Limited Shakespeare: the reason of finitude
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2019
|
| Schriftenreihe: | Routledge studies in Shakespeare
37 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext Inhaltsverzeichnis Klappentext |
| Beschreibung: | ix, 250 Seiten |
| ISBN: | 9780367026776 9781032092805 |
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Datensatz im Suchindex
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Contents Acknowledgments xi 1 Introduction 1 The Limits of Love: Shakespeare and the Siren: Reading Sonnet 119 The Siren 13 Epic and Narration: Toward a Mini-Odyssey 14 Je me trompe les yeux 18 Womanish Fine Forgery 20 Wretched Errors 22 I Return Again 26 In Perpetual Alienation 29 The Unelucidated Remnant 34 13 2 The Limits of Life: Romeo’s Earliness Shakespeare’s Unfreedom 38 A Particular Circumstance 42 Overtaken Words and Deeds 45 The Priority of the Fortuitous 47 Failing to Age Outside Verona 51 The Grammar of Decameron 52 Green-Sickness 56 Early Plucked 59 In abito di ninfa 60 The Real Dramas of Existence 61 38 3 The Limits of the World: Hamlet Insolvent The Essential Limits of the City 66 This Man Goes Loose 66 Denmarkations 71 66
viii Contents Baser Matter 77 Solutions, Resolutions 83 Something 89 Caviare to the General 92 A Play without a City 93 Bad Dreams 97 The Disorderly Rabble 102 4 The Limits of Knowledge: “More or Less than Truth”: Othello’s Epistemology 113 Cannot Not Learn 113 In the Sea of Sense 114 More or Less than Truth 116 What I Have Seen and Known 118 Practice 120 Do You Know Nothing? 122 Ruptured Organs 123 False as Water 125 The Finite Mind 127 The Forgotten and the Repressed 130 Il faut la vérité 133 A Transcendental Untruth 134 Men Are Not Gods 137 The Handkerchief 140 This Accident Is Not Unlike My Dream 144 5 The Limits of Time: “Beyond This Ignorant Present”: The Poverty of Historicism in Macbeth 151 A Time for Such a Word 151 A Child of His Time 157 A Charmed Life 160 Intimate with a Nymph 163 The Hours Ripe on Earth 167 A Word III Urged 175 Finished Business 180 6 The Limits of Experience: Limited Possibility in The Tempest Shakespeare Sive Natura 187 The Negri Problem 188 For a World to Come 192 187
Contents ix Reconciliation 194 Monism? 196 Participation 198 Finitude 201 Ignorance 203 Possibility 208 Bibliography Index 223 241
Limited Shakespeare Shakespeare’s poetic-dramatic worlds are inescapably limited. There is always, in his poems and plays, a force (a contingent drive, a pretextual undertow, a rational-critical momentum, an ironic stance, the deflec tions of error) coercing plot and meaning to their end. By examining the work of limits in the sonnets and in five of his plays, this book seeks not only to highlight the poet’s steadfast commitment to critical rational ity. It also aims to plead a case of hermeneutic continence. Present-day appraisals of Shakespeare’s world-making and meaning-projecting po tential are often overruled by a neoromantic and phenomenological celebration of plenty. This precritical tendency unwittingly obtains epistemic legitimation from philosophical quarters inspired by Alain Badiou’s derisive rejection of “the pathos of finitude.” But finitude is much more than a modish, neo-existentialist, watchword. It is what is left of ontology when reason is done. And cool reason was already at work before Kant. In accounting for the way in which Shakespeare places lim its to life (Romeo and Juliet), to experience (The Tempest), to love (the Sonnets), to time (Macbeth), to the world (Hamlet), and to knowledge (Othello), Limited Shakespeare: The Reason of Finitude aims to un derscore the deeply mediated dimension of Shakespearean experience, always overdetermined by the twin forces of contingency and textual de terminism, and his meta-rational and virtually ironic taste for irrational, accidental, and error-driven limits (bonds, bounds, deaths).
Contents Acknowledgments xi 1 Introduction 1 The Limits of Love: Shakespeare and the Siren: Reading Sonnet 119 The Siren 13 Epic and Narration: Toward a Mini-Odyssey 14 Je me trompe les yeux 18 Womanish Fine Forgery 20 Wretched Errors 22 I Return Again 26 In Perpetual Alienation 29 The Unelucidated Remnant 34 13 2 The Limits of Life: Romeo’s Earliness Shakespeare’s Unfreedom 38 A Particular Circumstance 42 Overtaken Words and Deeds 45 The Priority of the Fortuitous 47 Failing to Age Outside Verona 51 The Grammar of Decameron 52 Green-Sickness 56 Early Plucked 59 In abito di ninfa 60 The Real Dramas of Existence 61 38 3 The Limits of the World: Hamlet Insolvent The Essential Limits of the City 66 This Man Goes Loose 66 Denmarkations 71 66
viii Contents Baser Matter 77 Solutions, Resolutions 83 Something 89 Caviare to the General 92 A Play without a City 93 Bad Dreams 97 The Disorderly Rabble 102 4 The Limits of Knowledge: “More or Less than Truth”: Othello’s Epistemology 113 Cannot Not Learn 113 In the Sea of Sense 114 More or Less than Truth 116 What I Have Seen and Known 118 Practice 120 Do You Know Nothing? 122 Ruptured Organs 123 False as Water 125 The Finite Mind 127 The Forgotten and the Repressed 130 Il faut la vérité 133 A Transcendental Untruth 134 Men Are Not Gods 137 The Handkerchief 140 This Accident Is Not Unlike My Dream 144 5 The Limits of Time: “Beyond This Ignorant Present”: The Poverty of Historicism in Macbeth 151 A Time for Such a Word 151 A Child of His Time 157 A Charmed Life 160 Intimate with a Nymph 163 The Hours Ripe on Earth 167 A Word III Urged 175 Finished Business 180 6 The Limits of Experience: Limited Possibility in The Tempest Shakespeare Sive Natura 187 The Negri Problem 188 For a World to Come 192 187
Contents ix Reconciliation 194 Monism? 196 Participation 198 Finitude 201 Ignorance 203 Possibility 208 Bibliography Index 223 241
Limited Shakespeare Shakespeare’s poetic-dramatic worlds are inescapably limited. There is always, in his poems and plays, a force (a contingent drive, a pretextual undertow, a rational-critical momentum, an ironic stance, the deflec tions of error) coercing plot and meaning to their end. By examining the work of limits in the sonnets and in five of his plays, this book seeks not only to highlight the poet’s steadfast commitment to critical rational ity. It also aims to plead a case of hermeneutic continence. Present-day appraisals of Shakespeare’s world-making and meaning-projecting po tential are often overruled by a neoromantic and phenomenological celebration of plenty. This precritical tendency unwittingly obtains epistemic legitimation from philosophical quarters inspired by Alain Badiou’s derisive rejection of “the pathos of finitude.” But finitude is much more than a modish, neo-existentialist, watchword. It is what is left of ontology when reason is done. And cool reason was already at work before Kant. In accounting for the way in which Shakespeare places lim its to life (Romeo and Juliet), to experience (The Tempest), to love (the Sonnets), to time (Macbeth), to the world (Hamlet), and to knowledge (Othello), Limited Shakespeare: The Reason of Finitude aims to un derscore the deeply mediated dimension of Shakespearean experience, always overdetermined by the twin forces of contingency and textual de terminism, and his meta-rational and virtually ironic taste for irrational, accidental, and error-driven limits (bonds, bounds, deaths). |
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| title | Limited Shakespeare the reason of finitude |
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| title_full | Limited Shakespeare the reason of finitude Julián Jiménez Heffernan |
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| title_short | Limited Shakespeare |
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