Soviet spectatorship: observing the body in physical and visual culture
"What distinguished the Soviet 'look'? How did Soviet thinkers and artists reimagine the relationship between observer and observed? Soviet Spectatorshipanswers these questions through an in depth exploration of Soviet physical culture and its on screen representations from the end of...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Bloomsbury Academic
2024
|
| Schriftenreihe: | KINO: the Russian and Soviet cinema
Bloomsbury collections |
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-188 DE-703 Volltext |
| Zusammenfassung: | "What distinguished the Soviet 'look'? How did Soviet thinkers and artists reimagine the relationship between observer and observed? Soviet Spectatorshipanswers these questions through an in depth exploration of Soviet physical culture and its on screen representations from the end of the Civil War to the eve of the Second World War. Samuel Goff identifies the three fundamental ‘structures of looking’ — surveillance, aesthetics, and spectatorship — that shaped representations of the embodied Soviet subject. Close readings of understudied films such asHappy Finish(1934),The Laurels of Miss Ellen Gray(1935) andA Strict Young Man(1936), are contextualised through a theoretical analysis of the relationship between subjectivity and the body. In doing so, Goff traces the evolution of a specific Soviet 'look', examining perspectives on Soviet aesthetics and theories of body and mind, uncovering continuities within Soviet visual cultures in a period usually understood in terms of discontinuity and rupture. Soviet Spectatorship explores Soviet physical culture and its representation in cinema, painting, and photography from 1921-1939. Bringing together the study of physical and visual culture, it traces the evolution of ‘spectatorship’ as a specifically Soviet form of the ‘gaze’ that offers new perspectives on Soviet thinking on psychology, aesthetics, gender, and violence. This book reveals interwar Soviet visual culture as a realm of bodily observation and critique, uncovering continuities of theory and practice between avant-garde culture and Stalinism. Soviet Spectatorship asks: what distinguished the Soviet look? How did Soviet thinkers and artists reimagine the relationship between observer and observed? [...]" |
| Beschreibung: | 1 Online-Ressource (264 Seiten) Illustrationen |
| ISBN: | 9781350411197 9781350411180 9781350411173 |
| DOI: | 10.5040/9781350411197 |
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Datensatz im Suchindex
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| spelling | Goff, Samuel Verfasser (DE-588)1338567373 aut Soviet spectatorship observing the body in physical and visual culture Samuel Goff London ; New York Bloomsbury Academic 2024 1 Online-Ressource (264 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier KINO: the Russian and Soviet cinema Bloomsbury collections "What distinguished the Soviet 'look'? How did Soviet thinkers and artists reimagine the relationship between observer and observed? Soviet Spectatorshipanswers these questions through an in depth exploration of Soviet physical culture and its on screen representations from the end of the Civil War to the eve of the Second World War. Samuel Goff identifies the three fundamental ‘structures of looking’ — surveillance, aesthetics, and spectatorship — that shaped representations of the embodied Soviet subject. Close readings of understudied films such asHappy Finish(1934),The Laurels of Miss Ellen Gray(1935) andA Strict Young Man(1936), are contextualised through a theoretical analysis of the relationship between subjectivity and the body. In doing so, Goff traces the evolution of a specific Soviet 'look', examining perspectives on Soviet aesthetics and theories of body and mind, uncovering continuities within Soviet visual cultures in a period usually understood in terms of discontinuity and rupture. Soviet Spectatorship explores Soviet physical culture and its representation in cinema, painting, and photography from 1921-1939. Bringing together the study of physical and visual culture, it traces the evolution of ‘spectatorship’ as a specifically Soviet form of the ‘gaze’ that offers new perspectives on Soviet thinking on psychology, aesthetics, gender, and violence. This book reveals interwar Soviet visual culture as a realm of bodily observation and critique, uncovering continuities of theory and practice between avant-garde culture and Stalinism. Soviet Spectatorship asks: what distinguished the Soviet look? How did Soviet thinkers and artists reimagine the relationship between observer and observed? [...]" Film (DE-588)4017102-4 gnd rswk-swf Körper Motiv (DE-588)4164424-4 gnd rswk-swf Sowjetunion (DE-588)4077548-3 gnd rswk-swf Motion pictures / Soviet Union / History Human body in motion pictures Sowjetunion (DE-588)4077548-3 g Film (DE-588)4017102-4 s Körper Motiv (DE-588)4164424-4 s DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-3504-1116-6 https://doi.org/10.5040/9781350411197?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Goff, Samuel Soviet spectatorship observing the body in physical and visual culture Film (DE-588)4017102-4 gnd Körper Motiv (DE-588)4164424-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4164424-4 (DE-588)4077548-3 |
| title | Soviet spectatorship observing the body in physical and visual culture |
| title_auth | Soviet spectatorship observing the body in physical and visual culture |
| title_exact_search | Soviet spectatorship observing the body in physical and visual culture |
| title_full | Soviet spectatorship observing the body in physical and visual culture Samuel Goff |
| title_fullStr | Soviet spectatorship observing the body in physical and visual culture Samuel Goff |
| title_full_unstemmed | Soviet spectatorship observing the body in physical and visual culture Samuel Goff |
| title_short | Soviet spectatorship |
| title_sort | soviet spectatorship observing the body in physical and visual culture |
| title_sub | observing the body in physical and visual culture |
| topic | Film (DE-588)4017102-4 gnd Körper Motiv (DE-588)4164424-4 gnd |
| topic_facet | Film Körper Motiv Sowjetunion |
| url | https://doi.org/10.5040/9781350411197?locatt=label:secondary_bloomsburyCollections |
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