White Lies: Melville's Narratives of Facts
The narrative of facts-probably best exemplified in the literature of exploration-was an immensely popular genre in mid-nineteenth-century America. In White Lies, John Samson offers full contextual readings of Melville's five major narratives of facts-Typee, Omoo, Redburn, White-Jacket, and Isr...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2020]
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Schlagworte: | |
Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
Zusammenfassung: | The narrative of facts-probably best exemplified in the literature of exploration-was an immensely popular genre in mid-nineteenth-century America. In White Lies, John Samson offers full contextual readings of Melville's five major narratives of facts-Typee, Omoo, Redburn, White-Jacket, and Israel Potter. Samson demonstrates that in these novels Melville critically rewrote the sources on which he drew, in effect making the genre itself a subject of his writing.In his introduction, Samson discusses Melville's knowledge of the genre and its ideology. He then reads each novel in terms of Melville's confrontation with its sources. In each, Samson says, an unreliable narrator represents particular ideological tendencies in Melville's sources. Melville heightens and extends these tendencies, exposes the contradictions and biases within them, and ends by showing the narrator evading or denying experiences that conflict with his ideology. According to Samson, Melville sees the concept of historical progress as the basis of these biases and evasions.In these five novels, Melville reveals the conflict between democratic, humanitarian, and individualistic principles, on the one hand, and the forces of racial superiority, religious bigotry, economic determinism, and political conservatism, on the other. Taken together, Samson asserts, these novels deconstruct the intellectual foundations of the form of historical narration endorsed by white patriarchal culture.Scholars and students of nineteenth-century American literature, specialists in the novel, and other readers of Melville will welcome Samson's provocative reinterpretation of these key works in American culture |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) |
Beschreibung: | 1 Online-Ressource (260 Seiten) |
ISBN: | 9781501743238 |
DOI: | 10.1515/9781501743238 |
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institution | BVB |
isbn | 9781501743238 |
language | English |
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spelling | Samson, John Verfasser aut White Lies Melville's Narratives of Facts John Samson Ithaca, NY Cornell University Press [2020] 2011 1 Online-Ressource (260 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) The narrative of facts-probably best exemplified in the literature of exploration-was an immensely popular genre in mid-nineteenth-century America. In White Lies, John Samson offers full contextual readings of Melville's five major narratives of facts-Typee, Omoo, Redburn, White-Jacket, and Israel Potter. Samson demonstrates that in these novels Melville critically rewrote the sources on which he drew, in effect making the genre itself a subject of his writing.In his introduction, Samson discusses Melville's knowledge of the genre and its ideology. He then reads each novel in terms of Melville's confrontation with its sources. In each, Samson says, an unreliable narrator represents particular ideological tendencies in Melville's sources. Melville heightens and extends these tendencies, exposes the contradictions and biases within them, and ends by showing the narrator evading or denying experiences that conflict with his ideology. According to Samson, Melville sees the concept of historical progress as the basis of these biases and evasions.In these five novels, Melville reveals the conflict between democratic, humanitarian, and individualistic principles, on the one hand, and the forces of racial superiority, religious bigotry, economic determinism, and political conservatism, on the other. Taken together, Samson asserts, these novels deconstruct the intellectual foundations of the form of historical narration endorsed by white patriarchal culture.Scholars and students of nineteenth-century American literature, specialists in the novel, and other readers of Melville will welcome Samson's provocative reinterpretation of these key works in American culture In English American Studies Literary Studies LITERARY CRITICISM / American / General bisacsh https://doi.org/10.1515/9781501743238 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Samson, John White Lies Melville's Narratives of Facts American Studies Literary Studies LITERARY CRITICISM / American / General bisacsh |
title | White Lies Melville's Narratives of Facts |
title_auth | White Lies Melville's Narratives of Facts |
title_exact_search | White Lies Melville's Narratives of Facts |
title_full | White Lies Melville's Narratives of Facts John Samson |
title_fullStr | White Lies Melville's Narratives of Facts John Samson |
title_full_unstemmed | White Lies Melville's Narratives of Facts John Samson |
title_short | White Lies |
title_sort | white lies melville s narratives of facts |
title_sub | Melville's Narratives of Facts |
topic | American Studies Literary Studies LITERARY CRITICISM / American / General bisacsh |
topic_facet | American Studies Literary Studies LITERARY CRITICISM / American / General |
url | https://doi.org/10.1515/9781501743238 |
work_keys_str_mv | AT samsonjohn whiteliesmelvillesnarrativesoffacts |