Cross-Cultural Harlem: Reimagining Race and Place
Over the course of the twentieth and twenty-first centuries, Harlem has been the capital of both Black America and a global African diaspora, an early home for Italian and Jewish immigrant communities, an important Puerto Rican neighborhood, and a representative site of gentrification. How do we und...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2024]
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| Schlagworte: | |
| Online-Zugang: | DE-Aug4 Volltext |
| Zusammenfassung: | Over the course of the twentieth and twenty-first centuries, Harlem has been the capital of both Black America and a global African diaspora, an early home for Italian and Jewish immigrant communities, an important Puerto Rican neighborhood, and a representative site of gentrification. How do we understand the power of a place with so many claims and identifications? Drawing on fiction, sociology, political speech, autobiography, and performance, Sandhya Shukla develops a living theory of Harlem, in which peoples of different backgrounds collide, interact, and borrow from each other, even while Blackness remains crucial.Cross-Cultural Harlem reveals a dynamic of exchange that provokes a rethinking of spaces such as Black Harlem, El Barrio, and Italian Harlem. Cross-cultural encounters among African Americans, West Indians, Puerto Ricans, Jews, and Italians provide a story of multiplicity that challenges the framework of territorial enclaves. Shukla illuminates the historical processes that have shaped the diversity of Harlem, examining the many dimensions of its Blackness-Southern, African, Caribbean, Puerto Rican, and more-as well as how white ethnicities have been constructed. Considering literary and historical examples such as Langston Hughes's short story "Spanish Blood," the career of the Italian American left-wing Harlem congressman Vito Marcantonio, and the autobiography of Puerto Rican-Cuban writer Piri Thomas, Shukla argues that cosmopolitanism and racial belonging need not be seen as contradictory. Cross-Cultural Harlem offers a vision of sustained dialogue to respond to the challenges of urban transformations and to affirm the future of Harlem as actual place and global symbol |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) |
| Beschreibung: | 1 Online-Ressource 8 b/w figures |
| ISBN: | 9780231557443 |
| DOI: | 10.7312/shuk20846 |
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| 520 | |a Over the course of the twentieth and twenty-first centuries, Harlem has been the capital of both Black America and a global African diaspora, an early home for Italian and Jewish immigrant communities, an important Puerto Rican neighborhood, and a representative site of gentrification. How do we understand the power of a place with so many claims and identifications? Drawing on fiction, sociology, political speech, autobiography, and performance, Sandhya Shukla develops a living theory of Harlem, in which peoples of different backgrounds collide, interact, and borrow from each other, even while Blackness remains crucial.Cross-Cultural Harlem reveals a dynamic of exchange that provokes a rethinking of spaces such as Black Harlem, El Barrio, and Italian Harlem. Cross-cultural encounters among African Americans, West Indians, Puerto Ricans, Jews, and Italians provide a story of multiplicity that challenges the framework of territorial enclaves. Shukla illuminates the historical processes that have shaped the diversity of Harlem, examining the many dimensions of its Blackness-Southern, African, Caribbean, Puerto Rican, and more-as well as how white ethnicities have been constructed. Considering literary and historical examples such as Langston Hughes's short story "Spanish Blood," the career of the Italian American left-wing Harlem congressman Vito Marcantonio, and the autobiography of Puerto Rican-Cuban writer Piri Thomas, Shukla argues that cosmopolitanism and racial belonging need not be seen as contradictory. Cross-Cultural Harlem offers a vision of sustained dialogue to respond to the challenges of urban transformations and to affirm the future of Harlem as actual place and global symbol | ||
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| spelling | Shukla, Sandhya Verfasser aut Cross-Cultural Harlem Reimagining Race and Place Sandhya Shukla New York, NY Columbia University Press [2024] 2024 1 Online-Ressource 8 b/w figures txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) Over the course of the twentieth and twenty-first centuries, Harlem has been the capital of both Black America and a global African diaspora, an early home for Italian and Jewish immigrant communities, an important Puerto Rican neighborhood, and a representative site of gentrification. How do we understand the power of a place with so many claims and identifications? Drawing on fiction, sociology, political speech, autobiography, and performance, Sandhya Shukla develops a living theory of Harlem, in which peoples of different backgrounds collide, interact, and borrow from each other, even while Blackness remains crucial.Cross-Cultural Harlem reveals a dynamic of exchange that provokes a rethinking of spaces such as Black Harlem, El Barrio, and Italian Harlem. Cross-cultural encounters among African Americans, West Indians, Puerto Ricans, Jews, and Italians provide a story of multiplicity that challenges the framework of territorial enclaves. Shukla illuminates the historical processes that have shaped the diversity of Harlem, examining the many dimensions of its Blackness-Southern, African, Caribbean, Puerto Rican, and more-as well as how white ethnicities have been constructed. Considering literary and historical examples such as Langston Hughes's short story "Spanish Blood," the career of the Italian American left-wing Harlem congressman Vito Marcantonio, and the autobiography of Puerto Rican-Cuban writer Piri Thomas, Shukla argues that cosmopolitanism and racial belonging need not be seen as contradictory. Cross-Cultural Harlem offers a vision of sustained dialogue to respond to the challenges of urban transformations and to affirm the future of Harlem as actual place and global symbol In English LITERARY CRITICISM / American / African-American bisacsh Cultural fusion New York (State) New York History https://doi.org/10.7312/shuk20846 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Shukla, Sandhya Cross-Cultural Harlem Reimagining Race and Place LITERARY CRITICISM / American / African-American bisacsh Cultural fusion New York (State) New York History |
| title | Cross-Cultural Harlem Reimagining Race and Place |
| title_auth | Cross-Cultural Harlem Reimagining Race and Place |
| title_exact_search | Cross-Cultural Harlem Reimagining Race and Place |
| title_full | Cross-Cultural Harlem Reimagining Race and Place Sandhya Shukla |
| title_fullStr | Cross-Cultural Harlem Reimagining Race and Place Sandhya Shukla |
| title_full_unstemmed | Cross-Cultural Harlem Reimagining Race and Place Sandhya Shukla |
| title_short | Cross-Cultural Harlem |
| title_sort | cross cultural harlem reimagining race and place |
| title_sub | Reimagining Race and Place |
| topic | LITERARY CRITICISM / American / African-American bisacsh Cultural fusion New York (State) New York History |
| topic_facet | LITERARY CRITICISM / American / African-American Cultural fusion New York (State) New York History |
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