Art and identity in Spain, 1833-1956: the Orient within
"Richly illustrated, this is the first study in English to explore the longevity of Orientalist art in Spain over a period of 120 years. It highlights how artists in Spain shaped perceptions of Al-Andalus (Iberia under Islam 711–1492) and northern Morocco, from Spain’s liberal revolution of the...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Visual Arts
2024
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| Schriftenreihe: | Bloomsbury collections
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| Schlagworte: | |
| Online-Zugang: | DE-12 Volltext |
| Zusammenfassung: | "Richly illustrated, this is the first study in English to explore the longevity of Orientalist art in Spain over a period of 120 years. It highlights how artists in Spain shaped perceptions of Al-Andalus (Iberia under Islam 711–1492) and northern Morocco, from Spain’s liberal revolution of the 1830s to the end of the Protectorate of Morocco in 1956. Combining art history with a cultural studies approach, and using exemplary case studies, Hopkins foregrounds the diverse issues that underpin Orientalist expression: reflections on history and the nation, cultural nationalism, gender and sexuality, aesthetics and art commerce, colonialism and racial thinking. In the process, the book challenges over-familiar understandings of Western Orientalism. Beyond Fortuny and Sorolla, many unfamiliar artists and exhibitions are introduced, amongst themVillaamil, whose nostalgic landscapes evoked the loss of Andalusi culture;Bécquer, who celebrated Spanish-Moroccan peace-making through the lens of Velázquez; the SymbolistRusiñol, whose images of the Alhambra are infused with melancholy;Morcillo, whose extraordinary camp images opened a new space for male subjectivity;TapiróandBertuchi, who dedicated their lives to Morocco, and the MoroccanSarghini, who participated in the state-fundedPainters of Africaexhibitions in Franco’s Madrid – an annual exhibition that served the colonial concept of a Hispano-Moroccan brotherhood under the dictatorship. This book traces the shifting impulses and meanings of Orientalist expression in Spain. It makes an original intervention in the field of Spanish art studies and contributes new material to the ongoing debates about Western Orientalism." |
| Beschreibung: | 1 Online-Ressource (320 Seiten) Illustrationen |
| ISBN: | 9781350428560 9781350428546 9781350428553 |
| DOI: | 10.5040/9781350428560 |
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Datensatz im Suchindex
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| spelling | Hopkins, Claudia Verfasser (DE-588)1224975502 aut Art and identity in Spain, 1833-1956 the Orient within Claudia Hopkins London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Visual Arts 2024 1 Online-Ressource (320 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Bloomsbury collections Dissertation "Richly illustrated, this is the first study in English to explore the longevity of Orientalist art in Spain over a period of 120 years. It highlights how artists in Spain shaped perceptions of Al-Andalus (Iberia under Islam 711–1492) and northern Morocco, from Spain’s liberal revolution of the 1830s to the end of the Protectorate of Morocco in 1956. Combining art history with a cultural studies approach, and using exemplary case studies, Hopkins foregrounds the diverse issues that underpin Orientalist expression: reflections on history and the nation, cultural nationalism, gender and sexuality, aesthetics and art commerce, colonialism and racial thinking. In the process, the book challenges over-familiar understandings of Western Orientalism. Beyond Fortuny and Sorolla, many unfamiliar artists and exhibitions are introduced, amongst themVillaamil, whose nostalgic landscapes evoked the loss of Andalusi culture;Bécquer, who celebrated Spanish-Moroccan peace-making through the lens of Velázquez; the SymbolistRusiñol, whose images of the Alhambra are infused with melancholy;Morcillo, whose extraordinary camp images opened a new space for male subjectivity;TapiróandBertuchi, who dedicated their lives to Morocco, and the MoroccanSarghini, who participated in the state-fundedPainters of Africaexhibitions in Franco’s Madrid – an annual exhibition that served the colonial concept of a Hispano-Moroccan brotherhood under the dictatorship. This book traces the shifting impulses and meanings of Orientalist expression in Spain. It makes an original intervention in the field of Spanish art studies and contributes new material to the ongoing debates about Western Orientalism." Geschichte 1833-1956 gnd rswk-swf Orientalismus Kunst (DE-588)4252308-4 gnd rswk-swf Spanien (DE-588)4055964-6 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Spanien (DE-588)4055964-6 g Orientalismus Kunst (DE-588)4252308-4 s Geschichte 1833-1956 z DE-604 Erscheint auch als Druck-Ausgabe 978-1-350-42853-9 https://doi.org/10.5040/9781350428560?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hopkins, Claudia Art and identity in Spain, 1833-1956 the Orient within Orientalismus Kunst (DE-588)4252308-4 gnd |
| subject_GND | (DE-588)4252308-4 (DE-588)4055964-6 (DE-588)4113937-9 |
| title | Art and identity in Spain, 1833-1956 the Orient within |
| title_auth | Art and identity in Spain, 1833-1956 the Orient within |
| title_exact_search | Art and identity in Spain, 1833-1956 the Orient within |
| title_full | Art and identity in Spain, 1833-1956 the Orient within Claudia Hopkins |
| title_fullStr | Art and identity in Spain, 1833-1956 the Orient within Claudia Hopkins |
| title_full_unstemmed | Art and identity in Spain, 1833-1956 the Orient within Claudia Hopkins |
| title_short | Art and identity in Spain, 1833-1956 |
| title_sort | art and identity in spain 1833 1956 the orient within |
| title_sub | the Orient within |
| topic | Orientalismus Kunst (DE-588)4252308-4 gnd |
| topic_facet | Orientalismus Kunst Spanien Hochschulschrift |
| url | https://doi.org/10.5040/9781350428560?locatt=label:secondary_bloomsburyCollections |
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