Futuromania: electronic dreams, desiring machines, & tomorrow's music today
"Simon Reynolds's first book in eight years is a celebration of music that feels like a taste of tomorrow. Sounds that prefigure pop music's future -- the vanguard genres and heroic innovators whose discoveries eventually get accepted by the wider mass audience. But it's also abo...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Hachette Books
May 2024
|
Ausgabe: | First US edition |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "Simon Reynolds's first book in eight years is a celebration of music that feels like a taste of tomorrow. Sounds that prefigure pop music's future -- the vanguard genres and heroic innovators whose discoveries eventually get accepted by the wider mass audience. But it's also about the way music can stir anticipation for a thrillingly transformed world just around the corner: a future that might be utopian or dystopian, but at least will be radically changed and exhilaratingly other." |
Beschreibung: | viii, 408 Seiten 23 cm |
ISBN: | 9780306833786 |
Internformat
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Datensatz im Suchindex
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adam_text |
CONTENTS INTRODUCTION 1 THE SONG FROM THE FUTURE: Ί Feel Love’ by Donna Summer, Giorgio Moroder and Pete Bellotte, and the Invention of Electronic Dance Music 5 HOW KRAFTWERK CREATED POP’S FUTURE: A Florian-Centric Story 25 THE FINAL FRONTIER: The Analogue Synth Gods of the 1970s 35 TECHNOPOP: Yellow Magic Orchestra and Ryuichi Sakamoto 57 DUB REGGAE: Keith Hudson, Creation Rebel, Dub Syndicate 69 ELECTRONIC DREAMERS: UK Synthpop 73 INDUSTRIAL DANCE AND ELECTRONIC BODY MUSIC 79 INTO THE PHUTURE: Acid House 85 RAVE: Acen’s Trips II the Moon 91 GABBER AND GLOOMCORE: The Mover and PCP Records 95 JUNGLE: The Breakbeat Symphonies of Omni Trio 103 ARTCORE: A Guy Called Gerald’s Black Secret Technology 117 MINIMAL TECHNO: Gas and the Germanic Visions of Wolfgang Voigt 123 IDM: Boards of Canada 131 vii
CONTENTS GRIME: We Run the Roads 145 DUBSTEP: Burial 165 MAXIMAL NATION: Rustie and the Rise of Digital Maximalism 181 SYNTHS AND SENSIBILITY: A New Wave of Female Electronic Musicians 193 XENOMANIA: Loving the Alien in the Internet’s Ever Widening World of Sound 201 FOOTWORK: Jlin’s Martial Artform 213 DAFT PUNK: ‘Digital Love’, Random Access Memories and the Failure of the Future 219 THE LIFE OF AUTO-TUNE: How Pitch-Correction Revolutionised Twenty-First-Century Pop, from Afrobeats to Atlanta Trap 229 BACK TO THE GARDEN: The Eternal Returns of Ambient and New Age 263 CONCEPTRONICA 281 CODA: SONIC FICTION (An Investigation in Two Parts) PART 1 - Tf This Is the Future, How Come the Music Sounds So Lame?’: Science Fiction at the Cinema 299 PART 2 - Sound, Envisioned: S.F. Writers Imagine the Music of the Future 324 AFTERWORD 363 ACKNOWLEDGEMENTS 373 MUSIC FOR FUTUROMANIACS 375 FUTURE READING 381 INDEX 383 vi i i |
any_adam_object | 1 |
author | Reynolds, Simon 1963- |
author_GND | (DE-588)133326713 |
author_facet | Reynolds, Simon 1963- |
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author_sort | Reynolds, Simon 1963- |
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building | Verbundindex |
bvnumber | BV049794567 |
contents | The song from the future: 'I Feel Love' by Donna Summer, Giorgio Moroder, and Pete Bellotte, and the invention of electronic dance music -- How Kraftwerk created pop's future: A Florian-centric story -- The final frontier: The analogue synth gods of the 1970s -- Technopop: Yellow Magic Orchestra and Ryuichi Sakamoto -- Dub reggae: Keith Hudson, Creation Rebel, Dub Syndicate -- Electronic dreamers: UK synthpop -- Industrial dance and electronic body music -- Into the Phuture: acid house -- Rave: Acen's trips II the moon -- Gabber and gloomcore: The Mover and PCP Records -- Jungle: The breakbeat symphonies of Omni Trio -- Artcore: A guy called Gerald's Black Secret Technology -- Minimal techno: Gas and the Germanic visions of Wolfgang Voigt -- IDM: Boards of Canada -- Grime: We Run the Roads -- Dubstep: Burial -- Maximal nation: Rustie and the rise of digital maximalism -- Synths and sensibility: A new wave of female electronic musicians -- Xenomania: Loving the alien in the internet's ever-widening world of sound -- Footwork: Jlin's martial artform -- Daft Punk: 'Digital Punk', Random Access Memories and the failure of the future -- The life of auto-tune: How pitch-correction revolutionised twenty-first-century pop, from Afrobeats to Atlanta trap -- Back to the garden: The eternal returns of ambient and new age -- Conceptronica -- Coda: Sonic fiction (an investigation in two parts) -- Part 1: 'If this is the future, how come the music sounds so lame?': Science fiction at the cinema -- Part 2: Sound, envisioned: S.F. writers imagine the music of the future |
ctrlnum | (OCoLC)1456128717 (DE-599)BVBBV049794567 |
edition | First US edition |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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spelling | Reynolds, Simon 1963- Verfasser (DE-588)133326713 aut Futuromania electronic dreams, desiring machines, & tomorrow's music today Simon Reynolds First US edition New York Hachette Books May 2024 viii, 408 Seiten 23 cm txt rdacontent n rdamedia nc rdacarrier "Simon Reynolds's first book in eight years is a celebration of music that feels like a taste of tomorrow. Sounds that prefigure pop music's future -- the vanguard genres and heroic innovators whose discoveries eventually get accepted by the wider mass audience. But it's also about the way music can stir anticipation for a thrillingly transformed world just around the corner: a future that might be utopian or dystopian, but at least will be radically changed and exhilaratingly other." Geschichte gnd rswk-swf Elektronische Musik (DE-588)4014355-7 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Elektronisches Musikinstrument (DE-588)4014362-4 gnd rswk-swf Electronic music / History and criticism Popular music / History and criticism Essays (DE-588)4143413-4 Aufsatzsammlung gnd-content Elektronisches Musikinstrument (DE-588)4014362-4 s Elektronische Musik (DE-588)4014355-7 s Popmusik (DE-588)4046781-8 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 978-0-306-83379-3 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035135291&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Reynolds, Simon 1963- Futuromania electronic dreams, desiring machines, & tomorrow's music today The song from the future: 'I Feel Love' by Donna Summer, Giorgio Moroder, and Pete Bellotte, and the invention of electronic dance music -- How Kraftwerk created pop's future: A Florian-centric story -- The final frontier: The analogue synth gods of the 1970s -- Technopop: Yellow Magic Orchestra and Ryuichi Sakamoto -- Dub reggae: Keith Hudson, Creation Rebel, Dub Syndicate -- Electronic dreamers: UK synthpop -- Industrial dance and electronic body music -- Into the Phuture: acid house -- Rave: Acen's trips II the moon -- Gabber and gloomcore: The Mover and PCP Records -- Jungle: The breakbeat symphonies of Omni Trio -- Artcore: A guy called Gerald's Black Secret Technology -- Minimal techno: Gas and the Germanic visions of Wolfgang Voigt -- IDM: Boards of Canada -- Grime: We Run the Roads -- Dubstep: Burial -- Maximal nation: Rustie and the rise of digital maximalism -- Synths and sensibility: A new wave of female electronic musicians -- Xenomania: Loving the alien in the internet's ever-widening world of sound -- Footwork: Jlin's martial artform -- Daft Punk: 'Digital Punk', Random Access Memories and the failure of the future -- The life of auto-tune: How pitch-correction revolutionised twenty-first-century pop, from Afrobeats to Atlanta trap -- Back to the garden: The eternal returns of ambient and new age -- Conceptronica -- Coda: Sonic fiction (an investigation in two parts) -- Part 1: 'If this is the future, how come the music sounds so lame?': Science fiction at the cinema -- Part 2: Sound, envisioned: S.F. writers imagine the music of the future Elektronische Musik (DE-588)4014355-7 gnd Popmusik (DE-588)4046781-8 gnd Elektronisches Musikinstrument (DE-588)4014362-4 gnd |
subject_GND | (DE-588)4014355-7 (DE-588)4046781-8 (DE-588)4014362-4 (DE-588)4143413-4 |
title | Futuromania electronic dreams, desiring machines, & tomorrow's music today |
title_auth | Futuromania electronic dreams, desiring machines, & tomorrow's music today |
title_exact_search | Futuromania electronic dreams, desiring machines, & tomorrow's music today |
title_full | Futuromania electronic dreams, desiring machines, & tomorrow's music today Simon Reynolds |
title_fullStr | Futuromania electronic dreams, desiring machines, & tomorrow's music today Simon Reynolds |
title_full_unstemmed | Futuromania electronic dreams, desiring machines, & tomorrow's music today Simon Reynolds |
title_short | Futuromania |
title_sort | futuromania electronic dreams desiring machines tomorrow s music today |
title_sub | electronic dreams, desiring machines, & tomorrow's music today |
topic | Elektronische Musik (DE-588)4014355-7 gnd Popmusik (DE-588)4046781-8 gnd Elektronisches Musikinstrument (DE-588)4014362-4 gnd |
topic_facet | Elektronische Musik Popmusik Elektronisches Musikinstrument Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035135291&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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