic imagination, and emotional intensity of art house essentials like Yasujirō Ozu's Late Spring, David Lynch's Mulholland Drive, and Andrei Tarkovsky's Solaris, as well as works by contemporary filmmakers such as Maren Ade, Hong Sang-soo, Hou Hsiao-hsien, Christian Petzold, Paolo Sorrentino, and Jafar Panahi. Essays explore Chantal Akerman's rigorous honesty, Ingmar Bergman's intimacy, Abbas Kiarostami's playfulness, Kenji Mizoguchi's visual style, and Frederick Wiseman's vision of the human condition. Lopate also reflects on the work of fellow critics, including Roger Ebert, Pauline Kael, and Jonathan Rosenbaum. His considered, at times contrarian critiques and celebrations will inspire readers to watch or rewatch these films. Above all, this book showcases Lopate's passionate advocacy for not only particular films and directors but also the joys and value of a filmgoing culture In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Art in motion pictures Experimental films History and criticism Film criticism Independent films History and criticism https://doi.org/10.7312/lopa21640 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Lopate, Phillip My Affair with Art House Cinema Essays and Reviews PERFORMING ARTS / Film & Video / History & Criticism bisacsh Art in motion pictures Experimental films History and criticism Film criticism Independent films History and criticism |
| title | My Affair with Art House Cinema Essays and Reviews |
| title_auth | My Affair with Art House Cinema Essays and Reviews |
| title_exact_search | My Affair with Art House Cinema Essays and Reviews |
| title_full | My Affair with Art House Cinema Essays and Reviews Phillip Lopate |
| title_fullStr | My Affair with Art House Cinema Essays and Reviews Phillip Lopate |
| title_full_unstemmed | My Affair with Art House Cinema Essays and Reviews Phillip Lopate |
| title_short | My Affair with Art House Cinema |
| title_sort | my affair with art house cinema essays and reviews |
| title_sub | Essays and Reviews |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Art in motion pictures Experimental films History and criticism Film criticism Independent films History and criticism |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Art in motion pictures Experimental films History and criticism Film criticism Independent films History and criticism |
| url | https://doi.org/10.7312/lopa21640 |
| work_keys_str_mv | AT lopatephillip myaffairwitharthousecinemaessaysandreviews |