Clothing and fashion in southern history:
"Contributions by Grace Elizabeth Hale, Katie Knowles, Ted Ownby, Jonathan Prude, William Sturkey, Susannah Walker, Becca Walton, and Sarah Jones Weicksel Fashion studies have long centered on the art and preservation of finely rendered garments of the upper class, and archival resources used i...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Jackson
University Press of Mississippi
[2020]
|
| Schlagworte: | |
| Zusammenfassung: | "Contributions by Grace Elizabeth Hale, Katie Knowles, Ted Ownby, Jonathan Prude, William Sturkey, Susannah Walker, Becca Walton, and Sarah Jones Weicksel Fashion studies have long centered on the art and preservation of finely rendered garments of the upper class, and archival resources used in the study of southern history have gaps and silences. Yet, little study has been given to the approach of clothing as something made, worn, and intimately experienced by enslaved people, incarcerated people, and the poor and working class, and by subcultures perceived as transgressive. The essays in the volume, using clothing as a point of departure, encourage readers to imagine the South's centuries-long engagement with a global economy through garments, with cotton harvested by enslaved or poorly paid workers, milled in distant factories, designed with influence from cosmopolitan tastemakers, and sold back in the South, often by immigrant merchants. Contributors explore such topics as how free and enslaved women with few or no legal rights claimed to own clothing in the mid-1800s, how white women in the Confederacy claimed the making of clothing as a form of patriotism, how imprisoned men and women made and imagined their clothing, and clothing cooperatives in civil rights-era Mississippi. An introduction by editors Ted Ownby and Becca Walton asks how best to begin studying clothing and fashion in southern history, and an afterword by Jonathan Prude asks how best to conclude"-- "The first volume to closely study the history of clothing and its relationship to work, power, and identity in the South"-- |
| Beschreibung: | xiv, 157 Seiten Illustrationen 24 cm |
| ISBN: | 9781496829504 1496829506 9781496829511 1496829514 |
Internformat
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| 245 | 1 | 0 | |a Clothing and fashion in southern history |c edited by Ted Ownby and Becca Walton |
| 264 | 1 | |a Jackson |b University Press of Mississippi |c [2020] | |
| 300 | |a xiv, 157 Seiten |b Illustrationen |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | 0 | |t Introduction: Where should we begin? |r Ted Ownby and Becca Walton |t Patches of resistance on the badges of enslavement: enslaved southerners, Negro cloth, and fashionability in the cotton South |r Katie Knowles |t Confederate cultures of military clothing production |r Sarah Jones Weicksel |t WPA sewing projects: a case study in southern encounters with the New Deal welfare state |r Susannah Walker |t "Thinking of you every minute (and every stitch)": sewing, clothing, and identity at the Mississippi State Penitentiary at Parchman, 1950-1969 |r Becca Walton |t The Mississippi Poor People's Corporation: clothing manufacture and consumer capitalism in defense of Black voting rights, 1965-1974 |r William Sturkey |t The dress makes the band: used clothes, drag acts, and bohemians in the Athens, Georgia music scene |r Grace Elizabeth Hale |r Jonathan Prude |
| 520 | 3 | |a "Contributions by Grace Elizabeth Hale, Katie Knowles, Ted Ownby, Jonathan Prude, William Sturkey, Susannah Walker, Becca Walton, and Sarah Jones Weicksel Fashion studies have long centered on the art and preservation of finely rendered garments of the upper class, and archival resources used in the study of southern history have gaps and silences. Yet, little study has been given to the approach of clothing as something made, worn, and intimately experienced by enslaved people, incarcerated people, and the poor and working class, and by subcultures perceived as transgressive. The essays in the volume, using clothing as a point of departure, encourage readers to imagine the South's centuries-long engagement with a global economy through garments, with cotton harvested by enslaved or poorly paid workers, milled in distant factories, designed with influence from cosmopolitan tastemakers, and sold back in the South, often by immigrant merchants. Contributors explore such topics as how free and enslaved women with few or no legal rights claimed to own clothing in the mid-1800s, how white women in the Confederacy claimed the making of clothing as a form of patriotism, how imprisoned men and women made and imagined their clothing, and clothing cooperatives in civil rights-era Mississippi. An introduction by editors Ted Ownby and Becca Walton asks how best to begin studying clothing and fashion in southern history, and an afterword by Jonathan Prude asks how best to conclude"-- | |
| 520 | 3 | |a "The first volume to closely study the history of clothing and its relationship to work, power, and identity in the South"-- | |
| 653 | 0 | |a Clothing and dress / Southern States / History | |
| 653 | 0 | |a Clothing and dress / Social aspects / Southern States | |
| 653 | 0 | |a HISTORY / United States / State & Local / South (AL, AR, FL, GA, KY, LA, MS, NC, SC, TN, VA, WV) | |
| 653 | 0 | |a Clothing and dress | |
| 653 | 0 | |a Clothing and dress / Social aspects | |
| 653 | 2 | |a Southern States | |
| 653 | 6 | |a History | |
| 700 | 1 | |a Ownby, Ted |e Sonstige |0 (DE-588)1138288616 |4 oth | |
| 700 | 1 | |a Walton, Becca |e Sonstige |0 (DE-588)1357188528 |4 oth | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |t Clothing and fashion in southern history |d Jackson : University Press of Mississippi, 2020 |z 978-1-4968-2952-8 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035166294 | |
Datensatz im Suchindex
| _version_ | 1824679563774394368 |
|---|---|
| adam_text | |
| any_adam_object | |
| author_GND | (DE-588)1138288616 (DE-588)1357188528 |
| author_additional | Ted Ownby and Becca Walton Katie Knowles Sarah Jones Weicksel Susannah Walker Becca Walton William Sturkey Grace Elizabeth Hale Jonathan Prude |
| building | Verbundindex |
| bvnumber | BV049826240 |
| contents | Introduction: Where should we begin? Patches of resistance on the badges of enslavement: enslaved southerners, Negro cloth, and fashionability in the cotton South Confederate cultures of military clothing production WPA sewing projects: a case study in southern encounters with the New Deal welfare state "Thinking of you every minute (and every stitch)": sewing, clothing, and identity at the Mississippi State Penitentiary at Parchman, 1950-1969 The Mississippi Poor People's Corporation: clothing manufacture and consumer capitalism in defense of Black voting rights, 1965-1974 The dress makes the band: used clothes, drag acts, and bohemians in the Athens, Georgia music scene |
| ctrlnum | (OCoLC)1196240263 (DE-599)BVBBV049826240 |
| dewey-full | 646.30973 |
| dewey-hundreds | 600 - Technology (Applied sciences) |
| dewey-ones | 646 - Sewing, clothing & personal living |
| dewey-raw | 646.30973 |
| dewey-search | 646.30973 |
| dewey-sort | 3646.30973 |
| dewey-tens | 640 - Home and family management |
| discipline | Agrar-/Forst-/Ernährungs-/Haushaltswissenschaft / Gartenbau |
| format | Book |
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| id | DE-604.BV049826240 |
| illustrated | Illustrated |
| indexdate | 2025-02-21T15:00:35Z |
| institution | BVB |
| isbn | 9781496829504 1496829506 9781496829511 1496829514 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035166294 |
| oclc_num | 1196240263 |
| open_access_boolean | |
| owner | DE-188 |
| owner_facet | DE-188 |
| physical | xiv, 157 Seiten Illustrationen 24 cm |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | University Press of Mississippi |
| record_format | marc |
| spelling | Clothing and fashion in southern history edited by Ted Ownby and Becca Walton Jackson University Press of Mississippi [2020] xiv, 157 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Introduction: Where should we begin? Ted Ownby and Becca Walton Patches of resistance on the badges of enslavement: enslaved southerners, Negro cloth, and fashionability in the cotton South Katie Knowles Confederate cultures of military clothing production Sarah Jones Weicksel WPA sewing projects: a case study in southern encounters with the New Deal welfare state Susannah Walker "Thinking of you every minute (and every stitch)": sewing, clothing, and identity at the Mississippi State Penitentiary at Parchman, 1950-1969 Becca Walton The Mississippi Poor People's Corporation: clothing manufacture and consumer capitalism in defense of Black voting rights, 1965-1974 William Sturkey The dress makes the band: used clothes, drag acts, and bohemians in the Athens, Georgia music scene Grace Elizabeth Hale Jonathan Prude "Contributions by Grace Elizabeth Hale, Katie Knowles, Ted Ownby, Jonathan Prude, William Sturkey, Susannah Walker, Becca Walton, and Sarah Jones Weicksel Fashion studies have long centered on the art and preservation of finely rendered garments of the upper class, and archival resources used in the study of southern history have gaps and silences. Yet, little study has been given to the approach of clothing as something made, worn, and intimately experienced by enslaved people, incarcerated people, and the poor and working class, and by subcultures perceived as transgressive. The essays in the volume, using clothing as a point of departure, encourage readers to imagine the South's centuries-long engagement with a global economy through garments, with cotton harvested by enslaved or poorly paid workers, milled in distant factories, designed with influence from cosmopolitan tastemakers, and sold back in the South, often by immigrant merchants. Contributors explore such topics as how free and enslaved women with few or no legal rights claimed to own clothing in the mid-1800s, how white women in the Confederacy claimed the making of clothing as a form of patriotism, how imprisoned men and women made and imagined their clothing, and clothing cooperatives in civil rights-era Mississippi. An introduction by editors Ted Ownby and Becca Walton asks how best to begin studying clothing and fashion in southern history, and an afterword by Jonathan Prude asks how best to conclude"-- "The first volume to closely study the history of clothing and its relationship to work, power, and identity in the South"-- Clothing and dress / Southern States / History Clothing and dress / Social aspects / Southern States HISTORY / United States / State & Local / South (AL, AR, FL, GA, KY, LA, MS, NC, SC, TN, VA, WV) Clothing and dress Clothing and dress / Social aspects Southern States History Ownby, Ted Sonstige (DE-588)1138288616 oth Walton, Becca Sonstige (DE-588)1357188528 oth Erscheint auch als Online-Ausgabe Clothing and fashion in southern history Jackson : University Press of Mississippi, 2020 978-1-4968-2952-8 |
| spellingShingle | Clothing and fashion in southern history Introduction: Where should we begin? Patches of resistance on the badges of enslavement: enslaved southerners, Negro cloth, and fashionability in the cotton South Confederate cultures of military clothing production WPA sewing projects: a case study in southern encounters with the New Deal welfare state "Thinking of you every minute (and every stitch)": sewing, clothing, and identity at the Mississippi State Penitentiary at Parchman, 1950-1969 The Mississippi Poor People's Corporation: clothing manufacture and consumer capitalism in defense of Black voting rights, 1965-1974 The dress makes the band: used clothes, drag acts, and bohemians in the Athens, Georgia music scene |
| title | Clothing and fashion in southern history |
| title_alt | Introduction: Where should we begin? Patches of resistance on the badges of enslavement: enslaved southerners, Negro cloth, and fashionability in the cotton South Confederate cultures of military clothing production WPA sewing projects: a case study in southern encounters with the New Deal welfare state "Thinking of you every minute (and every stitch)": sewing, clothing, and identity at the Mississippi State Penitentiary at Parchman, 1950-1969 The Mississippi Poor People's Corporation: clothing manufacture and consumer capitalism in defense of Black voting rights, 1965-1974 The dress makes the band: used clothes, drag acts, and bohemians in the Athens, Georgia music scene |
| title_auth | Clothing and fashion in southern history |
| title_exact_search | Clothing and fashion in southern history |
| title_full | Clothing and fashion in southern history edited by Ted Ownby and Becca Walton |
| title_fullStr | Clothing and fashion in southern history edited by Ted Ownby and Becca Walton |
| title_full_unstemmed | Clothing and fashion in southern history edited by Ted Ownby and Becca Walton |
| title_short | Clothing and fashion in southern history |
| title_sort | clothing and fashion in southern history |
| work_keys_str_mv | AT ownbyted clothingandfashioninsouthernhistory AT waltonbecca clothingandfashioninsouthernhistory |