Sound in the American horror film:
"The crack of thunder, a blood-curdling scream, creaking doors, or maybe complete silence. Sounds such as these have helped frighten and startle horror movie audiences for close to a century. Listen to a Universal classic like Dracula or Frankenstein and you will hear a very different soundtrac...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Jefferson, North Carolina
McFarland & Company, Inc., Publishers
[2024]
|
Schlagworte: | |
Zusammenfassung: | "The crack of thunder, a blood-curdling scream, creaking doors, or maybe complete silence. Sounds such as these have helped frighten and startle horror movie audiences for close to a century. Listen to a Universal classic like Dracula or Frankenstein and you will hear a very different soundtrack from contemporary horror films. So how did we get from there to here? What scared audiences then compared to now? This examination of the horror film's soundtrack builds on film sound and genre scholarship to demonstrate how horror, perhaps more than any other genre, utilizes sound to manipulate audience response. Beginning with the Universal pictures of the early 1930s and moving through the next nine decades, it explores connections and contrasts throughout the genre's technical and creative evolution. New enthusiasts or veteran fans of such varied films as The Mummy, Cat People, The Day the Earth Stood Still, Psycho, Halloween, A Nightmare on Elm Street, Scream, The Conjuring, Paranormal Activity, and A Quiet Place will find plenty to explore, and perhaps a new sonic appreciation, within these pages." |
Beschreibung: | vii, 235 Seiten Illustrationen 26 cm |
ISBN: | 9781476690681 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV049833177 | ||
003 | DE-604 | ||
005 | 20241023 | ||
007 | t| | ||
008 | 240826s2024 xx a||| |||| 00||| eng d | ||
020 | |a 9781476690681 |c Paperback |9 978-1-4766-9068-1 | ||
035 | |a (OCoLC)1435159928 | ||
035 | |a (DE-599)BVBBV049833177 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-M472 | ||
100 | 1 | |a Bullins, Jeffrey |d 1982- |e Verfasser |0 (DE-588)1344294014 |4 aut | |
245 | 1 | 0 | |a Sound in the American horror film |c Jeffrey Bullins |
264 | 1 | |a Jefferson, North Carolina |b McFarland & Company, Inc., Publishers |c [2024] | |
300 | |a vii, 235 Seiten |b Illustrationen |c 26 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a "The crack of thunder, a blood-curdling scream, creaking doors, or maybe complete silence. Sounds such as these have helped frighten and startle horror movie audiences for close to a century. Listen to a Universal classic like Dracula or Frankenstein and you will hear a very different soundtrack from contemporary horror films. So how did we get from there to here? What scared audiences then compared to now? This examination of the horror film's soundtrack builds on film sound and genre scholarship to demonstrate how horror, perhaps more than any other genre, utilizes sound to manipulate audience response. Beginning with the Universal pictures of the early 1930s and moving through the next nine decades, it explores connections and contrasts throughout the genre's technical and creative evolution. New enthusiasts or veteran fans of such varied films as The Mummy, Cat People, The Day the Earth Stood Still, Psycho, Halloween, A Nightmare on Elm Street, Scream, The Conjuring, Paranormal Activity, and A Quiet Place will find plenty to explore, and perhaps a new sonic appreciation, within these pages." | |
648 | 7 | |a Geschichte 1930- |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Soundverarbeitung |0 (DE-588)4485311-7 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Horrorfilm |0 (DE-588)4127415-5 |2 gnd |9 rswk-swf |
651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
653 | 0 | |a Sound in motion pictures | |
653 | 0 | |a Motion pictures / United States / Sound effects | |
653 | 0 | |a Horror films / Criticism and interpretation | |
653 | 0 | |a Sound / Recording and reproducing | |
653 | 0 | |a Cinéma / Son | |
653 | 0 | |a Cinéma / États-Unis / Effets sonores | |
653 | 0 | |a Films d'horreur / Critique et interprétation | |
653 | 0 | |a Son / Enregistrement et reproduction | |
653 | 0 | |a PERFORMING ARTS / Film / Genres / Horror | |
653 | 6 | |a Film criticism | |
653 | 6 | |a Critiques cinématographiques | |
689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
689 | 0 | 1 | |a Horrorfilm |0 (DE-588)4127415-5 |D s |
689 | 0 | 2 | |a Soundverarbeitung |0 (DE-588)4485311-7 |D s |
689 | 0 | 3 | |a Geschichte 1930- |A z |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-4766-5197-2 |
940 | 1 | |q BSB_NED_20241010 | |
942 | 1 | 1 | |c 791.409 |e 22/bsb |f 0905 |g 73 |
942 | 1 | 1 | |c 791.409 |e 22/bsb |f 0904 |g 73 |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035173120 |
Datensatz im Suchindex
_version_ | 1817696563795853312 |
---|---|
adam_text | |
any_adam_object | |
author | Bullins, Jeffrey 1982- |
author_GND | (DE-588)1344294014 |
author_facet | Bullins, Jeffrey 1982- |
author_role | aut |
author_sort | Bullins, Jeffrey 1982- |
author_variant | j b jb |
building | Verbundindex |
bvnumber | BV049833177 |
ctrlnum | (OCoLC)1435159928 (DE-599)BVBBV049833177 |
era | Geschichte 1930- gnd |
era_facet | Geschichte 1930- |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049833177</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20241023</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">240826s2024 xx a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781476690681</subfield><subfield code="c">Paperback</subfield><subfield code="9">978-1-4766-9068-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1435159928</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049833177</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-M472</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bullins, Jeffrey</subfield><subfield code="d">1982-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1344294014</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Sound in the American horror film</subfield><subfield code="c">Jeffrey Bullins</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Jefferson, North Carolina</subfield><subfield code="b">McFarland & Company, Inc., Publishers</subfield><subfield code="c">[2024]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">vii, 235 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">26 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"The crack of thunder, a blood-curdling scream, creaking doors, or maybe complete silence. Sounds such as these have helped frighten and startle horror movie audiences for close to a century. Listen to a Universal classic like Dracula or Frankenstein and you will hear a very different soundtrack from contemporary horror films. So how did we get from there to here? What scared audiences then compared to now? This examination of the horror film's soundtrack builds on film sound and genre scholarship to demonstrate how horror, perhaps more than any other genre, utilizes sound to manipulate audience response. Beginning with the Universal pictures of the early 1930s and moving through the next nine decades, it explores connections and contrasts throughout the genre's technical and creative evolution. New enthusiasts or veteran fans of such varied films as The Mummy, Cat People, The Day the Earth Stood Still, Psycho, Halloween, A Nightmare on Elm Street, Scream, The Conjuring, Paranormal Activity, and A Quiet Place will find plenty to explore, and perhaps a new sonic appreciation, within these pages."</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1930-</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Soundverarbeitung</subfield><subfield code="0">(DE-588)4485311-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Horrorfilm</subfield><subfield code="0">(DE-588)4127415-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sound in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures / United States / Sound effects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Horror films / Criticism and interpretation</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Sound / Recording and reproducing</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Cinéma / Son</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Cinéma / États-Unis / Effets sonores</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Films d'horreur / Critique et interprétation</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Son / Enregistrement et reproduction</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">PERFORMING ARTS / Film / Genres / Horror</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Film criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Critiques cinématographiques</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Horrorfilm</subfield><subfield code="0">(DE-588)4127415-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Soundverarbeitung</subfield><subfield code="0">(DE-588)4485311-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1930-</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-4766-5197-2</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20241010</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035173120</subfield></datafield></record></collection> |
geographic | USA (DE-588)4078704-7 gnd |
geographic_facet | USA |
id | DE-604.BV049833177 |
illustrated | Illustrated |
indexdate | 2024-12-06T13:08:47Z |
institution | BVB |
isbn | 9781476690681 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035173120 |
oclc_num | 1435159928 |
open_access_boolean | |
owner | DE-12 DE-M472 |
owner_facet | DE-12 DE-M472 |
physical | vii, 235 Seiten Illustrationen 26 cm |
psigel | BSB_NED_20241010 |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | McFarland & Company, Inc., Publishers |
record_format | marc |
spelling | Bullins, Jeffrey 1982- Verfasser (DE-588)1344294014 aut Sound in the American horror film Jeffrey Bullins Jefferson, North Carolina McFarland & Company, Inc., Publishers [2024] vii, 235 Seiten Illustrationen 26 cm txt rdacontent n rdamedia nc rdacarrier "The crack of thunder, a blood-curdling scream, creaking doors, or maybe complete silence. Sounds such as these have helped frighten and startle horror movie audiences for close to a century. Listen to a Universal classic like Dracula or Frankenstein and you will hear a very different soundtrack from contemporary horror films. So how did we get from there to here? What scared audiences then compared to now? This examination of the horror film's soundtrack builds on film sound and genre scholarship to demonstrate how horror, perhaps more than any other genre, utilizes sound to manipulate audience response. Beginning with the Universal pictures of the early 1930s and moving through the next nine decades, it explores connections and contrasts throughout the genre's technical and creative evolution. New enthusiasts or veteran fans of such varied films as The Mummy, Cat People, The Day the Earth Stood Still, Psycho, Halloween, A Nightmare on Elm Street, Scream, The Conjuring, Paranormal Activity, and A Quiet Place will find plenty to explore, and perhaps a new sonic appreciation, within these pages." Geschichte 1930- gnd rswk-swf Soundverarbeitung (DE-588)4485311-7 gnd rswk-swf Horrorfilm (DE-588)4127415-5 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Sound in motion pictures Motion pictures / United States / Sound effects Horror films / Criticism and interpretation Sound / Recording and reproducing Cinéma / Son Cinéma / États-Unis / Effets sonores Films d'horreur / Critique et interprétation Son / Enregistrement et reproduction PERFORMING ARTS / Film / Genres / Horror Film criticism Critiques cinématographiques USA (DE-588)4078704-7 g Horrorfilm (DE-588)4127415-5 s Soundverarbeitung (DE-588)4485311-7 s Geschichte 1930- z DE-604 Erscheint auch als Online-Ausgabe 978-1-4766-5197-2 |
spellingShingle | Bullins, Jeffrey 1982- Sound in the American horror film Soundverarbeitung (DE-588)4485311-7 gnd Horrorfilm (DE-588)4127415-5 gnd |
subject_GND | (DE-588)4485311-7 (DE-588)4127415-5 (DE-588)4078704-7 |
title | Sound in the American horror film |
title_auth | Sound in the American horror film |
title_exact_search | Sound in the American horror film |
title_full | Sound in the American horror film Jeffrey Bullins |
title_fullStr | Sound in the American horror film Jeffrey Bullins |
title_full_unstemmed | Sound in the American horror film Jeffrey Bullins |
title_short | Sound in the American horror film |
title_sort | sound in the american horror film |
topic | Soundverarbeitung (DE-588)4485311-7 gnd Horrorfilm (DE-588)4127415-5 gnd |
topic_facet | Soundverarbeitung Horrorfilm USA |
work_keys_str_mv | AT bullinsjeffrey soundintheamericanhorrorfilm |