In plain sight: album-making and queer identity in mid-twentieth-century South Africa:
Photographic albums are valuable sources for understanding public presentation and private identities of white LGBTIQ persons in apartheid South Africa. When these albums are housed in a public archive dedicated to queer histories, such as the Gay and Lesbian Memory in Action (GALA) LGBTIQ Archive i...
Gespeichert in:
1. Verfasser: | |
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Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
2023
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Schlagworte: | |
Zusammenfassung: | Photographic albums are valuable sources for understanding public presentation and private identities of white LGBTIQ persons in apartheid South Africa. When these albums are housed in a public archive dedicated to queer histories, such as the Gay and Lesbian Memory in Action (GALA) LGBTIQ Archive in Johannesburg, the public/private, or frontstage/backstage, dynamics take on greater historical significance. This chapter investigates the photographic albums of three queer album makers: psychologist Renée Liddicoat, gender-bending socialite Michel/e Bruno, and an unknown sailor named "David." Liddicoat and "David," used captions written on the backsides of photographs to both record and hide information. Bruno's album has no hidden captions and depicts relative openness about his queerness as it reminds viewers of police crackdowns against male gender-queer behavior in Johannesburg in the 1960s. Each album was used to both mitigate and reveal their makers’ queerness, and had private and public functions for their makers. In the GALA Archive, the albums’ public functions and historical significance are amplified as these artifacts speak for the LGBTIQ community. |
Beschreibung: | Illustrationen |
ISBN: | 978-0-367-74355-0 |
Internformat
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520 | 3 | |a Photographic albums are valuable sources for understanding public presentation and private identities of white LGBTIQ persons in apartheid South Africa. When these albums are housed in a public archive dedicated to queer histories, such as the Gay and Lesbian Memory in Action (GALA) LGBTIQ Archive in Johannesburg, the public/private, or frontstage/backstage, dynamics take on greater historical significance. This chapter investigates the photographic albums of three queer album makers: psychologist Renée Liddicoat, gender-bending socialite Michel/e Bruno, and an unknown sailor named "David." Liddicoat and "David," used captions written on the backsides of photographs to both record and hide information. Bruno's album has no hidden captions and depicts relative openness about his queerness as it reminds viewers of police crackdowns against male gender-queer behavior in Johannesburg in the 1960s. Each album was used to both mitigate and reveal their makers’ queerness, and had private and public functions for their makers. In the GALA Archive, the albums’ public functions and historical significance are amplified as these artifacts speak for the LGBTIQ community. | |
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spelling | Kinsey, Danielle Verfasser aut In plain sight: album-making and queer identity in mid-twentieth-century South Africa Danielle Kinsey Album-making and queer identit 2023 Illustrationen txt rdacontent n rdamedia nc rdacarrier Photographic albums are valuable sources for understanding public presentation and private identities of white LGBTIQ persons in apartheid South Africa. When these albums are housed in a public archive dedicated to queer histories, such as the Gay and Lesbian Memory in Action (GALA) LGBTIQ Archive in Johannesburg, the public/private, or frontstage/backstage, dynamics take on greater historical significance. This chapter investigates the photographic albums of three queer album makers: psychologist Renée Liddicoat, gender-bending socialite Michel/e Bruno, and an unknown sailor named "David." Liddicoat and "David," used captions written on the backsides of photographs to both record and hide information. Bruno's album has no hidden captions and depicts relative openness about his queerness as it reminds viewers of police crackdowns against male gender-queer behavior in Johannesburg in the 1960s. Each album was used to both mitigate and reveal their makers’ queerness, and had private and public functions for their makers. In the GALA Archive, the albums’ public functions and historical significance are amplified as these artifacts speak for the LGBTIQ community. Geschichte 1940-1980 gnd rswk-swf LGBT (DE-588)7705503-2 gnd rswk-swf Fotoalbum (DE-588)4219550-0 gnd rswk-swf Südafrika (DE-588)4078012-0 gnd rswk-swf Südafrika (DE-588)4078012-0 g LGBT (DE-588)7705503-2 s Fotoalbum (DE-588)4219550-0 s Geschichte 1940-1980 z DE-604 pages:115-131 Diverse voices in photographic albums / edited by Mary Trent and Kris Belden-Adams New York ; London, 2023 Seite 115-131 Routledge history of photography (DE-604)BV049776361 978-0-367-74355-0 |
spellingShingle | Kinsey, Danielle In plain sight: album-making and queer identity in mid-twentieth-century South Africa LGBT (DE-588)7705503-2 gnd Fotoalbum (DE-588)4219550-0 gnd |
subject_GND | (DE-588)7705503-2 (DE-588)4219550-0 (DE-588)4078012-0 |
title | In plain sight: album-making and queer identity in mid-twentieth-century South Africa |
title_alt | Album-making and queer identit |
title_auth | In plain sight: album-making and queer identity in mid-twentieth-century South Africa |
title_exact_search | In plain sight: album-making and queer identity in mid-twentieth-century South Africa |
title_full | In plain sight: album-making and queer identity in mid-twentieth-century South Africa Danielle Kinsey |
title_fullStr | In plain sight: album-making and queer identity in mid-twentieth-century South Africa Danielle Kinsey |
title_full_unstemmed | In plain sight: album-making and queer identity in mid-twentieth-century South Africa Danielle Kinsey |
title_short | In plain sight: album-making and queer identity in mid-twentieth-century South Africa |
title_sort | in plain sight album making and queer identity in mid twentieth century south africa |
topic | LGBT (DE-588)7705503-2 gnd Fotoalbum (DE-588)4219550-0 gnd |
topic_facet | LGBT Fotoalbum Südafrika |
work_keys_str_mv | AT kinseydanielle inplainsightalbummakingandqueeridentityinmidtwentiethcenturysouthafrica AT kinseydanielle albummakingandqueeridentit |