Dialogues with the carnivalesque: decolonial artistic practices in the Lusophone Black world
Carnival emerges as an expression filled with nuances and paradoxes. While it challenges social norms and breaks established conventions, it is also vulnerable to governmental appropriation and its transformation into a tourist product. Examples of this duality can be seen in various forms, from the...
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| Format: | Artikel |
| Sprache: | English |
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2024
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| Zusammenfassung: | Carnival emerges as an expression filled with nuances and paradoxes. While it challenges social norms and breaks established conventions, it is also vulnerable to governmental appropriation and its transformation into a tourist product. Examples of this duality can be seen in various forms, from the revered Afro bloc Ilê Aiyê in Bahia, Brazil, to the carnivals of Mindelo, Cape Verde; Bissau, Guinea-Bissau; and the Carnival of Vitória in Luanda, Angola. These celebrations highlight the power of Carnival to amplify marginalized voices and solidify national identities in areas of rich cultural diversity. Specifically, the Carnival of Quelimane in Mozambique stands as a testament to the celebration of local traditions, particularly from the Zambézia region. Broadening the lens to the "carnivalesque" universe, defined by its paradigm shifts, performance, humor, and a world of inversions, this article highlights the artistic contributions of figures such as Ayrson Heráclito, Alex da Silva, Kiluanji Kia Henda, and Filipe Branquinho. The works of these artists are analyzed as reflections of decolonial practices, intertwined with discourses of resistance against the exploitation of natural and cultural resources. Through their art, the ambiguous contours of Carnival are outlined, emphasizing its subversive and decolonial essence. In its choreography of celebration, resistance, and critique, Carnival establishes itself as a space for innovation, questioning, and sociocultural reflection. |
| Beschreibung: | Illustrationen |
| ISSN: | 1075-7163 |
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| 520 | 3 | |a Carnival emerges as an expression filled with nuances and paradoxes. While it challenges social norms and breaks established conventions, it is also vulnerable to governmental appropriation and its transformation into a tourist product. Examples of this duality can be seen in various forms, from the revered Afro bloc Ilê Aiyê in Bahia, Brazil, to the carnivals of Mindelo, Cape Verde; Bissau, Guinea-Bissau; and the Carnival of Vitória in Luanda, Angola. These celebrations highlight the power of Carnival to amplify marginalized voices and solidify national identities in areas of rich cultural diversity. Specifically, the Carnival of Quelimane in Mozambique stands as a testament to the celebration of local traditions, particularly from the Zambézia region. Broadening the lens to the "carnivalesque" universe, defined by its paradigm shifts, performance, humor, and a world of inversions, this article highlights the artistic contributions of figures such as Ayrson Heráclito, Alex da Silva, Kiluanji Kia Henda, and Filipe Branquinho. The works of these artists are analyzed as reflections of decolonial practices, intertwined with discourses of resistance against the exploitation of natural and cultural resources. Through their art, the ambiguous contours of Carnival are outlined, emphasizing its subversive and decolonial essence. In its choreography of celebration, resistance, and critique, Carnival establishes itself as a space for innovation, questioning, and sociocultural reflection. | |
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| spelling | Nolasco, Ana ca. 20./21.Jh. Verfasser (DE-588)1201584795 aut Dialogues with the carnivalesque decolonial artistic practices in the Lusophone Black world Ana Nolasco 2024 Illustrationen txt rdacontent n rdamedia nc rdacarrier Carnival emerges as an expression filled with nuances and paradoxes. While it challenges social norms and breaks established conventions, it is also vulnerable to governmental appropriation and its transformation into a tourist product. Examples of this duality can be seen in various forms, from the revered Afro bloc Ilê Aiyê in Bahia, Brazil, to the carnivals of Mindelo, Cape Verde; Bissau, Guinea-Bissau; and the Carnival of Vitória in Luanda, Angola. These celebrations highlight the power of Carnival to amplify marginalized voices and solidify national identities in areas of rich cultural diversity. Specifically, the Carnival of Quelimane in Mozambique stands as a testament to the celebration of local traditions, particularly from the Zambézia region. Broadening the lens to the "carnivalesque" universe, defined by its paradigm shifts, performance, humor, and a world of inversions, this article highlights the artistic contributions of figures such as Ayrson Heráclito, Alex da Silva, Kiluanji Kia Henda, and Filipe Branquinho. The works of these artists are analyzed as reflections of decolonial practices, intertwined with discourses of resistance against the exploitation of natural and cultural resources. Through their art, the ambiguous contours of Carnival are outlined, emphasizing its subversive and decolonial essence. In its choreography of celebration, resistance, and critique, Carnival establishes itself as a space for innovation, questioning, and sociocultural reflection. Ole, António 1951- (DE-588)13306624X gnd rswk-swf Branquinho, Filipe 1977- (DE-588)1148297359 gnd rswk-swf Kia Henda, Kiluanji 1979- (DE-588)1050879856 gnd rswk-swf Heráclito, Ayrson 1968- (DE-588)1079108157 gnd rswk-swf Entkolonialisierung (DE-588)4070860-3 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Karneval Motiv (DE-588)4295585-3 gnd rswk-swf Portugiesisches Sprachgebiet (DE-588)4311690-5 gnd rswk-swf Portugiesisches Sprachgebiet (DE-588)4311690-5 g Kunst (DE-588)4114333-4 s Karneval Motiv (DE-588)4295585-3 s Entkolonialisierung (DE-588)4070860-3 s DE-604 Ole, António 1951- (DE-588)13306624X p Heráclito, Ayrson 1968- (DE-588)1079108157 p Kia Henda, Kiluanji 1979- (DE-588)1050879856 p Branquinho, Filipe 1977- (DE-588)1148297359 p volume:54 year:2024 month:05 pages:34-49 Nka Durham, NC, 2024 Number 54 (May 2024), Seite 34-49 (DE-604)BV014335500 1075-7163 (DE-600)2076387-6 |
| spellingShingle | Nolasco, Ana ca. 20./21.Jh Dialogues with the carnivalesque decolonial artistic practices in the Lusophone Black world Ole, António 1951- (DE-588)13306624X gnd Branquinho, Filipe 1977- (DE-588)1148297359 gnd Kia Henda, Kiluanji 1979- (DE-588)1050879856 gnd Heráclito, Ayrson 1968- (DE-588)1079108157 gnd Entkolonialisierung (DE-588)4070860-3 gnd Kunst (DE-588)4114333-4 gnd Karneval Motiv (DE-588)4295585-3 gnd |
| subject_GND | (DE-588)13306624X (DE-588)1148297359 (DE-588)1050879856 (DE-588)1079108157 (DE-588)4070860-3 (DE-588)4114333-4 (DE-588)4295585-3 (DE-588)4311690-5 |
| title | Dialogues with the carnivalesque decolonial artistic practices in the Lusophone Black world |
| title_auth | Dialogues with the carnivalesque decolonial artistic practices in the Lusophone Black world |
| title_exact_search | Dialogues with the carnivalesque decolonial artistic practices in the Lusophone Black world |
| title_full | Dialogues with the carnivalesque decolonial artistic practices in the Lusophone Black world Ana Nolasco |
| title_fullStr | Dialogues with the carnivalesque decolonial artistic practices in the Lusophone Black world Ana Nolasco |
| title_full_unstemmed | Dialogues with the carnivalesque decolonial artistic practices in the Lusophone Black world Ana Nolasco |
| title_short | Dialogues with the carnivalesque |
| title_sort | dialogues with the carnivalesque decolonial artistic practices in the lusophone black world |
| title_sub | decolonial artistic practices in the Lusophone Black world |
| topic | Ole, António 1951- (DE-588)13306624X gnd Branquinho, Filipe 1977- (DE-588)1148297359 gnd Kia Henda, Kiluanji 1979- (DE-588)1050879856 gnd Heráclito, Ayrson 1968- (DE-588)1079108157 gnd Entkolonialisierung (DE-588)4070860-3 gnd Kunst (DE-588)4114333-4 gnd Karneval Motiv (DE-588)4295585-3 gnd |
| topic_facet | Ole, António 1951- Branquinho, Filipe 1977- Kia Henda, Kiluanji 1979- Heráclito, Ayrson 1968- Entkolonialisierung Kunst Karneval Motiv Portugiesisches Sprachgebiet |
| work_keys_str_mv | AT nolascoana dialogueswiththecarnivalesquedecolonialartisticpracticesinthelusophoneblackworld |