Song in the novel:
Song in the novel" investigates the variety of types of songs present in novels, from French romances, ballads, folk songs, opera, and opéra-comique, to café-concert music, blues and jazz, and more recent popular music. Throughout, literary scholars, musicologists, and cultural historians analy...
Gespeichert in:
| Weitere Verfasser: | , , |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2024
|
| Ausgabe: | First edition |
| Schriftenreihe: | Proceedings of the British Academy
265 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Song in the novel" investigates the variety of types of songs present in novels, from French romances, ballads, folk songs, opera, and opéra-comique, to café-concert music, blues and jazz, and more recent popular music. Throughout, literary scholars, musicologists, and cultural historians analyse novels written in a range of languages, including English, French, Italian, Russian, and Spanish. Using a range of interdisciplinary and comparative material, "Song in the novel" explores the way that songs can be present in novels, from the inclusion of musical scores to broader practices of citation and allusion. It interrogates the function of song in the novel, considering its importance for plot, character, and setting. Finally, it addresses the reader's involvement in these songs - whether through immediate recognition or further research - with the result that they may participate in what Lawrence Kramer describes as a 'song pact' with the author, akin to the intimate connections between characters enabled through song in the novel |
| Beschreibung: | xi, 241 Seiten Illustrationen |
| ISBN: | 9780197267745 0197267742 |
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Datensatz im Suchindex
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vii viii xii List ofFigures and Tables Notes on Contributors Acknowledgements Introduction 1 JENNIFER RUSHWORTH 1 ‘Elle se mit à chanter. ’ : A Reflection on Songs in 18th-Century French Fiction 23 CATRIONA SETH 2 Integrating Song in the Novel: Lessons from the 18th Century 38 MARTIN WÂLHBERG 3 ‘A Taste for Music, or No’? Walter Scott’s Novels and Music 52 C. Μ. JACKSON-HOULSTON 4 Singing in Instalments: Giuseppe Rovani’s Cento anni (1856-64) 69 CORMAC NEWARK 5 Carmen’s Intertexts: Cervantes, Viardot, Mérimée, Bizet 94 BARRY IFE 6 Songs in the Laundry: Musical Meaning in Zola’s L’Assommoir 117 HANNAH SCOTT 7 Re-Joycing in Song: Love, Death, and Nationhood in Ulysses 139 JOSH TORABI 8 ‘Extraordinary how potent cheap music is’ : Memory, Nostalgia, and Affect in Gaito Gazdanov’s An Evening with Claire 154 PHILIP ROSS BULLOCK 9 Songs of Triumph: Claude McKay, Sonic Subcultures, and the Opéra-Comique HANNAH HUXLEY 171
10 Singing the Dead Present: Reading Ali Smith’s Winter in the Middle Ages 191 ELIZABETH EVA LEACH Afterword: The Song Pact - How the Novel Sings 208 LAWRENCE KRAMER References Index 220 238
Song in the Novel investigates the variety of types of songs present in novels, from French romances, ballads, folk songs, opera, and opéra-comique, to café-concert music, blues and jazz, and more recent popular music. Contributions from literary scholars, musicologists, and cultural historians analyse novels written in a range of languages, including English, French, Italian, Russian, and Spanish. The volume explores the way that songs can be present in novels, from the inclusion of musical scores to broader practices of citation and allusion. It interrogates the function of song in the novel, considering its importance for plot, character, and setting. Finally, it addresses the reader’s involvement in these songs, whether through immediate recognition or further research, with the result that the reader may participate in what Lawrence Kramer describes as a ‘song pact’ with the author, an accord akin to the intimate connections between characters enabled through song in the novel. |
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