Francesca Woodman:
The exhibition presents key prints from approximately 1975 through 1980. Photographing in Providence, Rhode Island; Rome; Ravenna, Italy; and New York, Woodman situated herself and others within dilapidated interiors and ancient architecture to compose her tableaux. Using objects such as chairs and...
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Gagosian
[2024]
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| Schlagworte: | |
| Zusammenfassung: | The exhibition presents key prints from approximately 1975 through 1980. Photographing in Providence, Rhode Island; Rome; Ravenna, Italy; and New York, Woodman situated herself and others within dilapidated interiors and ancient architecture to compose her tableaux. Using objects such as chairs and plinths along with architectural elements including doorways, walls, and windows, she staged contrasts with the performative presence of the figures, presenting the body itself as sculpture. In the Self-Deceit series (1978), she photographed herself nude in a room with crumbling walls, standing, crawling, or crouching with a frameless mirror. Through compositional fragmentation and blurring, Woodman throws into question the conceit that photography offers a revelation of the self. On view for the first time since spring 1980, when it was included in Beyond Photography 80, a group exhibition at the Alternative Museum in New York, Blueprint for a Temple (II) is a collage assembled from twenty-four diazotype elements and four gelatin silver prints. Using diazotype, a medium typically employed to create architectural blueprints, allowed Woodman to work at a monumental scale. The composition depicts the right half of a temple façade and features four caryatids—female figures who form columns in classical architecture. The most famous examples of these features are on the Erechtheion at the Acropolis in Athens, which Woodman visited multiple times |
| Beschreibung: | Impressum: Published on the occasion of the exhibition "Francesca Woodman", March 13 - April 27, 2024, Gagosian, 555 West 24th Street, New York, NY |
| Beschreibung: | 96 ungezählte Seiten |
| ISBN: | 9781951449742 1951449746 |
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| 500 | |a Impressum: Published on the occasion of the exhibition "Francesca Woodman", March 13 - April 27, 2024, Gagosian, 555 West 24th Street, New York, NY | ||
| 505 | 8 | 0 | |t Francesca Woodman: at the edge |r Brooke Holmes |
| 520 | 3 | |a The exhibition presents key prints from approximately 1975 through 1980. Photographing in Providence, Rhode Island; Rome; Ravenna, Italy; and New York, Woodman situated herself and others within dilapidated interiors and ancient architecture to compose her tableaux. Using objects such as chairs and plinths along with architectural elements including doorways, walls, and windows, she staged contrasts with the performative presence of the figures, presenting the body itself as sculpture. In the Self-Deceit series (1978), she photographed herself nude in a room with crumbling walls, standing, crawling, or crouching with a frameless mirror. Through compositional fragmentation and blurring, Woodman throws into question the conceit that photography offers a revelation of the self. On view for the first time since spring 1980, when it was included in Beyond Photography 80, a group exhibition at the Alternative Museum in New York, Blueprint for a Temple (II) is a collage assembled from twenty-four diazotype elements and four gelatin silver prints. Using diazotype, a medium typically employed to create architectural blueprints, allowed Woodman to work at a monumental scale. The composition depicts the right half of a temple façade and features four caryatids—female figures who form columns in classical architecture. The most famous examples of these features are on the Erechtheion at the Acropolis in Athens, which Woodman visited multiple times | |
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Datensatz im Suchindex
| _version_ | 1817696572190752768 |
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| adam_text | |
| any_adam_object | |
| author | Holmes, Brooke 1976- |
| author2 | Woodman, Francesca 1958-1981 |
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| author_GND | (DE-588)120888564 (DE-588)1017511543 |
| author_additional | Brooke Holmes |
| author_facet | Holmes, Brooke 1976- Woodman, Francesca 1958-1981 |
| author_role | aut |
| author_sort | Holmes, Brooke 1976- |
| author_variant | b h bh |
| building | Verbundindex |
| bvnumber | BV049836985 |
| contents | Francesca Woodman: at the edge |
| ctrlnum | (OCoLC)1466904979 (DE-599)BVBBV049836985 |
| format | Book |
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| genre_facet | Ausstellungskatalog Gagosian Gallery 13.03.2024-27.04.2024 New York, NY Bildband |
| id | DE-604.BV049836985 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-06T13:08:55Z |
| institution | BVB |
| institution_GND | (DE-588)1224078-3 |
| isbn | 9781951449742 1951449746 |
| language | English |
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| physical | 96 ungezählte Seiten |
| publishDate | 2024 |
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| publisher | Gagosian |
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| spelling | Woodman, Francesca 1958-1981 (DE-588)120888564 pht Francesca Woodman (Ausstellungskatalog, 2024) Francesca Woodman [essay:] Brooke Holmes New York, NY Gagosian [2024] 96 ungezählte Seiten sti rdacontent txt rdacontent n rdamedia nc rdacarrier Impressum: Published on the occasion of the exhibition "Francesca Woodman", March 13 - April 27, 2024, Gagosian, 555 West 24th Street, New York, NY Francesca Woodman: at the edge Brooke Holmes The exhibition presents key prints from approximately 1975 through 1980. Photographing in Providence, Rhode Island; Rome; Ravenna, Italy; and New York, Woodman situated herself and others within dilapidated interiors and ancient architecture to compose her tableaux. Using objects such as chairs and plinths along with architectural elements including doorways, walls, and windows, she staged contrasts with the performative presence of the figures, presenting the body itself as sculpture. In the Self-Deceit series (1978), she photographed herself nude in a room with crumbling walls, standing, crawling, or crouching with a frameless mirror. Through compositional fragmentation and blurring, Woodman throws into question the conceit that photography offers a revelation of the self. On view for the first time since spring 1980, when it was included in Beyond Photography 80, a group exhibition at the Alternative Museum in New York, Blueprint for a Temple (II) is a collage assembled from twenty-four diazotype elements and four gelatin silver prints. Using diazotype, a medium typically employed to create architectural blueprints, allowed Woodman to work at a monumental scale. The composition depicts the right half of a temple façade and features four caryatids—female figures who form columns in classical architecture. The most famous examples of these features are on the Erechtheion at the Acropolis in Athens, which Woodman visited multiple times Woodman, Francesca 1958-1981 (DE-588)120888564 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Gagosian Gallery 13.03.2024-27.04.2024 New York, NY gnd-content (DE-588)4145395-5 Bildband gnd-content Woodman, Francesca 1958-1981 (DE-588)120888564 p DE-604 Holmes, Brooke 1976- (DE-588)1017511543 aut Gagosian Gallery (DE-588)1224078-3 isb his |
| spellingShingle | Holmes, Brooke 1976- Francesca Woodman Francesca Woodman: at the edge Woodman, Francesca 1958-1981 (DE-588)120888564 gnd |
| subject_GND | (DE-588)120888564 (DE-588)4135467-9 (DE-588)4145395-5 |
| title | Francesca Woodman |
| title_alt | Francesca Woodman (Ausstellungskatalog, 2024) Francesca Woodman: at the edge |
| title_auth | Francesca Woodman |
| title_exact_search | Francesca Woodman |
| title_full | Francesca Woodman [essay:] Brooke Holmes |
| title_fullStr | Francesca Woodman [essay:] Brooke Holmes |
| title_full_unstemmed | Francesca Woodman [essay:] Brooke Holmes |
| title_short | Francesca Woodman |
| title_sort | francesca woodman |
| topic | Woodman, Francesca 1958-1981 (DE-588)120888564 gnd |
| topic_facet | Woodman, Francesca 1958-1981 Ausstellungskatalog Gagosian Gallery 13.03.2024-27.04.2024 New York, NY Bildband |
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