Crafting the Ballets Russes: music, dance, design : the Robert Owen Lehman collection
Published in conjunction with an exhibition at the Morgan Library & Museum in 2024, this publication tells the story of the artistic collaborations of the Ballets Russes, drawing upon the Robert Owen Lehman Collection of music manuscripts to illuminate this rich history. The book weaves together...
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| Zusammenfassung: | Published in conjunction with an exhibition at the Morgan Library & Museum in 2024, this publication tells the story of the artistic collaborations of the Ballets Russes, drawing upon the Robert Owen Lehman Collection of music manuscripts to illuminate this rich history. The book weaves together the careers of the ballet company's creators, featuring Igor Stravinsky, Claude Debussy, Michel Fokine, Bronislava Nijinska, and Léon Bakst, interspersed with illustrations of autograph manuscripts, choreographic notations, and stage designs associated with their works. Authors Robinson McClellan, Assistant Curator of Music Manuscripts and Printed Music at the Morgan Library, and Lynn Garafola, dance historian, examine key ballets such as "Firebird," "Petrouchka," "Afternoon of a Faun," and "Bolero," as well as the influence of the impresario Serge Diaghilev, who founded the troupe at the height of the Belle Époque |
| Beschreibung: | Includes bibliographical references and index Rückseite Titelblatt: Published to accompany the exhibition "Crafting the Ballets Russes: The Robert Owen Lehman Collection" at the Morgan Library & Museum, New York, 28 June - 22 September 2024 |
| Beschreibung: | 144 Seiten Illustrationen, Porträts (teilweise farbig) |
| ISBN: | 9781913875671 1913875679 |
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Director’s Foreword COLIN B. BAILEY Prologue MARIE ROLF II Diaghilev—Man of Music LYNN GARAFOLA 37 Crafting the Ballets Russes Robinson McClellan 123 Checklist of the Exhibition 130 Ballet and Related Music Manuscripts in the Robert Owen Lehman and Morgan Library Collections 133 Selected Reading 139 Index 144 Curator’s Acknowledgments
26 The following list offers entry to the vast literature on the Ballets Russes, its associated figures, and artistic and cultural trends of the time. After the opening section on Serge Diaghilev’s Ballets Russes, it is organized by topic: music, dance, and design; then by the major figures featured in this book. Garafola, Lynn, and Nancy Van Norman Baer, eds. The Ballets Russes andIts World. New Haven: Yale University Press, 1999. Garcia-Marquez, Vicente. Massine:A Biography. New York: Alfred A. Knopf, 1995. Diaghilev’s Ballets Russes Grigoriev, S. L. The Diaghilev Ballet, 1909-1929. Edited and translated by Vera Bowen. London: Constable, 1953. Auclair, Mathias, and Pierre Vidal. Les Ballets Russes. Montreuil: GorcuffGradenigo; Paris: Bibliothèque Nationale de France, 2009. Exhibition catalogue. Jeschke, Claudia, and Nicole Haitzinger. Schwäne undFeuervögel: Die Ballets Russes, 1909 -1929. Russische Bildwelten in Bewegung. [Leipzig] : Henschel, [2009]. Baer, Nancy Van Norman, ed. The Art of Enchantment: Diaghilev’s Ballets Russes, 1909-1929. San Francisco: Fine Arts Museums of San Francisco; New York: Universe Books, 1988. Exhibition catalogue. Kahane, Martine, and Nicole Wild. Les Ballets Russes à l’Opéra. Paris: Hazan/Bibliothèque Nationale de France, 1992. Bellow, Juliet. Modernism on Stage: The Ballets Russes and the Parisian Avant-Garde. New York: Ashgate, 2013. Bowlt, John E., and Lynn Garafola, eds. “Sergei Diaghilev and the Ballets Russes: A Tribute to the First Hundred Years.” Special issue, Experiment: Journal ofRussian Culture τη, no. 1 (January 2011). Caddy,
Davinia. The Ballets Russes andBeyond: Music andDance in Belle-Époque Paris. Cambridge: Cambridge University Press, 2012. Christiansen, Rupert. Diaghilev’s Empire: How the Ballets RussesEnthralled the World. New York: Farrar, Straus and Giroux, 2022. Fitzgerald, Clare, e .Hymn to Apollo: The Ancient World and the Ballets Russes. New York: Institute for the Study of the Ancient World, New York University; Princeton: Princeton University Press, 2019. Exhibition catalogue. Garafola, Lynn. Diaghilev’s Ballets Russes. New York: Oxford University Press, 1989. Kochno, Boris. Diaghilev and the Ballets Russes. Translated by Adrienne W. Foulke. New York: Harper Row, 1970. Macdonald, Nesta. Diaghilev Observed by Critics in England and the United States, 1911-1929. New York: Dance Horizons; London: Dance Books, 1975- Murga Castro, Idoia. Pintura en danza:Los artistas espanolesy el ballet (1916-1962). Madrid: Consejo Superior de Investigaciones Cientfficas, 2012. Näslund, Erik, ed. Ballets Russes: The Stockholm Collection. Stockholm: Dansmuseet, 2009. Exhibition catalogue. Pritchard, Jane, ed. Diaghilev and the Golden Age of the Ballets Russes, 1909-1929. London: V A Publishing, 2010. Exhibition catalogue. Svetlov, ΝΛζχυ ά. Le Ballet contemporain. Edited in collaboration with Léon Bakst. Translated by Μ. D. Calvocoressi. St. Petersburg: R. Golicke andA. Willborg, 1912. Valois, Ninette de. Invitation to theBallet. London: John Lane, The Bodley Head, 1937.
Music Homans, Jennifer. Mr. B: George Balanchine’s 20th Century. New York: Random House, 2022. Chimènes, Nyt\.wx Mécènes et musiciens: Du salon au concert à Paris sous la IlleRépublique. Paris: Fayard, 2004. Jones, Susan. Literature, Modernism, andDance. Oxford: Oxford University Press, 2013. Davis, Mary E. Classic Chic:Music, Fashion, and Modernism. Berkeley: University of California Press, 2006. Jordan, Stephanie. MovingMusic: Dialogues with Music in Twentieth-Century Ballet. London: Dance Books, 2000. Epstein, Louis K. The Creative Labor ofMusic: Patronage in Interwar France. Woodbridge UK: Boydell Brewer, 2022. Karsavina, Tamara. Theatre Street: The Reminiscences ofTamara Karsavina. With a foreword byJ. Μ. Barrie. London: William Heinemann, 1930. Kahan, Sylvia. Music’sModern Muse: A Life of Winnaretta Singer, Princesse dePolignac. Rochester, NY: University of Rochester Press, 2003. Press, Stephen D. Prokofiev’s BalletsforDiaghilev. Aidershot, UK: Ashgate, 2006. Ross, Alex. Wagnerism: Art andPolitics in the Shadow ofMusic. New York: Farrar, Straus and Giroux, 2020. Smart, Mary Ann. Mimomania: Music and Gesture in Nineteenth-Century Opera. Berkeley: University of California Press, 2004. Watkins, Glenn. Pyramids at the Louvre: Music, Culture, and Collage from Stravinsky to the Postmodernists. Cambridge, MA: Harvard University Press, 1994. Kirstein, Lincoln. Movement Metaphor: Four Centuries ofBallet. New York: Praeger Publishers, 1970. Levinson, André. La Danse d’aujourd’hui: Etudes, notes,portraits. Paris: Duchartre et Van Buggenhoudt, 1929. Levinson, André. Ballet Old
andNew. Translated by Susan Cook Summer. New York: Dance Horizons, 1982. Pakes, Anna. Choreography Invisible: The Disappearing Work ofDance. New York: Oxford University Press, 2020. Pazcoguin, Georgina. Swan Dive: TheMakingofa Rogue Ballerina. New York: Henry Holt and Company, 2021. Pouillaude, Frédéric. Unworking Choreography: The Notion ofthe Work in Dance. Oxford: Oxford University Press, 2017. Dance Acocella, Joan, and Lynn Garafola, eds. André Levinson on Dance: Writings from Paris in the Twenties. Hanover, NH: Wesleyan University Press/University Press ofNew England, 1991. Beaumont, Cyril W. Complete Book ofBallets: A Guide to the PrincipalBallets ofthe Nineteenth and Twentieth Centuries. London: Putnam, 1937· Brandenburg, Irene, and Claudiajeschke. Tanz Schreiben: Artefakte, Hypertexte—und Nijinsky. Tanz Archiv: Forschungsreisen 10. Munich: Epodium, 2023. Duncan, Isadora. MyLife. New York: Liveright, 1927. The Grolier Club of New York. Four Hundred Years ofDance Notation. New York: The Grolier Club of New York, 1986. 134 Pritchard, Jane. Anna Pavlova: Twentieth Century Ballerina. With Caroline Hamilton. London: Booth-Clibborn, 2012. Reynolds, Nancy, and Malcolm McCormick. № FixedPoints: Dance in the Twentieth Century. New Haven: Yale University Press, 2021. Stipanovich, Alexandre. “Meet Kandis Williams and Her Dancing Bodies.” Interview Magazine, 29 December 2021. Volynsky, Akim L. Ballet’s Magic Kingdom: Selected Writings on Dance in Russia, 1911-1925. Translated and edited by StanleyJ. Rabinowitz. New Haven: Yale University Press, 2008.
Design Bell, Robert, and Christine Dixon. Ballets Russes: The Art ofCostume. Canberra: National Gallery ofAustralia. Exhibition catalogue. Bowlt, John E. The Silver Age: Russian Art ofthe Early Twentieth Century and the “World ofArt” Group. Newtonville, MA: Oriental Research Partners, 1979. Bowlt, John E., Zelfira Tregulova, and Nathalie Rosticher Giordano. A Feast of Wonders: Sergei Diaghilev and the Ballets Russes. Milan: Skira, 2009. Exhibition catalogue. Schouvaloff, Alexander. Léon Bakst: The Theatre Art. New York: Sotheby Parke Bernet, 1991. Alexandre Benois Benois, Alexandre. “Beseda о balete” [Colloquy on ballet]. In V. Meyerhold et al., Teatr. St. Petersburg: Shipnovik, 1908:100-121. Benois, Alexandre. Reminiscences ofthe Russian Ballet. Translated by Mary Britnieva. London: Putnam, 1941. Benois, Alexandre. Alexandre Benois, 1870-1960: Drawingsfor the Ballet. With an introduction Parton, Anthony. Goncharova: The Art andDesign of by Richard Buckle. London: Hazlitt, Gooden Natalia Goncharova. Woodbridge, UK: Antique Fox, 1980. Exhibition brochure. Collectors’ Club, 2010. Melani, Pascale. “Inédit: extraits des carnets Richardson, John. A Life ofPicasso: The Triumphant d’Alexandre Benois, Archives Dimitri Years, 1917-1932. With Marilyn McCully. New Vicheney, Paris.” Slavica Occitania 23 (2006): York: Alfred A. Knopf, 2007. 131-57· Scheijen, Sjeng, ed. Workingfor Diaghilev. Groningen, Netherlands: Groninger Museum, 2004. Exhibition catalogue. Claude Debussy Schouvaloff, Alexander. The Art ofBallets Russes: The Serge Lifar Collection ofTheater Designs, Costumes,
andPaintings at the Wadsworth Atheneum, Hartford, Connecticut. New Haven: Yale University Press and the Wadsworth Atheneum, 1997. Exhibition catalogue. Léon Bakst Alexandre, Arsène. L’Art décoratifde Léon Bakst. With commentary byJean Cocteau. Paris: Maurice de Brunhoff, 1913. Bakst, Léon. The Designs ofLéon Bakst for “The SleepingPrincess”: A Ballet in Five Acts after Perrault. With a preface by André Levinson. London: Benn Brothers, 1923. Levinson, André. Bakst: Story ofthe Artist’s Life. London: Bayard Press, 1923. Potter, Michelle. “Designed for Dance: The Costumes of Léon Bakst and the Art of Isadora Duncan.”Dance Chronicle 13, no. 2 (1990): 154-69· Pruzhan, Irina. Léon Bakst: Set and Costume Designs, Book Illustrations, Paintingsand Graphic Works. Translated by Arthur Shkarovski-Raffé. New York: Viking, 1987. Antokoletz, Elliott, and Marianne Wheeldon, eds. RethinkingDebussy. New York: Oxford University Press, 2011. Austin, William W., ^ά. Debusy:Prelude to “The Afternoon ofaFaunl’ Norton Critical Scores. New York: W. W. Norton Company, 1970. Debussy, Claude. Correspondance, 1872-1918. Edited by François Lesure and Denis Herlin. Paris: Gallimard, 2005. Debussy, Claude. Debussy Letters. Edited by François Lesure and Roger Nichols. Translated by Roger Nichols. Cambridge, MA: Harvard University Press, 1987. Debussy, Claude. Prélude à l’après-midi d’un faune: Fac-similé du manuscrit autographe de lapartition d’orchestre. Presented by Denis Herlin. Volume 1 oiDe main de maître. Paris: Bibliothèque Nationale de France; Turnhout: Brepols Publishers, 2014. Dietschy, Marcel. A
Portrait ofClaude Debussy. Edited and translated by William Ashbrook and Margaret G. Cobb. Oxford: Clarendon Press, 1990. SELECTED READING i:n
Lesure, François. Claude Debussy: A Critical Biography. Edited and translated by Marie Rolf. Rochester, NY: University of Rochester Press, 2019. Lockspeiser, Edward. /и /.иу.· His Life andMind. 2 vols. Cambridge: Cambridge University Press, 1978. Médicis, François de, and Steven Huebner, eds. Debusy’s Resonance. Rochester, NY: University of Rochester Press, 2018. Nectoux, Jean-Michel. Harmonie en bleu et or: Debussy, la musique et les arts. Paris: Fayard, 2005. Nichols, Roger. Debussy Remembered. London: Faber and Faber, 1992. Orledge, Robert. Debussy and the Theatre. Cambridge: Cambridge University Press, 1982. Rolf, Marie. “Orchestral Manuscripts of Claude Debussy: 1892-1905.” The Musical Quarterly 70, no. 4 (Autumn 1984): 538-66. Snyder, Harvey Lee. “Afternoon ofa Faun”: How Debussy Created a New Music for the Modern World. Milwaukee, WI: Amadeus, 2015. Walsh, Stephen. Debussy: A Painter in Sound. New York: Alfred A. Knopf, 2018. Wenk, Arthur. Claude Debusy and the Poets. Berkeley: University of California Press, 1976. Woodfull-Harris, Douglas, ed. Debusy: Prélude à l’après-midi d’un faune. Bärenreiter Urtext Edition. Kassel, Germany: Bärenreiter, 2011. Serge Diaghilev Buckle, Richard. Diaghilev. New York: Atheneum, 1979. Buckle, Richard. In Search ofDiaghilev. New York: Thomas Nelson Sons, 1956. Haskell, Arnold L. Diaghileff: His Artistic and Private Life. In collaboration with Walter Nouvel. London: Victor Gollancz, 1935. Lifar, Serge. Serge Diaghilev: His Life, His Work, His Legend; An LntimateBiography. New York: G. P. Putnam Sons, 1940. Scheijen, Sjeng. Diaghilev: A
Life. Translated by Jane Hedley-Prôle and S. J. Leinbach. Oxford: Oxford University Press, 2009. I3G Zil’berstein, I. S., and V. A. Samkov, eds. Sergei Diagilev i russkoe iskusstvo: stat’i, otkytye pisma, interv’iu,perepiska.2no\s.Moscow: Iskusstvo, 1982. Michel Fokine Beaumont, Cyril W. MichelFokine andHis Ballets. London: C. W. Beaumont, 1935. Fokine, Michel. “The New Russian Ballet,” letter to the editor. The Times (London), 6 July 1914,6. Fokine, Michel. Memoirs of'a BalletMaster. Edited by Anatole Chujoy. Translated by Vitale Fokine. Boston: Little, Brown and Company, 1961. Horwitz, Dawn Lille. MichelFokine. Boston: Twayne Publishers, 1985. Kirstein, Lincoln. Fokine. With an introduction by Arnold L. Haskell. The Artists ofthe Dance 12. London: British-Continental Press, 1934. Bronislava Nijinska Baer, Nancy Van Norman. Bronislava Nijinska: A Dancer’s Legacy. San Francisco: Fine Art Museums of San Francisco, 1986. Exhibition catalogue. Bronislava Nijinska—Svadebka Archives (201g202g). An electronic book intended to make available, in an interactive form, the Bronislava Nijinska Collection ofthe Library of Congress cerncexràrigLesNoces (Svadebka). Designed by Dominique Brun, Ivan Chaumeille, and Sophie Jacotot. French translation from Russian by Mariia Nevzorova, texts collected and presented by Ivan Chaumeille. Subsidized by and available at the Centre National de la Danse in Pantin. Garafola, Lynn. La Nijinska: Choreographer ofthe Modern. New York: Oxford University Press, 2022. Jeschke, Claudia. “Les Noces—Repetition: Variation: Transformation. Bronislawa Nijinska
als Choreographin.” In.Zur Ästhetik des Vorläufigen, edited by Thomas Hochradner and Sarah Haslinger, 105-19. Heidelberg: Universitätsverlag Winter, 2014. Martin, John. “The Dance: Revival of Nijinska’s ‘Les Noces.’”New York Times, 3 May 1936, X7.
Nij inska, Bronislava. Bronislava Nijinska: Early Memoirs. Edited and translated by Irina Nijinska andjean Rawlinson with an introduction by Anna Kisselgoff. Durham: Duke University Press, 1981. Nijinsky, Vaslav. The Diary of Vaslav Nijinsky: UnexpurgatedEdition. Edited byJoan Acocella. Translated by Kyril FitzLyon. New York: Farrar, Straus and Giroux, 1999; repr. Urbana and Chicago: University of Illinois Press, 2006. Svobodny, Wo\ . Nijinsky’s Feeling Mind: The Dancer Writes, the Writer Dances. New York: Lexington Books, 2023. Maurice Ravel Vaslav Nijinsky Buckle, Richard. Nijinsky. New York: Simon and Schuster, 1971. Gross, Valentine. Nijinsky on Stage: Action Drawings by Valentine Gross ofNijinsky and the Diaghilev BalletMade in Paris between 1909 and 1913. With an introduction and notes by Richard Buckle. London: Studio Vista, 1971. Guest, Ann Hutchinson, and Claudiajeschke. Nijinsky’s “Faune”Restored: A Study of Vaslav Nijinsky’s 1915 Dance Score; “L’après-midi d’un faune” andHis Dance Notation Method. Language of Dance Series 3. Binsted, UK: The Noverre Press, 1991. Guest, Ann Hutchinson, Claudiajeschke, and Philippe Néagu. Afternoon ofa Faun: Mallarmé, Debusy, Nijinsky. Edited byJean-Michel Nectoux. Translated by Maximilian Vos. New York: Vendome Press, 1987. Exhibition catalogue. Hodson, Millicent. Nijinsky’s Crime against Grace: Reconstruction Score ofthe Original Choreography for “Le Sacre du Printemps. ” Stuyvesant, NY: Pendragon Press, 1996. Järvinen, Hanna. Dancing Genius: The Stardom of Vaslav Nijinsky. New York: Palgrave Macmillan, 2014. Kirstein, Lincoln.
Nijinsky Dancing. New York: Alfred A. Knopf, 1975. Krasovskaya, Vera. Nijinsky. Translated byJohn Bowlt. New York: Schirmer Books, 1979. Neumeier, John, andJean-Albert Cartier. Tanz der Farben: Nijinskys Auge und die Abstraktion. Hamburg: Hamburger Kunsthalle, 2009. Exhibition catalogue. Cahiers Maurice Ravel. Fondation Maurice Ravel. Paris: Éditions Séguier, 1985-ongoing. Cornejo, Manuel, ed. L’Intégrale: Correspondance (1893-1936), écrits et entretiens. Paris: Le Passeur, 2018. Dru, François, and Quentin Hindley, eds. Bolero. Ravel Edition, vol. 1. Linkebeek, Belgium: XXI Music Publishing, 2018. Dru, François, ed. Ад Valse. Ravel Edition, vol. 8. Linkebeek, Belgium: XXI Music Publishing, 2022. Goss, Madeleine. Bolero: The Life ofMaurice Ravel. New York: Tudor Publishing Company, 1945. Jourdain-Morhange, Hélène, and Vlado Perlemuter. RavelAccording to Ravel. Edited by Harold Taylor. Translated by Frances Tanner. London: Kahn and Averill, 1988. Marnat, Marcel. Maurice Ravel. Paris: Fayard, 1986. Mawer, Deborah, ed. The Cambridge Companion to Ravel. Cambridge: Cambridge University Press, 2000. Mawer, Deborah. The Ballets ofMaurice Ravel: Creation andInterpretation. Aldershot, UK: Ashgate, 2006. Nichols, Roger. Ravel. New Haven: Yale University Press, 2011. Orenstein, Arbie. Ravel: Man andMusician. New York: Columbia University Press, 1975. Orenstein, Arbie, ed. A RavelReader: Correspondence, Articles, Interviews. New York: Columbia University Press, 1990. Roland-Manuel. Ravel. Paris: Éditions de la Nouvelle Revue Critique, 1938. Nijinsky, Romola. Nijinsky. London: Victor
Gollancz, 1933. SELECTED READING 13" \W ! ΊΠ Π Ο Ι /Л Nijinska, Bronislava. “Creation of‘Les Noces.’” Translated with an introduction byJean Μ. Serafetinides and Irina Nijinska. Dance Magazine (December 1974): 58-61.
Ida Rubinstein Chazin-Bennahum, Judith. Ida Rubinstein: Revolutionary Dancer, Actress, andImpresario. Albany: State University ofNew York Press, 2022. Cossart, Michael de. Ida Rubinstein: A Theatrical Life. Liverpool Historical Studies 2. Liverpool: Liverpool University Press, 1987. Depaulis, Jacques. Ida Rubinstein: Une inconnue jadis célèbre. Paris: Éditions Honoré Champion, 1995· Garafola, Lynn. Legacies ofTwentieth-Century Dance. Middletown, CT: Wesleyan University Press, 2005. Lécroart, Pascal, ed. Ida Rubinstein: Une utopie de la synthèse des arts à l’épreuve de la scène. Besançon: Presses Universitaires de FrancheComté, 2008. Rubinstein, Ida. “Les aspects de la vie moderne: ‘L’Art aux trois visages.’ Conférence de Mme Ida Rubinstein.” Conferencia: Journal de l’Université des Annales 19, no. 7 (15 March 1925): 328-42. Woolf, Vicki. Dancingin the Vortex: The Story ofIda Rubinstein. New York: Routledge, 2000. Igor Stravinsky Cross, Jonathan, ed. The Cambridge Companion to Stravinsky. Cambridge: Cambridge University Press, 2003. Griffiths, Graham. Stravinsky’s Piano: Genesis of a MusicalLanguage. New York: Cambridge University Press, 2013. Jordan, Stephanie. Stravinsky Dances: Re-Visions across a Century. Alton, UK: Dance Books, 2007. Joseph, Charles. “Stravinsky Manuscripts in the Library of Congress and the Pierpont Morgan Library.” The Journal ofMusicology 1, no. 3 (July 1982): 327-37. Joseph, Charles Μ. Stravinsky and the Piano. Ann Arbor, MI: UMI Research Press, 1983. Levitz, Tamara. ModernistMysteries: Perséphone. Oxford: Oxford University Press, 2012. rat Mazo,
Margarita. “Igor Stravinsky’s Les Noces, the Rite of Passage.’” In Les Noces (Svadebka). London: Chester Music, 2005, v-xxi. Meyer, Felix, ed. SettlingNew Scores: Music Manuscripts from the Paul Sacher Foundation. New York: Schott, 1998. Neff, Severine, Maureen Carr, and Gretchen Horlacher, eds. The Rite ofSpring at 100. With a foreword by Stephen Walsh and withjohn Reef. Bloomington: Indiana University Press, 2017. Pasler, Jann, ed. Confronting Stravinsky: Man, Musician, andModernist. Berkeley: University of California Press, 1986. Stravinsky, Igor. L’Oiseau de feu: Facsimile du manuscrit Saint-Pétersbourg, 1909-1910. With studies and commentary by Louis Cyr, Jean-Jacques Eigeldinger, and Pierre Wissmer. Geneva: Conservatoire de Musique de Genève / Minkoff, 1985. Stravinsky, Vera, and Robert Craft. Stravinsky in Pictures andDocuments. New York: Simon and Schuster, 1978. Taruskin, Richard. Stravinsky and the Russian Traditions: A Biography ofthe Works through “Mavra.” 2 vols. Berkeley: University of California Press, 1996. Walsh, Stephen. Stravinsky: A Creative Spring: Russia andFrance, 1882-1934. New York: Alfred A. Knopf, 1999. Wachtel, Andrew, ed. Petrushka: Sources and Contexts. Evanston, IL: Northwestern University Press, 1998. White, Eric Walter. Stravinsky: The Composer and His Works. 2nd ed. Berkeley: University of California Press, 1984.
Index Page numbers in italics refer to illustrations. abstraction 68,71,72,80,90,114 Afanasyev, Alexander48, 123 Antigone (play, Sophocles) 62,96 Apollon Musagète (now Apollo) 13,19,32,64 Ashton, Frederick 113-14,115,116 LeAstuzieFemminili (Cimarosa) 31, 36П48 Auric, Georges 26,28,31,33,132 Aurora’s Weddings Bach, Johann Sebastian 23,24,104, 121Ш82 Le Baiser de laFée (Stravinsky) 24,36П38, 94,113-14,115,116,129,131 Bakst, Léon 72, 20,22,23,50,351126,53, 40,45,46,50, so, 51-52, 62, 62,63,68, 68,69,80,88,92,96, 97,97,98,99,100, 101, 102,103,118П44,123,124,125,128 portraits by 12,103,128 self-portrait4I sketchbook 68,125 World of Art logo 42 Balanchine, George 13,14,24,36137, 39, 114,116,130,131,132 Les Ballets de Madame Ida Rubinstein 7, 24,39-40,92,96,102-4,103, no, 113, 114,775,116,121Ш82,129,130,131 Ballets Russes 7,13-20,22-28,39-40,43, 45-46,50,53,57-59,60,62-64,75,82, 88,92,96,103-4, no, 113,116,118П57, 127 Ballets Suédois 31,130,132 Barbier, Georges 60 Baudelaire, Charles 65,102, Ii8n68 Béjart, Maurice 113 Belle Époque 39,45,46,60,18157 Benois, Alexandre 7,13,16,20,23,24,40, 42-43,44,46,53,56,58,58-59,60, 61,63,88,92,96,98-99,102-3, i°4, 108,109,109,111,112,113,114,117П18, 118П44, 1181145, 118П46,12ΐηι82,124, 128,129 Azbuka vkartinakh (alphabet book) 60, 61,124 portrait of (Somov) 40-41 sketch of Ravel 104 Benois, Hélène 104 Bernhardt, Sarah 96-97 LesBiches 13,26,31,33,55,36П48,80,92, 109,114,128 choreography (Nijinska) 33,33 designs (Laurencin) 92 score (Poulenc) 33,35136, 92,128, 132 LaBien-Aimée (Milhaud) 24,128 Bilibin, Ivan: illustration from Skazka ob Lvane-
tsareviche. 48,123 Blanche, Jacques-Émile: portrait oflda Rubinstein 47, 123 Bolero 7,24,63,80,103,104-5, i°9 I09 110,770,112,113,114,128,129 dance notations (Nijinska) 108,109, 12196,12in2oo, 128 designs (Benois) 108,109,109, in, 128 score (Ravel) 106-7, no, 121187, 128, 130 Boris Godunov (opera, Mussorgsky) 9,15, 16,17,43,50,65,91 Borodin, Alexander 13,15,16,35Ш8 La Boutique Fantasque 23,24 Calvocoressi, Μ. D. 18,20,26,35122 Carnaval (Schumann) 17,28,99,19п15 Cecchetti, Enrico 99 Chagall, Marc 13 Le Chant du Rossignol (Stravinsky) 29,131 design (Matisse) 29 Chopin, Frédéric 9,17,75-76,117Ш4 Chout(Prokofiev)25 Cimarosa, Domenico 23,31,35136, 36П48 Claudel, Paul 113 Cléopâtre 7,18,35118, 62,97,98 Cocteau, Jean 25,26,30,33,35136,125,132 drawings ofNijinsky and Diaghilev 64, 100,125 “Comoedia illustré” 6,21,27,45,55,61,62, 83,97,98,98-101,122,123-26 Constructivism 80,1201117 Le Coq d’Or (opera, Rimsky-Korsakov) 16, 88,700 Cortot, Alfred 66 Cotogni, Antonio 15,3519 Cubism 19,85 dance notation 72,78,94, 119ЫЛ.2 see also under named ballets D’Annunzio, Gabriele 62,62,97, i°2 Daphnis and Chloé (Ravel) 20,22,23,63 design (Bakst) 22,68,125 Debussy, Claude 7,18,20,20,25,2 8,35123, 43,46,62,63,64,65,65,66,68,71,102, 119П114,125,130 letter to Inghelbrecht 125 scores see under named ballets; Prélude à l’après-midi d’un faune sketchbook 125,130 Derain, André 24,31 Diaghilev, Serge 7,9,14-20,22-28,25, 30-34,34, 35136, 36П48,39,40,47,42, 43,45-46,50,53-54,58,62-64,64, 68,71,75,82,85,88,90-92,96,97-98, 103, no, 113,118П44,118П63,125,127 “Black Exercise Book” 125 drawing of (Cocteau)
64,125 drawing of (Nijinsky) 76 letter onMiriskusstva letterhead 42, 123 portrait of (Bakst) 12 Le Dieu Bleu 20,100,101,132 design (Bakst) 35126 score (Hahn) 132 Dukas, Paul 20 Dulac, J.: caricatures 98 Duncan, Isadora 17,23,43,45,80,123 Emeralds 24,35137 Étude 24 LesFâcheux (Auric) 31 Falla, Manuel de 26-27, збп47 132 scores see under Tricorne Fauré, Gabriel 24,36П37 Fear·, drawing (Meller) 80,80,126 Fernandez, Félix 27 Firebird 6,13,18,32,35035,59,46,49,50, 53,54-55,64,68,74,87,94,99, 117П8, 117П14,117П26,117П32,124 139
backdrop (after Goncharova) 14,12111207 costume drawings (Bakst) 50,50,5z, 52,123 dance notations (Fokine) 55-56,56,94, 117П32 scores (Stravinsky) 18,48,49,54, 54-55,123,124,131 stage design (Golovin) 50 “The Five” see “Mighty Handful” Fokine, Michel 6,13,17,20,23,45-46,49, 49,53,54,55,56,59,62-63,7L 9^,97, 98,99,102,113,124 dance notations see underFirebird portrait of (Serov) 45,123 Fonteyn, Margot55,113-14 Four Spanish Pieces (Falla) 27 Futurism 23 Gautier, Théophile 46 Gesamtkunstwerk (“complete artwork”) 9, 10,15,33,42,45,46,50,53,56,102,103 Gide, André 113 Giselle 13,31 Golovin, Alexander 50 Goncharova, Natalia2-3, 13,14,88,88-89, 90,91,91,92, no, 121П207,127 Goya, Francisco 109,109 Grigoriev, Serge 26,49 Gross, Valentine 22,99,100,126 Gymnopédies (Satie) 28 Hahn, Reynaldo 20,35126,132 Hamleti.^ Hélène de Sparte·, design (Bakst) 68,20z Honegger, Arthur 113,121212, 132 Imperial Ballet and School, St. Petersburg 15,40,42,45,46,72,74,94 Jeanne d’Arc au Bûcher (oratorio, Honegger) 113,132 Jeux2O,2i, 75, 92,119П92,119Ш14,125, 126,130 choreography (Nijinsky) 20,21,75,92, 126 score (Debussy) 20, 35136,125,130 Karsavina, Tamara 6,22,23,45,49,50,53, 53,54,55,59,9^,99,^00,117П8,124,125 Kessler, Count Harry 53 Khovanshchina (opera, Mussorgsky) 16,132 Kochno, Boris 32,34 Kyiv 80,82,90,93,1201156, 126 1411 La Fontaine, Jean de 31 L’Après-midi d’un faune (poem, Mallarmé) 65,125 L’Après-midi d’un Faune (ballet) 7,13,20, 62,63-64,68,69,70-71,71,74,200, И9П92,120ni24,222 dance notations (Nijinsky) 72,72-73, 78-79,78-79,119П84,119П94,125 designs (Bakst) 68,69,122,125 scores (Debussy)
seePrélude à l’après-midi d’un faune Larionov, Mikhail 25, 30,31,34,88,127 “L’Art aux trois visages” (lecture by Ida Rubinstein) 102 Laurencin, Marie 92,128 London 17,20,22,27,28,30,75,113 London Times 22,35Ш9,35132, 45,59, 117П9,118П50,136 Mallarmé, Stéphane 65,102,118П65,125 Manet, Édouard 65,125 LesMariés de la TourEiffel (Poulenc) 31, 36П54,132 Markevitch, Igor 32,34,71 TheMartyrdom ofSt. Sebastian (Debussy) 7,62,62-63,99,102, но, 125 design (Bakst) 62,63,99,102,125 Maryinsky Theater, St. Petersburg 9,15,17, 28,42-43,45,46,63,75,116 Masques etBergamasques (Debussy) 20, 35123,125,130 Massine, Léonide 10,13,22,24,25,26,27, 32,36П47,36П48,63,103 LesMatelots (Auric) 31,132 Matisse, Непп29,гоо Mavra (opera, Stravinsky) 30 Meller, Vadym 80,80,126 Mendelssohn, Felix 24,36П37 Meyer, Adolf de: photograph ofNijinsky 70,125 A MidsummerNight’s Dream 24,35137 “Mighty Handful” group of composers 15-16,32 Milhaud, Darius 24,26,28,32,33,128 Miriskusstva (World ofArt) group 42,43,45,50,57,68 journal 16,42,43,123 logo (Bakst)42 modernism 14,19,23-26,30,31,33,39,40, 57,63-65,68,71,80,86,92,93,102,114 Molière 31 Monte Carlo 30,32,35136, 93,1201150,127 Montéclair, Michel de 23,30-31 Morgiane (Ravel) 114,121,130 Mussorgsky, Modest 9,15,16,43,65,91,132 Narcisse·, design (Bakst) 124 Neo-Primitivism 85,88 New York City 13,98 New York City Ballet 13,39,114 Nijinska, Bronislava 7,13,14,24,33,33,64, 69,70,71,74,74-76,75,80,80,81,82, 82,83,88,90-95,93,95, 103-4,109-ю, 113,113-14,119Ш00,119П102,120Ш17, 120Ш19,120Ш24,1201156,126,127, 128,129,131 dance notations and choreography 81, 93-94,108,113 see
also under named ballets Nijinsky, Romola de Pulszky 75,119Ш08 Nijinsky, Vaslav 7,13,20,21,23,44,45, 53,59,59,60,61,63,64,68,69-70,71, 72,74,74-76,75,82,92,98,99,100, 114,119П86,119П92,119П95,119П114, 12011119,22.2,124,125,126 dance notations and choreography see underL’Après-midi d’un Faune Diary 76,77,7 8,79,119П10 8,12 6 drawings of (Cocteau) 64,100,125 drawings by 76,76,77,119ШО7,126 LesNoces7,13,19,30,32,35m, 36П48,80, 82-83,85,86-88,90-91,91,92,93-95, 95,109,114,120Ш35,120Ш48,121П182, 127,128 dance notations (Nijinska) 81,93-94, 93-94,95,121П200,126,128 designs (Goncharova) 2-3,88,88-89, 91,91,127 scores (Stravinsky) 84-83,85,86,87, 92,95,127,131 Noverre,Jean-Georges 39 Oakland Ballet 13,36П65,118П58 Ode (Nabokov) 32,36П48 Orientalism 46,60 Orlov, Alexander 61,61,124 Parade 13,25,26,35136,36П44,132 designs (Picasso) 13,25,26,100 score (Satie) 132 Paris 7,9,17,23,40,43,45-46,62,96,116, 117ПП, 118П57 Paris Opéra 9,17,31,43, 45,50,110 LePas d’Acier (Prokofiev) 32,132 LaPastorale (Auric) 26,31 LePavilion d’Armide (Benois) 44,46
Pavlova, Anna44,45,53,64,17126 La Péri (Dukas) 20,98,99 design (Bakst)98 Perséphone (Stravinsky) 113,175,121П211, 129,131 Petipa, Marius 15,28,42 Petrouchka 13,19,20,23,32,57-59,59, 61,63,64,74,74,86,87,98-99,113, 117П3 9,117П43,118П45, Ii8n52,18158, 1201137,124,126,131 choreography (Fokine) 59 designs (Benois)5(?, 58-59,61,98-99, 118П44, н8п45, п8п46,124 scores (Stravinsky)57,57~58, П7П43, 124,131 pianola 24,85,87,87,117П28,120Ш35, 1201137,127,131 Picasso, Pablo 13,24,25,26,26,17,100, 101,1201124, 128 portrait ofStravinsky (1917) 85,127 portrait of Stravinsky (1920) 29,127 LaPisanelle97,102 Podblyudniye: FourRussian Peasant Songs (score, Stravinsky) 86,131 Polovtsian Dances 16,17,18,32 Poulenc, Francis 26,28,31,33, 35136, 36054, 92,132 scores see underBiches Prélude à l’après-midi d’un faune (Debussy) 7,8,20,35135, 39,63,64,65 scores 8,66,66-67, 19п84,125,130 see also L’Après-midi d’un Faune (ballet) Prince Igor (Borodin) 13,15,16,35ni8 ProdigalSon (Prokofiev) 13,32 Prokofiev, Sergey 13,25,25,28,32,127,132 Pulcinella (Stravinsky) 24,32,36148 Pushkin, Alexander 16,30,83 racism 60,61,118П53,18157, 18158 Ragtime (Stravinsky) 92,1201153,131 Ravel, Maurice 7,18,20,22,24,25-26,28, 43,46,63,68,75,75-76,98,103,104-5, 106,113,114,116,119П105,12ini8l, 121185, 12189,126,128,129,130 photographs of75 105, 128 scores see under named ballets sketch (Benois) 104 LeRenard^o, 36148, 82 design (Larionov)30 score (Stravinsky)3I, 1201125,131 Rieti, Vittorio 14,32,33 Rimsky-Korsakov, Nikolai 16,16,17,43, 46,50,88,100,132 TheRiteofSpring7,13,19,20,32,58,65,75, 85,87,91,119П92,119П114,1201124,126
scores (Stravinsky) 19,126 Rodin, August 119П86 bronze of Nijinsky as the Faun 125 Roerich, Nicholas 58,100,126 Romanticism 46,109,114 Royal Ballet 39,95,95,114,128 Rubinstein, Ida 7,24,35129,39-40,45, 53,60,62,62-63,64,68,80,92,94,96, 96-98,99,102-4,106, no, 113,114, 129,132 portraits and photographs 0(47,96, 97,97,99,101,103,109,115,123,125, 128,129 see also Ballets de Madame Ida Rubinstein and named ballets Russia and Russian influences 9,15-17,19, 20,24,27-28,31-32,40,42-43,46,49, 50,57-59,60,63,83,85,88,91,116 Russian Revolution (1917) 24,28,32,63,85 Sadler’s Wells Ballet 55,114 Saison Nijinsky, London 74,75-76,126 Saisons Russes 43,44,46,98 flyerJ9,123 souvenir programs 98-101 Salomé (play, Wilde) 62,96 Satie, Erik 25-26,28,35136, Ii8n68,132 Schéhérazade7,13,16,17,18,32,39,45-46, 60-61,60-61,62,96, no, 118044, 118053 design (Bakst)j5,46,47,117ml, 123 Schéhérazade: Queen Zobéide and the Golden Slave·, drawing (Barbier) 60 Schumann, Robert 17,28,119Ш05 Serov, Valentin 68 portrait ofFokine 45,123 “Les Six” group of composers 26,30,31, 33,132 SkatingRink (Honegger) 31,113 The SleepingBeauty (Tchaikovsky) 15,28, 40,102 retitled TheSleepingPrincess28,30,31, 82,I2IO2IO design (Bakst)jo SleepingBeauty, from Ma Mère TOye (.Mother Goose) (Ravel) 130 Somov, Konstantin: portrait of Benois 40-41 Sophocles 62,96 Le Spectre de la Rose 99,100 St. Petersburg 15,16,28,40,43,45,46,49, INDEX 59,62,63,76,80,96 see also Imperial Ballet; Maryinsky Theater Stepanov dance notation 72,78,94, ΙΙ9ΠΙΙ2 Stravinsky, Igor 7,10,18,18-19,20,23, 24,25,25,26,28,30,32,46,49,49-50,
54-55,57-59,61,61,63,65,74,82-83, 85-87,87,88,90,91,92,94,98,103,113, 114,775,116,117014,118045,118П52, п9пп, 1201135,123,124,127,131 portraits of (Picasso) (1917) 85,127; (1920)29,127 scores see under named ballets Swan Lake (Tchaikovsky) 31,36П35, 1210210,132 Les Sylphides 13,17,18,76,117Ш4 Symbolism 42,59,65,68,102,114 Symphonie classique (Prokofiev) 28 Tchaikovsky, Piotr 15,16,24,28,40,82, 102,113,1210210,132 Les Tentations de la Bergère. (Montéclair) 30-31 Thamar3i, 35118, 62 Théâtre Mogador, Paris: program for Ballets Russes 83,127 ThreeMovementsfrom Petrouchka (Stravinsky) 118П52,124,131 TillEulenspiegel (Nijinsky) 119192 Le Tombeau de Couperin (Ravel) 104, I2ini8i, 130 Le TrainBleu (Milhaud) 13,26,31,33, 36165,109 Le Tricorne 13,26,27,361148 designs (Picasso) 13,17,101 scores (Falla) 27,132 Troispièces montées (Satie) 28 Trouhanova, Natalia 20,35029,99 La Valse daoce ootations (Nijioska) 22,113,113, 116,129 design (Benois) 112,129 scores (Ravel) 112,113,129,130 La vida breve (Falla) 26-27 Wagner, Richard 9,15, 15, 25,34,42,45,50, 53,56,65,102 Wilde, Oscar 62,96 Zéphyr etFlore (Dukelsky) 31-32 141 |
| any_adam_object | 1 |
| author | McClellan, Robinson 1976- |
| author2 | Garafola, Lynn 1946- |
| author2_role | ctb |
| author2_variant | l g lg |
| author_GND | (DE-588)1332677193 (DE-588)188490698 |
| author_facet | McClellan, Robinson 1976- Garafola, Lynn 1946- |
| author_role | aut |
| author_sort | McClellan, Robinson 1976- |
| author_variant | r m rm |
| building | Verbundindex |
| bvnumber | BV049786085 |
| ctrlnum | (OCoLC)1438934367 (DE-599)BVBBV049786085 |
| dewey-full | 781.5/560944361 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.5/560944361 |
| dewey-search | 781.5/560944361 |
| dewey-sort | 3781.5 9560944361 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| genre | (DE-588)4135467-9 Ausstellungskatalog The Morgan Library & Museum 28.06.2024-22.09.2024 New York, NY gnd-content |
| genre_facet | Ausstellungskatalog The Morgan Library & Museum 28.06.2024-22.09.2024 New York, NY |
| id | DE-604.BV049786085 |
| illustrated | Illustrated |
| indexdate | 2024-11-11T09:09:32Z |
| institution | BVB |
| institution_GND | (DE-588)10156282-2 |
| isbn | 9781913875671 1913875679 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035126956 |
| oclc_num | 1438934367 |
| open_access_boolean | |
| owner | DE-255 DE-Y2 DE-12 |
| owner_facet | DE-255 DE-Y2 DE-12 |
| physical | 144 Seiten Illustrationen, Porträts (teilweise farbig) |
| psigel | BSB_NED_20240910 |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | The Morgan Library & Museum |
| record_format | marc |
| spelling | McClellan, Robinson 1976- Verfasser (DE-588)1332677193 aut Crafting the Ballets Russes music, dance, design : the Robert Owen Lehman collection Robinson McClellan ; with a contribution by Lynn Garafola New York The Morgan Library & Museum [2024] 144 Seiten Illustrationen, Porträts (teilweise farbig) txt rdacontent sti rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Rückseite Titelblatt: Published to accompany the exhibition "Crafting the Ballets Russes: The Robert Owen Lehman Collection" at the Morgan Library & Museum, New York, 28 June - 22 September 2024 Published in conjunction with an exhibition at the Morgan Library & Museum in 2024, this publication tells the story of the artistic collaborations of the Ballets Russes, drawing upon the Robert Owen Lehman Collection of music manuscripts to illuminate this rich history. The book weaves together the careers of the ballet company's creators, featuring Igor Stravinsky, Claude Debussy, Michel Fokine, Bronislava Nijinska, and Léon Bakst, interspersed with illustrations of autograph manuscripts, choreographic notations, and stage designs associated with their works. Authors Robinson McClellan, Assistant Curator of Music Manuscripts and Printed Music at the Morgan Library, and Lynn Garafola, dance historian, examine key ballets such as "Firebird," "Petrouchka," "Afternoon of a Faun," and "Bolero," as well as the influence of the impresario Serge Diaghilev, who founded the troupe at the height of the Belle Époque Archivierung/Langzeitarchivierung gewährleistet FID XA-DE-BW pdager DE-16 Djagilev, Sergej P. 1872-1929 (DE-588)119190907 gnd rswk-swf Ballets Russes (DE-588)16047158-8 gnd rswk-swf Pierpont Morgan Library (DE-588)1006048-0 gnd rswk-swf Geschichte gnd rswk-swf Sammlung (DE-588)4128844-0 gnd rswk-swf Ballett (DE-588)4004351-4 gnd rswk-swf Diaghilev, Serge / 1872-1929 Ballets russes / Exhibitions Pierpont Morgan Library / Exhibitions Ballets / 20th century / Exhibitions Ballets / Production and direction / History / 20th century Ballet companies / France / Paris / History / 20th century Ballets / 20e siècle / Expositions Compagnies de ballet / France / Paris / Histoire / 20e siècle (DE-588)4135467-9 Ausstellungskatalog The Morgan Library & Museum 28.06.2024-22.09.2024 New York, NY gnd-content Ballets Russes (DE-588)16047158-8 b Ballett (DE-588)4004351-4 s Geschichte z DE-604 Pierpont Morgan Library (DE-588)1006048-0 b Sammlung (DE-588)4128844-0 s Djagilev, Sergej P. 1872-1929 (DE-588)119190907 p Garafola, Lynn 1946- (DE-588)188490698 ctb The Morgan Library & Museum (DE-588)10156282-2 his isb Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035126956&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035126956&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035126956&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | McClellan, Robinson 1976- Crafting the Ballets Russes music, dance, design : the Robert Owen Lehman collection Djagilev, Sergej P. 1872-1929 (DE-588)119190907 gnd Ballets Russes (DE-588)16047158-8 gnd Pierpont Morgan Library (DE-588)1006048-0 gnd Sammlung (DE-588)4128844-0 gnd Ballett (DE-588)4004351-4 gnd |
| subject_GND | (DE-588)119190907 (DE-588)16047158-8 (DE-588)1006048-0 (DE-588)4128844-0 (DE-588)4004351-4 (DE-588)4135467-9 |
| title | Crafting the Ballets Russes music, dance, design : the Robert Owen Lehman collection |
| title_auth | Crafting the Ballets Russes music, dance, design : the Robert Owen Lehman collection |
| title_exact_search | Crafting the Ballets Russes music, dance, design : the Robert Owen Lehman collection |
| title_full | Crafting the Ballets Russes music, dance, design : the Robert Owen Lehman collection Robinson McClellan ; with a contribution by Lynn Garafola |
| title_fullStr | Crafting the Ballets Russes music, dance, design : the Robert Owen Lehman collection Robinson McClellan ; with a contribution by Lynn Garafola |
| title_full_unstemmed | Crafting the Ballets Russes music, dance, design : the Robert Owen Lehman collection Robinson McClellan ; with a contribution by Lynn Garafola |
| title_short | Crafting the Ballets Russes |
| title_sort | crafting the ballets russes music dance design the robert owen lehman collection |
| title_sub | music, dance, design : the Robert Owen Lehman collection |
| topic | Djagilev, Sergej P. 1872-1929 (DE-588)119190907 gnd Ballets Russes (DE-588)16047158-8 gnd Pierpont Morgan Library (DE-588)1006048-0 gnd Sammlung (DE-588)4128844-0 gnd Ballett (DE-588)4004351-4 gnd |
| topic_facet | Djagilev, Sergej P. 1872-1929 Ballets Russes Pierpont Morgan Library Sammlung Ballett Ausstellungskatalog The Morgan Library & Museum 28.06.2024-22.09.2024 New York, NY |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035126956&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035126956&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035126956&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
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