1999: the year the record industry lost control
"It was supposed to be just another bumper year for the record business. The industry was firing on all cylinders and growing exponentially; CD was king and bringing in phenomenal sums of money. The good times, culturally and financially, were rolling. Yet by December 1999, at the dawn of the n...
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London
Omnibus Press
[2024]
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Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "It was supposed to be just another bumper year for the record business. The industry was firing on all cylinders and growing exponentially; CD was king and bringing in phenomenal sums of money. The good times, culturally and financially, were rolling. Yet by December 1999, at the dawn of the new millennium, a bomb had been set squarely under the core business -- the arrival of digital as we know it today. The story of 1999 is one of control: who had it, who lost it and who wanted more. It was a year of chaos for an industry that had shaped the 20th century, had grown complacent and was quickly having to adapt to a very different and an infinitely less certain future. It was one of the most pivotal, lucrative, exciting and turbulent years the record business has ever experienced. And this is how it happened."--Back of dust jacket |
Beschreibung: | xiii, 557 Seiten 24,2 cm |
ISBN: | 9781913172770 |
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505 | 8 | |a Prologue -- Beginnings. A fracture in the endless party -- Majors. Getting away with merger: answering the digital revolution through pepped-up consolidation ; The missionary zeal of the converts ; Indie-fatigable: the rearguard action against major consolidation -- Piracy. Marauder on the dancefloor: music piracy goes from analogue to digital -- MP3. World War MP3: the downloadable insurrection ; Shaking the temple's pillars: MP3.com's onslaught on the old business ; Trading standards: building a paid download business ; Internet disservice providers: the majors declare war on web providers, search engines and civilians -- Standards. It's fun to stay at the S-D-M-I: counting angels on pinheads -- Startups. The startup shakedown: containing and restraining the new -- Retail. Retail/re-model: the High Street on high alert ; Loss-lead us not into temptation: how supermarkets and online retailers pushed the CD business to the brink ; Out of site, out of mind: the URL land grab -- Bowie. Cyberspace oddity: David Bowie's hours... album causes retail uproar -- Physical. Let's get physical (again) -- Napster. Free form: the inevitable chaos unlocked by Napster -- Endings. Repercussions and concussions: the aftermath of 1999 | |
520 | 3 | |a "It was supposed to be just another bumper year for the record business. The industry was firing on all cylinders and growing exponentially; CD was king and bringing in phenomenal sums of money. The good times, culturally and financially, were rolling. Yet by December 1999, at the dawn of the new millennium, a bomb had been set squarely under the core business -- the arrival of digital as we know it today. The story of 1999 is one of control: who had it, who lost it and who wanted more. It was a year of chaos for an industry that had shaped the 20th century, had grown complacent and was quickly having to adapt to a very different and an infinitely less certain future. It was one of the most pivotal, lucrative, exciting and turbulent years the record business has ever experienced. And this is how it happened."--Back of dust jacket | |
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Datensatz im Suchindex
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Contents Prologue xi BEGINNINGS 1 A Fracture in the Endless Party The CD boom: The gift that kept on giving 7-11; Unpleasant Valley some day: the dot com boom means a looming storm for music 11-15; Music's early digital disciples and experimenters 15-22; 'Take that fucking thing home if you know what your job's worth': digital music players arrive 22-26; The era of the super-major: how Universal Music became the behemoth of the record business (or a $10.6 billion train set) 26-37 3 MAJORS 2 Getting Away with Merger: Answering the Digital Revolution Through Pepped-up Consolidation 'The world's largest sports car': Bronfman's new vision for the biggest music company in the world 43-54; The shadow creeps further: how the other labels responded to Universal’s rolling aggrandisement 54-59; Luddites be damned: the 'mixed-speed economy' in the record business as digital ascends 59-70 3 The Missionary Zeal of the Converts Digital preparation: Warner 71-75; Digital preparation: Universal 75-79; Digital preparation: BMG 79-80; Digital preparation: Sony 80-82; Digital preparation: EMI 82-87 43 71
INDIES 4 Indie-fatigable: the Rearguard Action Against Major Consolidation Digital dominance: the online lifeline for independents 105-114 91 PIRACY 5 Marauder on the Dancefloor: Music Piracy Goes From Analogue to Digital 117 The perfect copy conundrum: a digital piracy tsunami threatens to engulf the record business 129-138; Who do you think you CD-R?: home taping gets supercharged 138-144; Sum of a teacher, man: trying to educate a new generation about piracy 145-149; Technology moves faster than the law: eternally playing catch-up with the machines 150-151 MP3 6 World War MP3: The Downloadable Insurrection From the laboratory to sedition: the MP3 becomes the record industry's bête noire 167-171; Rio grandstanding: tiying to defuse the MP3 player grenade 171-178 7 Shaking the Temple's Pillars: MP3.com's Onslaught on the Old Business I want my MP3: repositioning the format the record industry hated so much 192-201; Mechanical engineering: publishers try to define their share of the incipient download market 201-205 155 179 8 Trading Standards: Building a Paid Download Business 206 9 Internet Disservice Providers: the Majors Declare War on Web Providers, Search Engines and Civilians Panic over the normalisation of 'free' 224—225; It was a stepping-stone format: nothing more 225-226 219
STANDARDS 10 It's Fun to Stay at the S-D-M-I: Counting Angels on Pinheads The long road to setting the standard 237-245; Unmagical thinking: breaking the SDMI spell 245-246; One deflation under a groove: the slow puncture of SDMI 246-255 231 STARTUPS 11 The Startup Shakedown: Containing and Restraining the New The onus bonus: the ridiculous stress on startups to IPO 277-281; Offering services at least a fighting chance and the consequences of major label pillaging 282-286 261 RETAIL 12 Retail/Re-model: the High Street on High Alert The perpetual growth loop: more shops = more customers = more profit = more money to open more shops 295-297; Obsessing over physical meant blocking out digital 298-303; Love, hate, sales 303-308; Single life: the US kills it off but the UK sees a boom in the 1990s 308-318 13 Loss-lead Us Not into Temptation: How Supermarkets and Online Retailers Pushed the CD Business to the Brink Retail reclaimed: labels toy with selling music themselves 336-346 289 319 347 14 Out of Site, Out of Mind: the URL Land Grab Ranch dressing: Universal executives build a farm-themed website in honour of themselves 357-359; Marillionnaires club: the band going it alone online 359-365; O-kiosk computer: the short-lived attempt to let consumers burn their own CDs 365-371; Retail reconfiguration: the conditional response to digital 371-378; Withdrawal symptoms: retailers threaten to dump music entirely (or do they?) 378-388
BOWIE 15 Cyberspace Oddity: David Bowie's hours. . . Album Causes Retail Uproar 391 PHYSICAL 16 Let's Get Physical (Again) 411 MiniDisc 414-416 Music DVD 416-417 Super Audio CD/ DVD-Audio 418-419 Interview CDs 419-420 Shape CDs 420-421 Improved CD mastering 421-422; Cassettes 422-424 NAPSTER 17 Free Form: the Inevitable Chaos Unlocked by Napster A very quick potted - and partial - history of how Napster came to be 428-433; Do you know the way to. . . San Mateo? The big league beckons 433-436; Countdown to apocalypse: the record industry is immediately put on scramble mode 436-440; Shuttle diplomacy: trying to bring Napster to heel without unleashing the lawyers. . . at least not yet 440-443; A killer Nap': was Napster killing nascent legal services before they even had a chance? 443-445; The quiet cheerleaders: those inside labels who saw Napster as a springboard to the future rather than the record industry's undertaker 445-452; Been court stealing: the RIAA launches legal action against Napster 452-458; Business, suits: the implications of the legal assault on Napster 459-465 427 ENDINGS 18 Repercussions and Concussions: the Aftermath of 1999 Who wants to Clive forever? The first giant falls 469-472; What happened next? 472-477; Final thoughts: what 1999 meant for the people who were there 478-482 Dramatis Personae Acknowledgements Notes Index 469 485 489 491 539 |
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author | Forde, Eamonn |
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contents | Prologue -- Beginnings. A fracture in the endless party -- Majors. Getting away with merger: answering the digital revolution through pepped-up consolidation ; The missionary zeal of the converts ; Indie-fatigable: the rearguard action against major consolidation -- Piracy. Marauder on the dancefloor: music piracy goes from analogue to digital -- MP3. World War MP3: the downloadable insurrection ; Shaking the temple's pillars: MP3.com's onslaught on the old business ; Trading standards: building a paid download business ; Internet disservice providers: the majors declare war on web providers, search engines and civilians -- Standards. It's fun to stay at the S-D-M-I: counting angels on pinheads -- Startups. The startup shakedown: containing and restraining the new -- Retail. Retail/re-model: the High Street on high alert ; Loss-lead us not into temptation: how supermarkets and online retailers pushed the CD business to the brink ; Out of site, out of mind: the URL land grab -- Bowie. Cyberspace oddity: David Bowie's hours... album causes retail uproar -- Physical. Let's get physical (again) -- Napster. Free form: the inevitable chaos unlocked by Napster -- Endings. Repercussions and concussions: the aftermath of 1999 |
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indexdate | 2024-11-11T09:10:07Z |
institution | BVB |
isbn | 9781913172770 |
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spelling | Forde, Eamonn Verfasser (DE-588)1244869252 aut 1999 the year the record industry lost control Eamonn Forde Nineteen ninety-nine London Omnibus Press [2024] © 2024 xiii, 557 Seiten 24,2 cm txt rdacontent n rdamedia nc rdacarrier Prologue -- Beginnings. A fracture in the endless party -- Majors. Getting away with merger: answering the digital revolution through pepped-up consolidation ; The missionary zeal of the converts ; Indie-fatigable: the rearguard action against major consolidation -- Piracy. Marauder on the dancefloor: music piracy goes from analogue to digital -- MP3. World War MP3: the downloadable insurrection ; Shaking the temple's pillars: MP3.com's onslaught on the old business ; Trading standards: building a paid download business ; Internet disservice providers: the majors declare war on web providers, search engines and civilians -- Standards. It's fun to stay at the S-D-M-I: counting angels on pinheads -- Startups. The startup shakedown: containing and restraining the new -- Retail. Retail/re-model: the High Street on high alert ; Loss-lead us not into temptation: how supermarkets and online retailers pushed the CD business to the brink ; Out of site, out of mind: the URL land grab -- Bowie. Cyberspace oddity: David Bowie's hours... album causes retail uproar -- Physical. Let's get physical (again) -- Napster. Free form: the inevitable chaos unlocked by Napster -- Endings. Repercussions and concussions: the aftermath of 1999 "It was supposed to be just another bumper year for the record business. The industry was firing on all cylinders and growing exponentially; CD was king and bringing in phenomenal sums of money. The good times, culturally and financially, were rolling. Yet by December 1999, at the dawn of the new millennium, a bomb had been set squarely under the core business -- the arrival of digital as we know it today. The story of 1999 is one of control: who had it, who lost it and who wanted more. It was a year of chaos for an industry that had shaped the 20th century, had grown complacent and was quickly having to adapt to a very different and an infinitely less certain future. It was one of the most pivotal, lucrative, exciting and turbulent years the record business has ever experienced. And this is how it happened."--Back of dust jacket Geschichte 1999 gnd rswk-swf Digitalisierung (DE-588)4123065-6 gnd rswk-swf Tonträgerindustrie (DE-588)4267529-7 gnd rswk-swf Sound recording industry / History Nineteen ninety-nine, A.D. Enregistrements sonores / Industrie / Histoire Mil neuf cent quatre-vingt-dix-neuf Tonträgerindustrie (DE-588)4267529-7 s Digitalisierung (DE-588)4123065-6 s Geschichte 1999 z DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035148253&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Forde, Eamonn 1999 the year the record industry lost control Prologue -- Beginnings. A fracture in the endless party -- Majors. Getting away with merger: answering the digital revolution through pepped-up consolidation ; The missionary zeal of the converts ; Indie-fatigable: the rearguard action against major consolidation -- Piracy. Marauder on the dancefloor: music piracy goes from analogue to digital -- MP3. World War MP3: the downloadable insurrection ; Shaking the temple's pillars: MP3.com's onslaught on the old business ; Trading standards: building a paid download business ; Internet disservice providers: the majors declare war on web providers, search engines and civilians -- Standards. It's fun to stay at the S-D-M-I: counting angels on pinheads -- Startups. The startup shakedown: containing and restraining the new -- Retail. Retail/re-model: the High Street on high alert ; Loss-lead us not into temptation: how supermarkets and online retailers pushed the CD business to the brink ; Out of site, out of mind: the URL land grab -- Bowie. Cyberspace oddity: David Bowie's hours... album causes retail uproar -- Physical. Let's get physical (again) -- Napster. Free form: the inevitable chaos unlocked by Napster -- Endings. Repercussions and concussions: the aftermath of 1999 Digitalisierung (DE-588)4123065-6 gnd Tonträgerindustrie (DE-588)4267529-7 gnd |
subject_GND | (DE-588)4123065-6 (DE-588)4267529-7 |
title | 1999 the year the record industry lost control |
title_alt | Nineteen ninety-nine |
title_auth | 1999 the year the record industry lost control |
title_exact_search | 1999 the year the record industry lost control |
title_full | 1999 the year the record industry lost control Eamonn Forde |
title_fullStr | 1999 the year the record industry lost control Eamonn Forde |
title_full_unstemmed | 1999 the year the record industry lost control Eamonn Forde |
title_short | 1999 |
title_sort | 1999 the year the record industry lost control |
title_sub | the year the record industry lost control |
topic | Digitalisierung (DE-588)4123065-6 gnd Tonträgerindustrie (DE-588)4267529-7 gnd |
topic_facet | Digitalisierung Tonträgerindustrie |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035148253&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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