The shape of things: still life in Britain
Historically, still life has been viewed as the lowest genre of art, but in fact it has been employed by leading British artists to grapple with some of the most profound themes relating to the human condition, and as a vehicle for artistic experimentation with new forms and ideas. The Shape of Thin...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chichester
Pallant House Gallery
[2024]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Historically, still life has been viewed as the lowest genre of art, but in fact it has been employed by leading British artists to grapple with some of the most profound themes relating to the human condition, and as a vehicle for artistic experimentation with new forms and ideas. The Shape of Things shows how in the early 20th century British artists renewed the traditional genre of still life for the modern age, a spirit of experimentation with the genre that continues today. Showing how the genre sits at the heart of different artistic movements in Modern British art including the Seven & Five Society, Unit One, the British Surrealist Group, St Ives and post-war abstraction, Neo-Romanticism, pop art, conceptual art and post-war figurative art, and YBAs, it presents a history of British art as understood through the lens of the still life. Other themes which will be touched on include identity, migration, consumerism, existentialism, and climate change, themes that are eminently relevant to contemporary audiences.0Featuring texts from contributors including Simon Martin, Lydia Miller, Miriam O'Connor Perks, Melanie Vandenbrouck, Phoebe Cummins, Michael Bird, Emma Sharples and Chloe Nahum. |
| Beschreibung: | Rückseite Titelblatt: "The Shape of Things: Still Life in Britain", Pallant House Gallery, 11 May to 20 October 2024 |
| Beschreibung: | 184 Seiten Illustrationen 26 cm |
| ISBN: | 9781869827687 1869827686 |
Internformat
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| 500 | |a Rückseite Titelblatt: "The Shape of Things: Still Life in Britain", Pallant House Gallery, 11 May to 20 October 2024 | ||
| 520 | 3 | |a Historically, still life has been viewed as the lowest genre of art, but in fact it has been employed by leading British artists to grapple with some of the most profound themes relating to the human condition, and as a vehicle for artistic experimentation with new forms and ideas. The Shape of Things shows how in the early 20th century British artists renewed the traditional genre of still life for the modern age, a spirit of experimentation with the genre that continues today. Showing how the genre sits at the heart of different artistic movements in Modern British art including the Seven & Five Society, Unit One, the British Surrealist Group, St Ives and post-war abstraction, Neo-Romanticism, pop art, conceptual art and post-war figurative art, and YBAs, it presents a history of British art as understood through the lens of the still life. Other themes which will be touched on include identity, migration, consumerism, existentialism, and climate change, themes that are eminently relevant to contemporary audiences.0Featuring texts from contributors including Simon Martin, Lydia Miller, Miriam O'Connor Perks, Melanie Vandenbrouck, Phoebe Cummins, Michael Bird, Emma Sharples and Chloe Nahum. | |
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Datensatz im Suchindex
| _version_ | 1812899057715118080 |
|---|---|
| adam_text | |
| any_adam_object | |
| author2 | Olsen, Harriet |
| author2_role | edt |
| author2_variant | h o ho |
| author_additional | Simon Martin Lydia Miller Chloe Nahum and Emma Sharples Micheal Bird Melanie Vandenbrouck Miriam O’Connor Perks Phoebe Cummings |
| author_facet | Olsen, Harriet |
| building | Verbundindex |
| bvnumber | BV049837326 |
| classification_rvk | LO 62220 |
| contents | History repeating : still life between past and present / ‘Unbroken quiet’ : how British still life was stimulated by post-impressionism / ‘Reality and the other thing’ : still life in interwar Britain / Paths to abstraction / ‘The world is still dark’ : death and existentialism in British still life, 1939-now / Accelerated decay : consumer culture and still life / ‘It doesn’t shout — it whispers’ : on the quietness of still life / I hear myself with my throat / |
| ctrlnum | (OCoLC)1452282633 (DE-599)BVBBV049837326 |
| dewey-full | 700.411 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700.411 |
| dewey-search | 700.411 |
| dewey-sort | 3700.411 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte 1920-2020 gnd |
| era_facet | Geschichte 1920-2020 |
| format | Book |
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| spelling | The shape of things still life in Britain publishing manager: Harriet Olsen Chichester Pallant House Gallery [2024] New Haven ; London Yale University Press 184 Seiten Illustrationen 26 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Rückseite Titelblatt: "The Shape of Things: Still Life in Britain", Pallant House Gallery, 11 May to 20 October 2024 Historically, still life has been viewed as the lowest genre of art, but in fact it has been employed by leading British artists to grapple with some of the most profound themes relating to the human condition, and as a vehicle for artistic experimentation with new forms and ideas. The Shape of Things shows how in the early 20th century British artists renewed the traditional genre of still life for the modern age, a spirit of experimentation with the genre that continues today. Showing how the genre sits at the heart of different artistic movements in Modern British art including the Seven & Five Society, Unit One, the British Surrealist Group, St Ives and post-war abstraction, Neo-Romanticism, pop art, conceptual art and post-war figurative art, and YBAs, it presents a history of British art as understood through the lens of the still life. Other themes which will be touched on include identity, migration, consumerism, existentialism, and climate change, themes that are eminently relevant to contemporary audiences.0Featuring texts from contributors including Simon Martin, Lydia Miller, Miriam O'Connor Perks, Melanie Vandenbrouck, Phoebe Cummins, Michael Bird, Emma Sharples and Chloe Nahum. Geschichte 1920-2020 gnd rswk-swf Stillleben (DE-588)4057577-9 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Still-life painting / Exhibitions Painting, British / 20th century / Exhibitions Nature morte - Expositions Peinture britannique - 20e siècle - Expositions exhibition catalogs Exhibition catalogs Catalogues d'exposition (DE-588)4135467-9 Ausstellungskatalog Pallant House Gallery 11.05.2024-20.10.2024 Chichester gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content Großbritannien (DE-588)4022153-2 g Stillleben (DE-588)4057577-9 s Geschichte 1920-2020 z DE-604 Olsen, Harriet edt Pallant House Gallery (Chichester) (DE-588)806404-0 his isb B:DE-14 V:DE-576 https://swbplus.bsz-bw.de/bsz1898600805inh.htm 20240821193141 Inhaltsverzeichnis |
| spellingShingle | The shape of things still life in Britain History repeating : still life between past and present / ‘Unbroken quiet’ : how British still life was stimulated by post-impressionism / ‘Reality and the other thing’ : still life in interwar Britain / Paths to abstraction / ‘The world is still dark’ : death and existentialism in British still life, 1939-now / Accelerated decay : consumer culture and still life / ‘It doesn’t shout — it whispers’ : on the quietness of still life / I hear myself with my throat / Stillleben (DE-588)4057577-9 gnd |
| subject_GND | (DE-588)4057577-9 (DE-588)4022153-2 (DE-588)4135467-9 (DE-588)4143413-4 |
| title | The shape of things still life in Britain |
| title_alt | History repeating : still life between past and present / ‘Unbroken quiet’ : how British still life was stimulated by post-impressionism / ‘Reality and the other thing’ : still life in interwar Britain / Paths to abstraction / ‘The world is still dark’ : death and existentialism in British still life, 1939-now / Accelerated decay : consumer culture and still life / ‘It doesn’t shout — it whispers’ : on the quietness of still life / I hear myself with my throat / |
| title_auth | The shape of things still life in Britain |
| title_exact_search | The shape of things still life in Britain |
| title_full | The shape of things still life in Britain publishing manager: Harriet Olsen |
| title_fullStr | The shape of things still life in Britain publishing manager: Harriet Olsen |
| title_full_unstemmed | The shape of things still life in Britain publishing manager: Harriet Olsen |
| title_short | The shape of things |
| title_sort | the shape of things still life in britain |
| title_sub | still life in Britain |
| topic | Stillleben (DE-588)4057577-9 gnd |
| topic_facet | Stillleben Großbritannien Ausstellungskatalog Pallant House Gallery 11.05.2024-20.10.2024 Chichester Aufsatzsammlung |
| url | https://swbplus.bsz-bw.de/bsz1898600805inh.htm |
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