Auditory poverty and its discontents: an essay
Where sounding is understood as an exhibition of activity, vitality, and power, Nina Dragi?evi? proposes that we analyse sonic phenomena in econo-political terms.00In this essay?or is it perhaps a long love poem??she dives into the sounding-listening dynamics and reveals them as class relations in w...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin
Errant Bodies Press
2024
Berlin Akademie der Künste 2024 |
| Zusammenfassung: | Where sounding is understood as an exhibition of activity, vitality, and power, Nina Dragi?evi? proposes that we analyse sonic phenomena in econo-political terms.00In this essay?or is it perhaps a long love poem??she dives into the sounding-listening dynamics and reveals them as class relations in which audibility is not an event following an occurrence of sound but a point in an intersectional class structure. With audibility, or rather the lack thereof, comes auditory poverty. And where there is poverty, there is discontent. And where there is discontent, there is potential for an uprising.00Nina Dragi?evi? (born 1984) is a Slovenian poet, a writer, a sound artist and a sociologist. She is the author of the books Kdo ima druge skrbi (2014; Who has Other Worries), Slavne neznane: Zvo?ne umetnice v konstrukciji dru?be (2016; Famous Unknowns: Women sound artists in construction of society), Med njima je glasba: Glasba v konstrukciji lezbi?ne scene (2017; The Music Between Them: Music in construction of lesbian communities), Ljubav re?e greva (2019; Lover Says Let's Go), To telo, pokon?no (2021; This Body, Standing), Kako zveni oblast? (2022; Sound of Power), and Ampak, kdo? (2023; But Who?), and numerous electroacoustic compositions and sound installations |
| Beschreibung: | 81 Seiten |
| ISBN: | 9783982558547 3982558549 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049846289 | ||
| 003 | DE-604 | ||
| 007 | t | ||
| 008 | 240903s2024 |||| 00||| eng d | ||
| 020 | |a 9783982558547 |9 978-3-9825585-4-7 | ||
| 020 | |a 3982558549 |9 3-9825585-4-9 | ||
| 035 | |a (OCoLC)1454752309 | ||
| 035 | |a (DE-599)BVBBV049846289 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-B486 | ||
| 100 | 1 | |a Dragičević, Nina |e Verfasser |0 (DE-588)1310090408 |4 aut | |
| 245 | 1 | 0 | |a Auditory poverty and its discontents |b an essay |c Nina Dragičević |
| 264 | 1 | |a Berlin |b Errant Bodies Press |c 2024 | |
| 264 | 1 | |a Berlin |b Akademie der Künste |c 2024 | |
| 300 | |a 81 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a Where sounding is understood as an exhibition of activity, vitality, and power, Nina Dragi?evi? proposes that we analyse sonic phenomena in econo-political terms.00In this essay?or is it perhaps a long love poem??she dives into the sounding-listening dynamics and reveals them as class relations in which audibility is not an event following an occurrence of sound but a point in an intersectional class structure. With audibility, or rather the lack thereof, comes auditory poverty. And where there is poverty, there is discontent. And where there is discontent, there is potential for an uprising.00Nina Dragi?evi? (born 1984) is a Slovenian poet, a writer, a sound artist and a sociologist. She is the author of the books Kdo ima druge skrbi (2014; Who has Other Worries), Slavne neznane: Zvo?ne umetnice v konstrukciji dru?be (2016; Famous Unknowns: Women sound artists in construction of society), Med njima je glasba: Glasba v konstrukciji lezbi?ne scene (2017; The Music Between Them: Music in construction of lesbian communities), Ljubav re?e greva (2019; Lover Says Let's Go), To telo, pokon?no (2021; This Body, Standing), Kako zveni oblast? (2022; Sound of Power), and Ampak, kdo? (2023; But Who?), and numerous electroacoustic compositions and sound installations | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035186164 | |
Datensatz im Suchindex
| _version_ | 1809768139817222144 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Dragičević, Nina |
| author_GND | (DE-588)1310090408 |
| author_facet | Dragičević, Nina |
| author_role | aut |
| author_sort | Dragičević, Nina |
| author_variant | n d nd |
| building | Verbundindex |
| bvnumber | BV049846289 |
| ctrlnum | (OCoLC)1454752309 (DE-599)BVBBV049846289 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049846289</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">240903s2024 |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783982558547</subfield><subfield code="9">978-3-9825585-4-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">3982558549</subfield><subfield code="9">3-9825585-4-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1454752309</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049846289</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-B486</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Dragičević, Nina</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1310090408</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Auditory poverty and its discontents</subfield><subfield code="b">an essay</subfield><subfield code="c">Nina Dragičević</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berlin</subfield><subfield code="b">Errant Bodies Press</subfield><subfield code="c">2024</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berlin</subfield><subfield code="b">Akademie der Künste</subfield><subfield code="c">2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">81 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Where sounding is understood as an exhibition of activity, vitality, and power, Nina Dragi?evi? proposes that we analyse sonic phenomena in econo-political terms.00In this essay?or is it perhaps a long love poem??she dives into the sounding-listening dynamics and reveals them as class relations in which audibility is not an event following an occurrence of sound but a point in an intersectional class structure. With audibility, or rather the lack thereof, comes auditory poverty. And where there is poverty, there is discontent. And where there is discontent, there is potential for an uprising.00Nina Dragi?evi? (born 1984) is a Slovenian poet, a writer, a sound artist and a sociologist. She is the author of the books Kdo ima druge skrbi (2014; Who has Other Worries), Slavne neznane: Zvo?ne umetnice v konstrukciji dru?be (2016; Famous Unknowns: Women sound artists in construction of society), Med njima je glasba: Glasba v konstrukciji lezbi?ne scene (2017; The Music Between Them: Music in construction of lesbian communities), Ljubav re?e greva (2019; Lover Says Let's Go), To telo, pokon?no (2021; This Body, Standing), Kako zveni oblast? (2022; Sound of Power), and Ampak, kdo? (2023; But Who?), and numerous electroacoustic compositions and sound installations</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035186164</subfield></datafield></record></collection> |
| id | DE-604.BV049846289 |
| illustrated | Not Illustrated |
| indexdate | 2024-09-10T00:49:53Z |
| institution | BVB |
| isbn | 9783982558547 3982558549 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035186164 |
| oclc_num | 1454752309 |
| open_access_boolean | |
| owner | DE-B486 |
| owner_facet | DE-B486 |
| physical | 81 Seiten |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Errant Bodies Press Akademie der Künste |
| record_format | marc |
| spelling | Dragičević, Nina Verfasser (DE-588)1310090408 aut Auditory poverty and its discontents an essay Nina Dragičević Berlin Errant Bodies Press 2024 Berlin Akademie der Künste 2024 81 Seiten txt rdacontent n rdamedia nc rdacarrier Where sounding is understood as an exhibition of activity, vitality, and power, Nina Dragi?evi? proposes that we analyse sonic phenomena in econo-political terms.00In this essay?or is it perhaps a long love poem??she dives into the sounding-listening dynamics and reveals them as class relations in which audibility is not an event following an occurrence of sound but a point in an intersectional class structure. With audibility, or rather the lack thereof, comes auditory poverty. And where there is poverty, there is discontent. And where there is discontent, there is potential for an uprising.00Nina Dragi?evi? (born 1984) is a Slovenian poet, a writer, a sound artist and a sociologist. She is the author of the books Kdo ima druge skrbi (2014; Who has Other Worries), Slavne neznane: Zvo?ne umetnice v konstrukciji dru?be (2016; Famous Unknowns: Women sound artists in construction of society), Med njima je glasba: Glasba v konstrukciji lezbi?ne scene (2017; The Music Between Them: Music in construction of lesbian communities), Ljubav re?e greva (2019; Lover Says Let's Go), To telo, pokon?no (2021; This Body, Standing), Kako zveni oblast? (2022; Sound of Power), and Ampak, kdo? (2023; But Who?), and numerous electroacoustic compositions and sound installations |
| spellingShingle | Dragičević, Nina Auditory poverty and its discontents an essay |
| title | Auditory poverty and its discontents an essay |
| title_auth | Auditory poverty and its discontents an essay |
| title_exact_search | Auditory poverty and its discontents an essay |
| title_full | Auditory poverty and its discontents an essay Nina Dragičević |
| title_fullStr | Auditory poverty and its discontents an essay Nina Dragičević |
| title_full_unstemmed | Auditory poverty and its discontents an essay Nina Dragičević |
| title_short | Auditory poverty and its discontents |
| title_sort | auditory poverty and its discontents an essay |
| title_sub | an essay |
| work_keys_str_mv | AT dragicevicnina auditorypovertyanditsdiscontentsanessay |