The Cambridge companion to literature in a digital age:
"Literature has experienced two great medium shifts, each with profound implications for its forms, genres, and cultures: that from orality to writing, and that from writing to printing. Today we are experiencing a third shift, from printed to digital forms. As with the previous shifts, this tr...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom ; New York, NY
Cambridge University Press
2024
|
| Schriftenreihe: | Cambridge companions literature
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Literature has experienced two great medium shifts, each with profound implications for its forms, genres, and cultures: that from orality to writing, and that from writing to printing. Today we are experiencing a third shift, from printed to digital forms. As with the previous shifts, this transformation is reconfiguring literature and literary culture. The Cambridge Companion to Literature in the Digital Age is organized around the question of what is at stake for literary studies in this latest transition. Rather than dividing its chapters by methodology or approach, this volume proceeds by exploring the major categories of literary investigation that are coming under pressure in the digital age: concepts such as the canon, periodization, authorship, and narrative. With chapters written by leading experts in all facets of literary studies, this book shows why all those who read, study, and teach literature today ought to attend to the digital."-- |
| Beschreibung: | xii, 295 Seiten Illustrationen, Diagramme |
| ISBN: | 9781009349543 9781009349529 |
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| 520 | 3 | |a "Literature has experienced two great medium shifts, each with profound implications for its forms, genres, and cultures: that from orality to writing, and that from writing to printing. Today we are experiencing a third shift, from printed to digital forms. As with the previous shifts, this transformation is reconfiguring literature and literary culture. The Cambridge Companion to Literature in the Digital Age is organized around the question of what is at stake for literary studies in this latest transition. Rather than dividing its chapters by methodology or approach, this volume proceeds by exploring the major categories of literary investigation that are coming under pressure in the digital age: concepts such as the canon, periodization, authorship, and narrative. With chapters written by leading experts in all facets of literary studies, this book shows why all those who read, study, and teach literature today ought to attend to the digital."-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text |
Contents List ofFigures List of Contributors Chronology page vii ix X Introduction Adam Hammond I Literary Data Yohei Igarashi 12 2 Literary Change Ted Underwood 34 3 The Canon Mark Algee-Hewitt 47 4 Voice and Performance Marit J. MacArthur and Lee Μ. Miller 66 5 The Archive Katherine Bode 89 I 6 Editions Claire Bartershill, Anna Mukamal, and Helen Southworth 107 7 Materiality Dennis Yi Tenen 125 8 The Literary Marketplace Tully Barnett 137 9 Fanfiction, DigitalPlatforms, and Social Reading Anna Wilson 154
vi Contents io Narrative and Interactivity Emily Short 177 π Generated Literature Nick Montfort andJudy Heflin 194 12 Literary Gaming Timothy Welsh 212 13 The Printed Book in the Digital Age Inge van de Ven 233 14 Literature’s Audioptic Platform Garrett Steiuart 250 15 Critique Gabriel Hankins 273 Index 292 |
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| discipline | Literaturwissenschaft |
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| title | The Cambridge companion to literature in a digital age |
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| title_full | The Cambridge companion to literature in a digital age edited by Adam Hammond, University of Toronto |
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