Don Quixote's impossible quest for the absolute in literature: fiction, reflection, and negative theology
This book offers a reading particularly of Part II of Don Quixote, a reading that is embedded in a philosophical reflection on the revelation of religious truth in and through literature. Part II of Don Quixote is the far richer part for its meta-literary reflection on the novel itself as a genre an...
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| Format: | Buch |
| Sprache: | English |
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New York ; London
Routledge
2025
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| Schriftenreihe: | Routledge studies in Latin American and Iberian literature
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This book offers a reading particularly of Part II of Don Quixote, a reading that is embedded in a philosophical reflection on the revelation of religious truth in and through literature. Part II of Don Quixote is the far richer part for its meta-literary reflection on the novel itself as a genre and on life as such seen through the lens of self-reflection. The author has treated the phenomenon of modern self-reflexivity as originally theological in nature in previous publications (notably Dante’s Paradiso and the Theological Origins of Modern Thought: Toward a Speculative Philosophy of Self-Reflection, Routledge, 2021). The present endeavor expands this overall intellectual project, extending it into detailed consideration of what is recognizably another nodal great work inaugurating unprecedented forms of self-reflection in the early modern period. Reading the founding texts of literary and cultural tradition in this negative-theological key proves crucial to allowing them to release the full force of their religious vision in the present age, despite its sometimes obstinate secularity. This reading absorbs and reconciles the religious and secular readings of Miguel de Unamuno and José Ortega y Gasset, two of Spain’s outstanding philosophical luminaries. Both thinkers based their entire philosophies and their analyses of the Spanish national character and destiny on their interpretations of the Quixote. Negative theology deploys critical reason that critiques the limits of reason itself and opens toward an unfathomable (un)ground of All. Such speculative interpretation performs a synthesis of the secularizing and sacralizing tendencies that are both sublimely operative in the text of the Quixote. It thereby enables the work to emerge in the fully parodic and paradoxical vitality that other interpretations, governed by one paradigm or the other, access only partially. Rather than falling into one camp or the other, the proposed approach combines and resources both heritages, sacred and secular, in their deepest synergisms. Spanish baroque mysticism and contemporary post-secular thought are made to converge in highlighting the blessed, even sacred, donation that literature like Don Quixote preserves and transmits as our most precious and saving cultural heritage |
| Beschreibung: | xvi, 242 Seiten Illustrationen |
| ISBN: | 9781032688961 9781032688992 |
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| 520 | |a This book offers a reading particularly of Part II of Don Quixote, a reading that is embedded in a philosophical reflection on the revelation of religious truth in and through literature. Part II of Don Quixote is the far richer part for its meta-literary reflection on the novel itself as a genre and on life as such seen through the lens of self-reflection. The author has treated the phenomenon of modern self-reflexivity as originally theological in nature in previous publications (notably Dante’s Paradiso and the Theological Origins of Modern Thought: Toward a Speculative Philosophy of Self-Reflection, Routledge, 2021). The present endeavor expands this overall intellectual project, extending it into detailed consideration of what is recognizably another nodal great work inaugurating unprecedented forms of self-reflection in the early modern period. | ||
| 520 | |a Reading the founding texts of literary and cultural tradition in this negative-theological key proves crucial to allowing them to release the full force of their religious vision in the present age, despite its sometimes obstinate secularity. This reading absorbs and reconciles the religious and secular readings of Miguel de Unamuno and José Ortega y Gasset, two of Spain’s outstanding philosophical luminaries. Both thinkers based their entire philosophies and their analyses of the Spanish national character and destiny on their interpretations of the Quixote. Negative theology deploys critical reason that critiques the limits of reason itself and opens toward an unfathomable (un)ground of All. Such speculative interpretation performs a synthesis of the secularizing and sacralizing tendencies that are both sublimely operative in the text of the Quixote. | ||
| 520 | |a It thereby enables the work to emerge in the fully parodic and paradoxical vitality that other interpretations, governed by one paradigm or the other, access only partially. Rather than falling into one camp or the other, the proposed approach combines and resources both heritages, sacred and secular, in their deepest synergisms. Spanish baroque mysticism and contemporary post-secular thought are made to converge in highlighting the blessed, even sacred, donation that literature like Don Quixote preserves and transmits as our most precious and saving cultural heritage | ||
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Datensatz im Suchindex
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Contents List of Figures Acknowledgments Prologue Concerning Apophatic Theology in Literary Representation and Reflection 1 2 The Revelation of Laughter: Cervantes’s Comic Christian Muse The Power of Laughter—The Wisdom of Folly 6 A Negative Theological Reading of Don Quixote 9 Fool for Christ as Universal Sage 12 Don Quixote’s Contemporaneity and Universality 14 The Holy Fool as Christian Saint and Crusader 16 Unamuno and Ortega: Dialectic of the Religious and the Secular 19 Self-reflective Dynamics of Revelation in Literature A. Self-subversive Mirroring Between and Among the Protagonists 27 The Knight of Mirrors and of the White Moon as Self-reflection of Don Quixote 28 Don Quixote’s Ideal Reflected in Sancho—and Inversely 34 Self-reflexivity as Self-fulfilling Ideal 36 Becoming a Book and Reading One’s Life 38 B. Self-reflection and Undermining the Authority of the Author 40 Self-reflective Questioning of Authorship 40 xiv xv 1 6 27
X Contents Cervantes’s Self-representations in the Prologues 43 Authorship and Originality 45 Self-reflexivity in the Narrative Structure of Fiction 48 Fictionalization of the Author by Self-reflection—Kafka and Borges 50 The Dialectic of Self-reflection and Negative Theology 55 3 Negative Theology of the Novel The Novel as Breaking Down the Separation of Styles—Auerbach 59 Recognition Scenes: Epiphanies and Theophanies 62 The Novel as Subjective Reflective Medium and Genre Reflecting Concrete Reality 64 The Novel as Subjectively Lived Experience 65 The Novel as a New and Comprehensive Genre 66 Dialectics of Wholeness 68 The In-breaking of External Reality Into Fiction 69 Mutual Contamination of History and Fiction and Their Exposure to Externality 70 Maese Pedro’s Puppet Show and Unamuno’s Move Through Fiction to Reality 72 Ortega on Literary Genre: From Epic Myth to Novelistic Formal Reality 75 Novelistic Creation of Formal Reality—Ortega and Maese Pedro’s Puppet Theatre 77 Fiction and Realization of the Ideal 81 4 Visionary Experience in the Cave of Montesinos as Revelation via Parody The Vision of Montesinos, or the Part of Fiction in the Construction of Prophetic Revelation 85 The Question of Truth Raised by the Vision in the Cave 93 Artifice and the Limits of the Control of the Author 95 The Reality That Our Fictions Become 97 The Ontological Argument for Dulcinea’s Existence 100 Real Costs of One’s Fictive Inventions 104 59 85
Contents xi Repetitions of Visionary Revelation Following Montesinos 105 Sancho’s Perversion of Visionary Experience—Clavileno 107 Unamuno’s Elevation of Don Quixote’s Experience to True Vision 111 Visionary Revelation After the Cave of Montesinos—Its Translation Into the Everyday 112 5 Dialectic of Religious Truth and Its Secular Simulation Religious and Anti-religious Interpretations of the Quixote: Religion Versus Secularly 116 Velâzquez’s Las Meninas: Self-reflexivity and the Other 118 Camacho’s Wedding as Theatrical Artifice and Its Sacramental Transfiguration 124 Baroque Aesthetics of Contrast, the Grotesque, and Theatricalization of the World 129 Feminine Beauty as Ideal and as Simulation 130 Transvestism, Love of Artifice, and the Transhuman 133 Formal Dimension of Reality—Names as Revelation—Antonomasia 137 Archetypal Image and Primal Naming—Spitzer’s Linguistic Perspectivism 140 The Epistolary Novel and the Scriptural Ideal 146 Dialectic of Self-reflective Desengaho and Disinterested Dedication 150 6 A Political Novel: Representation of an Idealized World Versus Contemporary Reality The Baroque Age: Aesthetics of the Ideal, Realism, and the Unrepresentable 154 Barataria as Anti-utopia of a Perfectly Artificial State 156 Knowing One’s Limits and Becoming Oneself: Sancho in “Hell” 161 The Contemporary Expulsion Drama and the Apotheosis of Fiction 163 116 154
xii Contents The Realistic Political Novel as an Overture to Modernity 164 Barcelona and the New Materialism 168 7 The Passion of Sancho Panza and the Death of Don Quixote The Wise Fool—Like Master Like Servant: Sancho’s Governance 171 Sancho’s Assuming the Lead Position in the Duo 173 Visionary Revisitations—Sancho in the Role of the Christ Figure 174 Altisidora’s Invention of a Visionary Revelation 179 Don Quixote’s Death and Bequest—The Heroism of the Common Person? 182 The Christian Death of Alonso Quijano—and Sancho’s Passion to Live 183 171 8 The Metaphysics of Fiction The Force of Fiction 186 Real Tragedy in Fiction—Carl Schmitt 188 Ambiguity of Fictive Truth in Epic Tradition and Its Modern Parody 192 What Makes a Book of Poetic Literature Great—or Revelatory? 193 The Integration of Fiction Into Reality and Vice Versa—Vargas Llosa 196 Self-reflection at the Juncture of Fiction and Ultimate Reality 199 The Apophatic in Literature—An Aesthetic Dimension of the Real 201 186 9 Philosophies of Quixotism Unamuno’s Quixotesque Turning of Philosophy Into Religion 203 Ortega’s Cervantesque Philosophy of Desengaho as a Theory of Genres 208 Unamuno on Quixotism as the True Philosophy and Religion of the Spanish People 211 Unamuno’s Staging of the Battle Between Reason and Faith—Reason’s Self-undermining 215 203
Contents xiii The Novel as Philosophy, Don Quixote as Tragicomedy 219 Towards Ortega’s Philosophy of Relations as a Type of Secular Revelation 222 Maria Zambrano’s Mediation of Two Philosophical Masters 227 A Parting Reflection 233 Index 235 |
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| spelling | Franke, William 1956- Verfasser (DE-588)143533223 aut Don Quixote's impossible quest for the absolute in literature fiction, reflection, and negative theology William Franke New York ; London Routledge 2025 xvi, 242 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Routledge studies in Latin American and Iberian literature This book offers a reading particularly of Part II of Don Quixote, a reading that is embedded in a philosophical reflection on the revelation of religious truth in and through literature. Part II of Don Quixote is the far richer part for its meta-literary reflection on the novel itself as a genre and on life as such seen through the lens of self-reflection. The author has treated the phenomenon of modern self-reflexivity as originally theological in nature in previous publications (notably Dante’s Paradiso and the Theological Origins of Modern Thought: Toward a Speculative Philosophy of Self-Reflection, Routledge, 2021). The present endeavor expands this overall intellectual project, extending it into detailed consideration of what is recognizably another nodal great work inaugurating unprecedented forms of self-reflection in the early modern period. Reading the founding texts of literary and cultural tradition in this negative-theological key proves crucial to allowing them to release the full force of their religious vision in the present age, despite its sometimes obstinate secularity. This reading absorbs and reconciles the religious and secular readings of Miguel de Unamuno and José Ortega y Gasset, two of Spain’s outstanding philosophical luminaries. Both thinkers based their entire philosophies and their analyses of the Spanish national character and destiny on their interpretations of the Quixote. Negative theology deploys critical reason that critiques the limits of reason itself and opens toward an unfathomable (un)ground of All. Such speculative interpretation performs a synthesis of the secularizing and sacralizing tendencies that are both sublimely operative in the text of the Quixote. It thereby enables the work to emerge in the fully parodic and paradoxical vitality that other interpretations, governed by one paradigm or the other, access only partially. Rather than falling into one camp or the other, the proposed approach combines and resources both heritages, sacred and secular, in their deepest synergisms. Spanish baroque mysticism and contemporary post-secular thought are made to converge in highlighting the blessed, even sacred, donation that literature like Don Quixote preserves and transmits as our most precious and saving cultural heritage Cervantes Saavedra, Miguel de 1547-1616 Don Quijote 2 (DE-588)7522129-9 gnd rswk-swf Theologie (DE-588)4059758-1 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Cervantes Saavedra, Miguel de 1547-1616 Don Quijote 2 (DE-588)7522129-9 u Theologie (DE-588)4059758-1 s Philosophie (DE-588)4045791-6 s DE-604 Äquivalent Druck-Ausgabe, Paperback 978-1-032-68899-2 Erscheint auch als Online-Ausgabe 978-1-032-68900-5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035139306&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Franke, William 1956- Don Quixote's impossible quest for the absolute in literature fiction, reflection, and negative theology Cervantes Saavedra, Miguel de 1547-1616 Don Quijote 2 (DE-588)7522129-9 gnd Theologie (DE-588)4059758-1 gnd Philosophie (DE-588)4045791-6 gnd |
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| title | Don Quixote's impossible quest for the absolute in literature fiction, reflection, and negative theology |
| title_auth | Don Quixote's impossible quest for the absolute in literature fiction, reflection, and negative theology |
| title_exact_search | Don Quixote's impossible quest for the absolute in literature fiction, reflection, and negative theology |
| title_full | Don Quixote's impossible quest for the absolute in literature fiction, reflection, and negative theology William Franke |
| title_fullStr | Don Quixote's impossible quest for the absolute in literature fiction, reflection, and negative theology William Franke |
| title_full_unstemmed | Don Quixote's impossible quest for the absolute in literature fiction, reflection, and negative theology William Franke |
| title_short | Don Quixote's impossible quest for the absolute in literature |
| title_sort | don quixote s impossible quest for the absolute in literature fiction reflection and negative theology |
| title_sub | fiction, reflection, and negative theology |
| topic | Cervantes Saavedra, Miguel de 1547-1616 Don Quijote 2 (DE-588)7522129-9 gnd Theologie (DE-588)4059758-1 gnd Philosophie (DE-588)4045791-6 gnd |
| topic_facet | Cervantes Saavedra, Miguel de 1547-1616 Don Quijote 2 Theologie Philosophie |
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