Abstraction in science and art: philosophical perspectives
"This volume explores the roles and uses of abstraction in scientific and artistic practice. Conceived as an interdisciplinary dialogue between experts across histories and philosophies of art and science, this collection of essays draws on the shared premise that abstraction is a rich and gene...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
2025
|
| Schriftenreihe: | Routledge research in aesthetics
|
| Schlagworte: | |
| Zusammenfassung: | "This volume explores the roles and uses of abstraction in scientific and artistic practice. Conceived as an interdisciplinary dialogue between experts across histories and philosophies of art and science, this collection of essays draws on the shared premise that abstraction is a rich and generative process, not reducible to the mere omission of details in a representation. When scientists attempt to make sense of complex natural phenomena, they often produce highly abstract models of them. In the history and philosophy of art, there is a long tradition of debate on the function of abstraction, and - more recently - its relation with theories of depiction. Adopting a process-oriented perspective, the chapters in this volume explore the epistemic potential of a diversity of practices of abstracting. The systematic analysis of a wide range of historical cases, from early twentieth-century abstractionist painting to contemporary abstract photography, and from nineteenth-century physics to recent research in biology and neurosciences, invites the reader to reflect on the material lives of abstraction through concrete artefacts, experimental practices and theoretical and aesthetic achievements. Abstraction in Science and Art: Philosophical Perspectives will be of interest to scholars and advanced students working in aesthetics, philosophy of science, and epistemology, as well as to historians of science and art, and to practicing artists and scientists interested in exploring foundational questions at the heart of the creative practice of abstracting"-- |
| Beschreibung: | vi, 252 Seiten Illustrationen (schwarz-weiß) 23,4 cm |
| ISBN: | 9781032462875 1032462876 9781032462882 1032462884 |
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| indexdate | 2024-12-06T13:07:05Z |
| institution | BVB |
| isbn | 9781032462875 1032462876 9781032462882 1032462884 |
| language | English |
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| physical | vi, 252 Seiten Illustrationen (schwarz-weiß) 23,4 cm |
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| series2 | Routledge research in aesthetics |
| spelling | Abstraction in science and art philosophical perspectives edited by Chiara Ambrosio and Julia Sánchez-Dorado New York ; London Routledge 2025 vi, 252 Seiten Illustrationen (schwarz-weiß) 23,4 cm txt rdacontent n rdamedia nc rdacarrier Routledge research in aesthetics "This volume explores the roles and uses of abstraction in scientific and artistic practice. Conceived as an interdisciplinary dialogue between experts across histories and philosophies of art and science, this collection of essays draws on the shared premise that abstraction is a rich and generative process, not reducible to the mere omission of details in a representation. When scientists attempt to make sense of complex natural phenomena, they often produce highly abstract models of them. In the history and philosophy of art, there is a long tradition of debate on the function of abstraction, and - more recently - its relation with theories of depiction. Adopting a process-oriented perspective, the chapters in this volume explore the epistemic potential of a diversity of practices of abstracting. The systematic analysis of a wide range of historical cases, from early twentieth-century abstractionist painting to contemporary abstract photography, and from nineteenth-century physics to recent research in biology and neurosciences, invites the reader to reflect on the material lives of abstraction through concrete artefacts, experimental practices and theoretical and aesthetic achievements. Abstraction in Science and Art: Philosophical Perspectives will be of interest to scholars and advanced students working in aesthetics, philosophy of science, and epistemology, as well as to historians of science and art, and to practicing artists and scientists interested in exploring foundational questions at the heart of the creative practice of abstracting"-- Abstraktion (DE-588)4141162-6 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Abstraction Science / Philosophy Art / Philosophy Art / Philosophie abstraction (DE-588)4143413-4 Aufsatzsammlung gnd-content Ästhetik (DE-588)4000626-8 s Abstraktion (DE-588)4141162-6 s DE-604 Ambrosio, Chiara (DE-588)1177045583 edt Sánchez-Dorado, Julia (DE-588)1348614293 edt Äquivalent Druck-Ausgabe, Paperback 978-1-032-46288-2 Erscheint auch als Online-Ausgabe 978-1-003-38095-5 |
| spellingShingle | Abstraction in science and art philosophical perspectives Abstraktion (DE-588)4141162-6 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4141162-6 (DE-588)4000626-8 (DE-588)4143413-4 |
| title | Abstraction in science and art philosophical perspectives |
| title_auth | Abstraction in science and art philosophical perspectives |
| title_exact_search | Abstraction in science and art philosophical perspectives |
| title_full | Abstraction in science and art philosophical perspectives edited by Chiara Ambrosio and Julia Sánchez-Dorado |
| title_fullStr | Abstraction in science and art philosophical perspectives edited by Chiara Ambrosio and Julia Sánchez-Dorado |
| title_full_unstemmed | Abstraction in science and art philosophical perspectives edited by Chiara Ambrosio and Julia Sánchez-Dorado |
| title_short | Abstraction in science and art |
| title_sort | abstraction in science and art philosophical perspectives |
| title_sub | philosophical perspectives |
| topic | Abstraktion (DE-588)4141162-6 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Abstraktion Ästhetik Aufsatzsammlung |
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