Disformations: affects, media, literature
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2021
|
| Schriftenreihe: | Thinking media
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xii, 154 Seiten Illustrationen |
| ISBN: | 9781501374890 9781501362347 |
Internformat
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Datensatz im Suchindex
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CONTENTS List of Figures ix Acknowledgments x WHEN FORMS FALL APART: AN INTRODUCTION 1 Disformations Open Form to New Formations Formal Disturbances Are Grounded in the Affective Operations that Rewrite Form Aesthetic Forms Think with and through Intermedia Figures 5 10 15 Chapter 1 FACING THE FACELESS: MODERNISM, WAR, AND THE WORK OF DISFIGURATION 23 25 33 37 41 Shattering the Face in Modernism Toward the Affective Work of the Formless Inflicting Wounds upon Language: Gueules Cassées Rewriting the Faceless Experience Chapter 2 CURVES THAT BREAK THE FRAME: ON THE RELENTLESS ABSORPTION OF THE WALLPAPER PATTERN 43 Nabokov’s Unruly Geometry of Wallpaper Rococo, or the Broken Frame Boredom, Fascination, and the Screen of Hallucination For a Morphological Reading of Gilman’s Wallpaper Between Excess and Absence: The Patterns of Madness 45 48 54 58 63 Chapter 3 HOW TEXT BECOMES DIATEXT: GEMINI AND PERFORMATI VIT Y OF THE GARBAGE DUMP Speaking for Rubbish: Tournier’s Dandy Garbage Man versus Waste Studies The Media Archaeology of Garbage Reading a Figure, Trashing the Subject From Metatext to Diatext 71 73 77 81 86
Contents viii Chapter 4 THE PORTRAIT OF ABSENCE, OR WHEN THE EMPTY CHAIRS GET CROWDED Chairs without Sitters: Weiner, Kosuth, and the Missing Subject Tracing the Present Absence with van Gogh, Derrida, and Nancy Chairing Not Sharing, Shifting Not Sitting: A Media Swap in Ionesco’s The Chairs Decentered, Not Vanished 91 93 98 105 110 CODA: AFFECTIVE COMPOUNDS MAKE A MEDIA EXCESS 113 Notes 119 130 144 Bibliography Index
What happens when forms fall apart? And how do affects such as fear, shock, fascination, and desire drive and shape formal disturbances in modern literature, cinema, and contemporary art? Opening an interdisciplinary dialogue between cultural affect theory, media philosophy, and literary studies, Disformations explores how specific affective operations disrupt form only to generate new formations. |
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| title | Disformations affects, media, literature |
| title_auth | Disformations affects, media, literature |
| title_exact_search | Disformations affects, media, literature |
| title_full | Disformations affects, media, literature Tomáš Jirsa |
| title_fullStr | Disformations affects, media, literature Tomáš Jirsa |
| title_full_unstemmed | Disformations affects, media, literature Tomáš Jirsa |
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| title_sub | affects, media, literature |
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| topic_facet | Störung Motiv Film Kunst Literatur |
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