Expanding the black film canon: race and genre across six decades
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Lawrence, Kansas
University Press of Kansas
[2019]
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Schlagworte: | |
Online-Zugang: | DE-255 |
Beschreibung: | Description based on print version record |
Beschreibung: | 1 online resource (viii, 248 pages) illustrations |
ISBN: | 9780700628414 |
Internformat
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100 | 1 | |a Alexander, Lisa Doris |e Verfasser |4 aut | |
245 | 1 | 0 | |a Expanding the black film canon |b race and genre across six decades |c Lisa Doris Alexander |
264 | 1 | |a Lawrence, Kansas |b University Press of Kansas |c [2019] | |
264 | 4 | |c 2019 | |
300 | |a 1 online resource (viii, 248 pages) |b illustrations | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Description based on print version record | ||
505 | 8 | |a I ain't fit to live with no more: Nothing but a man revisited -- "Hey, where are the white women at?": the presentation of racism and resistance in Blazing saddles -- Harlem nights, awkward framing, and complicated gender politics -- Who's the real gangsta?: The glass shield and the politics of black communities and police relations -- "If you're going to tell people the truth ... make them laugh": C.S.A.: The Confederate States of America as mockumentary and truth-telling -- Ladies first: Ava DuVernay and black- female-centered narratives -- Who's the hero of the piece?: ollywood's representation of Jackie Robinson's legacy -- Are we allowed to be children?: black teen films, trauma, and the race to adulthood | |
650 | 4 | |a African Americans in motion pictures | |
650 | 4 | |a Race relations in motion pictures | |
650 | 4 | |a Racism in motion pictures | |
650 | 4 | |a African Americans in the motion picture industry | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Alexander, Lisa Doris |t Expanding the Black Film Canon : Race and Genre across Six Decades |d Lawrence, Kansas : University Press of Kansas, c2019 |h viii, 248 pages |z 9780700628407 |
940 | 1 | |q KUBA2-ZDB-30-PAD-2024 | |
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Datensatz im Suchindex
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adam_text | |
any_adam_object | |
author | Alexander, Lisa Doris |
author_facet | Alexander, Lisa Doris |
author_role | aut |
author_sort | Alexander, Lisa Doris |
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building | Verbundindex |
bvnumber | BV049850300 |
contents | I ain't fit to live with no more: Nothing but a man revisited -- "Hey, where are the white women at?": the presentation of racism and resistance in Blazing saddles -- Harlem nights, awkward framing, and complicated gender politics -- Who's the real gangsta?: The glass shield and the politics of black communities and police relations -- "If you're going to tell people the truth ... make them laugh": C.S.A.: The Confederate States of America as mockumentary and truth-telling -- Ladies first: Ava DuVernay and black- female-centered narratives -- Who's the hero of the piece?: ollywood's representation of Jackie Robinson's legacy -- Are we allowed to be children?: black teen films, trauma, and the race to adulthood |
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dewey-full | 791.4308996073 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4308996073 |
dewey-search | 791.4308996073 |
dewey-sort | 3791.4308996073 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
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id | DE-604.BV049850300 |
illustrated | Illustrated |
indexdate | 2024-09-05T00:04:11Z |
institution | BVB |
isbn | 9780700628414 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035190148 |
oclc_num | 1378934998 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
physical | 1 online resource (viii, 248 pages) illustrations |
psigel | KUBA2-ZDB-30-PAD-2024 ZDB-30-PAD BZI |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | University Press of Kansas |
record_format | marc |
spelling | Alexander, Lisa Doris Verfasser aut Expanding the black film canon race and genre across six decades Lisa Doris Alexander Lawrence, Kansas University Press of Kansas [2019] 2019 1 online resource (viii, 248 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Description based on print version record I ain't fit to live with no more: Nothing but a man revisited -- "Hey, where are the white women at?": the presentation of racism and resistance in Blazing saddles -- Harlem nights, awkward framing, and complicated gender politics -- Who's the real gangsta?: The glass shield and the politics of black communities and police relations -- "If you're going to tell people the truth ... make them laugh": C.S.A.: The Confederate States of America as mockumentary and truth-telling -- Ladies first: Ava DuVernay and black- female-centered narratives -- Who's the hero of the piece?: ollywood's representation of Jackie Robinson's legacy -- Are we allowed to be children?: black teen films, trauma, and the race to adulthood African Americans in motion pictures Race relations in motion pictures Racism in motion pictures African Americans in the motion picture industry Erscheint auch als Druck-Ausgabe Alexander, Lisa Doris Expanding the Black Film Canon : Race and Genre across Six Decades Lawrence, Kansas : University Press of Kansas, c2019 viii, 248 pages 9780700628407 |
spellingShingle | Alexander, Lisa Doris Expanding the black film canon race and genre across six decades I ain't fit to live with no more: Nothing but a man revisited -- "Hey, where are the white women at?": the presentation of racism and resistance in Blazing saddles -- Harlem nights, awkward framing, and complicated gender politics -- Who's the real gangsta?: The glass shield and the politics of black communities and police relations -- "If you're going to tell people the truth ... make them laugh": C.S.A.: The Confederate States of America as mockumentary and truth-telling -- Ladies first: Ava DuVernay and black- female-centered narratives -- Who's the hero of the piece?: ollywood's representation of Jackie Robinson's legacy -- Are we allowed to be children?: black teen films, trauma, and the race to adulthood African Americans in motion pictures Race relations in motion pictures Racism in motion pictures African Americans in the motion picture industry |
title | Expanding the black film canon race and genre across six decades |
title_auth | Expanding the black film canon race and genre across six decades |
title_exact_search | Expanding the black film canon race and genre across six decades |
title_full | Expanding the black film canon race and genre across six decades Lisa Doris Alexander |
title_fullStr | Expanding the black film canon race and genre across six decades Lisa Doris Alexander |
title_full_unstemmed | Expanding the black film canon race and genre across six decades Lisa Doris Alexander |
title_short | Expanding the black film canon |
title_sort | expanding the black film canon race and genre across six decades |
title_sub | race and genre across six decades |
topic | African Americans in motion pictures Race relations in motion pictures Racism in motion pictures African Americans in the motion picture industry |
topic_facet | African Americans in motion pictures Race relations in motion pictures Racism in motion pictures African Americans in the motion picture industry |
work_keys_str_mv | AT alexanderlisadoris expandingtheblackfilmcanonraceandgenreacrosssixdecades |