Synthesizers and subtractive synthesis: Volume 1 Theory and overview
"Subtractive sound synthesis has been one of the most widely used techniques in electronic music and for many analog synthesizers since the early 1960s. It is based on a simple principle, but its operation remains complex, involving many parameters. It can be enriched by a variety of effects th...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London, UK
ISTE, Ltd
2024
|
| Schriftenreihe: | Waves series
Waves series |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Subtractive sound synthesis has been one of the most widely used techniques in electronic music and for many analog synthesizers since the early 1960s. It is based on a simple principle, but its operation remains complex, involving many parameters. It can be enriched by a variety of effects that give the sound its authenticity. It does not just imitate musical instruments, but can also transcribe noises present in natural soundscapes, or generate entirely synthetic sounds. Synthesizers and Subtractive Synthesis 1 presents the theoretical basis of a sound phenomenon, the different types of synthesis, the components that are required and present in synthesizers, the working environment specific to the study of subtractive synthesis, and the hardware and software available. After reading the various chapters of this book, readers will have a clear vision of the tools and actions required to grasp the world of subtractive sound." |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVIII, 259 Seiten Illustrationen, Diagramme |
| ISBN: | 9781786309242 |
Internformat
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| 520 | 3 | |a "Subtractive sound synthesis has been one of the most widely used techniques in electronic music and for many analog synthesizers since the early 1960s. It is based on a simple principle, but its operation remains complex, involving many parameters. It can be enriched by a variety of effects that give the sound its authenticity. It does not just imitate musical instruments, but can also transcribe noises present in natural soundscapes, or generate entirely synthetic sounds. Synthesizers and Subtractive Synthesis 1 presents the theoretical basis of a sound phenomenon, the different types of synthesis, the components that are required and present in synthesizers, the working environment specific to the study of subtractive synthesis, and the hardware and software available. After reading the various chapters of this book, readers will have a clear vision of the tools and actions required to grasp the world of subtractive sound." | |
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Datensatz im Suchindex
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Contents Preface. xi Introduction. XV Chapter 1. Sound Synthesis. 1 1.1. The art of creating sound. 1.2. Some reminders. 1.2.1. Sound: a bit of theory. 1.2.2. Intensity. 1.2.3. Pitch of a sound. 1.2.4. Timbre. 1.2.5. The ear. 1.3. Sound typology. 1.3.1. Sounds and periods. 1.3.2. Simple and complex sounds. 1.4. Spectral analysis. 1.4.1. The sound
spectrum. 1.4.2. Sonogram and spectrogram. 1.5. Waveforms. 1.5.1. Sine wave. 1.5.2. Square wave. 1.5.3. Rectangular wave. 1.5.4. Pulse wave. 1.5.5. Triangular wave. 1.5.6. Sawtooth wave. 1 2 2 4 Ί 9 10 21 22 23 25 25 27 28 29 29 31 35 35 37
vi Synthesizers and Subtractive Synthesis 1 1.6. Timbre. 1.6.1. Transient phenomena. 1.6.2. Range. 1.6.3. Mass of musical objects. 1.6.4. Classification of sounds. 1.7. Sound propagation. 1.7.1. Dispersion. 1.7.2. Interference. 1.7.3. Diffraction. 1.7.4. Reflection. 1.7.5. Reverberation (reverb). 1.7.6. Absorption. 1.7.7. Refraction. 1.7.8. Doppler effect. 1.7.9. Phase and beat. 1.8.
Noise. 1.8.1. White noise. 1.8.2. Pink noise. 1.8.3. Red noise. 1.8.4. Blue noise. 1.8.5. Purple noise. 1.8.6. Gray noise. 1.8.7. Other noise. 1.9. History of sound synthesis. 1.10. Conclusion. 39 40 41 42 43 44 44 45 48 50 51 54 55 55 57 58 59 59 60 61 62 62 63 63 70 Chapter 2. The Different Types of Synthesis. 71 2.1. Subtractive synthesis. 2.2. Additive synthesis. 2.3. FM synthesis. 2.4. Digital synthesis, sampling and wavetables.
2.5. Physical modeling synthesis. 2.6. Granular synthesis. 2.7. Amplitude modulation synthesis. 2.8. Phase distortion synthesis. 2.9. Other types of sound synthesis. 71 74 78 88 90 93 96 98 99 Chapter 3. Components, Processing Techniques and Tools. 101 3.1. Oscillators. 3.1.1. Voltage-controlled oscillators. 101 102
Contents vii 3.1.2. Digitally controlled oscillators. 3.1.3. Digital oscillators. 3.1.4. Low-frequency oscillators. 3.2. Filters. 3.2.1. Low-pass filters. 3.2.2. High-pass filters. 3.2.3. Band-pass filters. 3.2.4. Band-stop filters. 3.2.5. Resonance. 3.2.6. Other filters. 3.3. The envelope generator. 3.3.1. Attack. 3.3.2. Decay. 3.3.3. Sustain. 3.3.4.
Release. 3.3.5. Other parameters. 3.4. Amplifiers. 3.5. Sample and hold. 3.6. Ring modulator. 3.7. Waveshaping. 3.8. Special effects. 3.8.1. Pitchbend. 3.8.2. Glide. 3.8.3. Keyboard tracking. 3.8.4. Reverb and delay. 3.8.5. Phaser, chorus and flanger. 3.9. From monody to polyphony. 3.10. Controllers. 3.10.1.
Modwheel. 3.10.2. Breath controller. 3.10.3. Expression switch and pedal. 3.10.4. Keytar. 3.10.5. Other controllers. 103 104 104 105 106 108 108 110 110 Ill 112 114 114 115 115 116 117 118 120 122 124 124 125 126 127 128 129 132 132 133 133 134 135 Chapter 4. Work Environment. 137 4.1. Materials. 4.1.1. ARP 2600 . 4.1.2. The Minimoog. 4.1.3. The Behringer Neutron. 4.1.4. The Novation Bass Station II. 4.1.5. The Arturia MatrixBrute. 137 138 147 152 156 160
vili Synthesizers and Subtractive Synthesis 1 4.2. Software. 4.2.1. Native Instruments Reaktor. 4.2.2. VCV Rack 2. 4.2.3. Cycling ‘74 Max/MSP. 4.2.4. Pure Data. 4.3. Conclusion. 167 167 168 170 171 173 Chapter 5. CV/Gate and MIDI. 175 5.1. CV/Gate. 5.1.1. Overview. 5.1.2. Operation. 5.1.3. Note definition. 5.1.4. Operation of the gate (or trigger). 5.2. Musical Instrument Digital Interface. 5.2.1. MIDI version 1.0. 5.2.2. MIDI Version
2.0. 5.2.3. Principle. 5.2.4. The hardware. 5.2.5. The software. 5.2.6. MIDI Control Change. 5.2.7. Examples of MIDI transmission. 5.2.8. MIDI implementation chart. 5.2.9. General MIDI standard. 5.2.10. The General MIDI 2 standard. 5.2.11. The GS format. 5.2.12. The XG format. 5.2.13. MIDI file structure. 5.2.14. An example of a MIDI file. 5.3. MIDI CV/Gate converters. 175 175 176 176 180 180 180 181 183 184 187 191 194 198 199 200 201 202 203 211 213 Conclusion.
215 Appendix 1. General MID11 and 2 Instruments. 217 Appendix 2. MIDI Box, Merger and Patcher. 235
Contents ix Glossary. 237 References. 245 Index. 255 |
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| isbn | 9781786309242 |
| language | English |
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| spelling | Réveillac, Jean-Michel Verfasser (DE-588)1080036121 aut Synthesizers and subtractive synthesis Volume 1 Theory and overview Jean-Michel Réveillac London, UK ISTE, Ltd 2024 XVIII, 259 Seiten Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier Waves series Includes bibliographical references and index "Subtractive sound synthesis has been one of the most widely used techniques in electronic music and for many analog synthesizers since the early 1960s. It is based on a simple principle, but its operation remains complex, involving many parameters. It can be enriched by a variety of effects that give the sound its authenticity. It does not just imitate musical instruments, but can also transcribe noises present in natural soundscapes, or generate entirely synthetic sounds. Synthesizers and Subtractive Synthesis 1 presents the theoretical basis of a sound phenomenon, the different types of synthesis, the components that are required and present in synthesizers, the working environment specific to the study of subtractive synthesis, and the hardware and software available. After reading the various chapters of this book, readers will have a clear vision of the tools and actions required to grasp the world of subtractive sound." (DE-604)BV049807713 1 Erscheint auch als Online-Ausgabe 9781394276707 Erscheint auch als Online-Ausgabe 9781394276721 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035148172&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Réveillac, Jean-Michel Synthesizers and subtractive synthesis |
| title | Synthesizers and subtractive synthesis |
| title_auth | Synthesizers and subtractive synthesis |
| title_exact_search | Synthesizers and subtractive synthesis |
| title_full | Synthesizers and subtractive synthesis Volume 1 Theory and overview Jean-Michel Réveillac |
| title_fullStr | Synthesizers and subtractive synthesis Volume 1 Theory and overview Jean-Michel Réveillac |
| title_full_unstemmed | Synthesizers and subtractive synthesis Volume 1 Theory and overview Jean-Michel Réveillac |
| title_short | Synthesizers and subtractive synthesis |
| title_sort | synthesizers and subtractive synthesis theory and overview |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035148172&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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