A lost portrait by Pieter Cristus and its contemporary Italian copy: an exploration of Flemish-Italian artistic interactions in the fifteenth century
In 2016, a captivating fifteenth-century portrait of a self-assured man, dressed entirely in accordance with the Burgundian-Flemish fashion, featuring a striking black headdress, caught the attention of experts engaged by the Swiss auction house Koller. Despite the attached thin oak slats above and...
Gespeichert in:
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| Format: | Elektronisch Artikel |
| Sprache: | English |
| Veröffentlicht: |
2024
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| Online-Zugang: | Volltext Abstract |
| Zusammenfassung: | In 2016, a captivating fifteenth-century portrait of a self-assured man, dressed entirely in accordance with the Burgundian-Flemish fashion, featuring a striking black headdress, caught the attention of experts engaged by the Swiss auction house Koller. Despite the attached thin oak slats above and below, it was evident that the panel was painted on Mediterranean pine wood. Since then, the panel has undergone numerous technical examinations, both in Italy and Belgium. This contribution presents the results of complementary technical and art historical analyses, gradually forming a clear picture of a complex fifteenth-century reality. The panel emerges as a unique witness to a cosmopolitan Eyckian-inspired Flemish painter, a fashion-conscious Italian businessman travelling between Bruges and Lucca, and a talented Italian painter who adeptly imbues a Tuscan panel with Burgundian allure. While the identities of the painter and the sitter may remain anonymous, the significance of this gem is profound: the transcendent, cross-border, unifying visual language of late medieval Europe, poised with confidence on the cusp of modernity, crystallizes in the blue sky, black velvet, and subtly illuminated facial tones of this "Burgundian Portrait". |
| Beschreibung: | Illustrationen |
| ISSN: | 1827-8655 |
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| spelling | Verheyen, Jan Verfasser aut A lost portrait by Pieter Cristus and its contemporary Italian copy an exploration of Flemish-Italian artistic interactions in the fifteenth century Jan Verheyen 2024 Illustrationen txt rdacontent c rdamedia cr rdacarrier In 2016, a captivating fifteenth-century portrait of a self-assured man, dressed entirely in accordance with the Burgundian-Flemish fashion, featuring a striking black headdress, caught the attention of experts engaged by the Swiss auction house Koller. Despite the attached thin oak slats above and below, it was evident that the panel was painted on Mediterranean pine wood. Since then, the panel has undergone numerous technical examinations, both in Italy and Belgium. This contribution presents the results of complementary technical and art historical analyses, gradually forming a clear picture of a complex fifteenth-century reality. The panel emerges as a unique witness to a cosmopolitan Eyckian-inspired Flemish painter, a fashion-conscious Italian businessman travelling between Bruges and Lucca, and a talented Italian painter who adeptly imbues a Tuscan panel with Burgundian allure. While the identities of the painter and the sitter may remain anonymous, the significance of this gem is profound: the transcendent, cross-border, unifying visual language of late medieval Europe, poised with confidence on the cusp of modernity, crystallizes in the blue sky, black velvet, and subtly illuminated facial tones of this "Burgundian Portrait". Zusammenfassung in englischer Sprache number:55 year:2024 pages:33-53, X-XXIX Predella / Università di Pisa, Dipartimento di Storia delle Arti Pisa, 2024 n° 55 (2024), Seite 33-53, X-XXIX (DE-604)BV019722990 1827-8655 (DE-600)2175881-5 https://server.predella.it/Archivio-numeri/55/Misce/2_Verheyen.pdf Verlag kostenfrei Volltext https://predella.it/jan-verheyen/ Verlag kostenfrei Abstract |
| spellingShingle | Verheyen, Jan A lost portrait by Pieter Cristus and its contemporary Italian copy an exploration of Flemish-Italian artistic interactions in the fifteenth century |
| title | A lost portrait by Pieter Cristus and its contemporary Italian copy an exploration of Flemish-Italian artistic interactions in the fifteenth century |
| title_auth | A lost portrait by Pieter Cristus and its contemporary Italian copy an exploration of Flemish-Italian artistic interactions in the fifteenth century |
| title_exact_search | A lost portrait by Pieter Cristus and its contemporary Italian copy an exploration of Flemish-Italian artistic interactions in the fifteenth century |
| title_full | A lost portrait by Pieter Cristus and its contemporary Italian copy an exploration of Flemish-Italian artistic interactions in the fifteenth century Jan Verheyen |
| title_fullStr | A lost portrait by Pieter Cristus and its contemporary Italian copy an exploration of Flemish-Italian artistic interactions in the fifteenth century Jan Verheyen |
| title_full_unstemmed | A lost portrait by Pieter Cristus and its contemporary Italian copy an exploration of Flemish-Italian artistic interactions in the fifteenth century Jan Verheyen |
| title_short | A lost portrait by Pieter Cristus and its contemporary Italian copy |
| title_sort | a lost portrait by pieter cristus and its contemporary italian copy an exploration of flemish italian artistic interactions in the fifteenth century |
| title_sub | an exploration of Flemish-Italian artistic interactions in the fifteenth century |
| url | https://server.predella.it/Archivio-numeri/55/Misce/2_Verheyen.pdf https://predella.it/jan-verheyen/ |
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