A bastard kind of reasoning: William Blake and geometry
"Ranges widely and deeply across William Blake's oeuvre to show how his post-Newtonian vision of space-time anticipates Einsteinian relativity"--
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Albany, NY
SUNY Press
[2023]
|
| Schriftenreihe: | SUNY series, studies in the long nineteenth century
|
| Schlagworte: | |
| Zusammenfassung: | "Ranges widely and deeply across William Blake's oeuvre to show how his post-Newtonian vision of space-time anticipates Einsteinian relativity"-- What do Einsteinian relativity, eighteenth-century field theory, Neoplatonism, and the overthrow of three-dimensional perspective have in common? The poet and artist William Blake's geometry--the conception of space-time that informs his work across media and genres. In this illuminating, inventive new study, Andrew M. Cooper reveals Blake to be the vehicle of a single imaginative vision in which art, literature, physics, and metaphysics stand united. Romantic-period physics was not, as others have assumed, materialist. Blake's cosmology forms part of his age's deep reevaluation of body and soul, of matter and Heaven, and even probes what it is to understand understanding, reason, and substance. Far from being anti-Newtonian, Black was prophetically post-Newtonian. His poetry and art realized the revolutionary potential of Enlightened natural philosophy even as that philosophy still needed an Einstein for its physics to snap fully into focus. Blake's mythmaking exploits the imaginative reach of formal abstractions to generate a model of how sensation imparts physical extension to the world. More striking still, Cooper shows how Blake's art of vision leads us today to visualize four-dimensional concepts of space, time, and Man for ourselves--back cover |
| Beschreibung: | xiii, 323 Seiten Illustrationen 24 cm |
| ISBN: | 9781438493220 1438493223 9781438493213 1438493215 |
Internformat
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| 300 | |a xiii, 323 Seiten |b Illustrationen |c 24 cm | ||
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| 505 | 8 | |a Introduction: Geometry and Blake's Newton print -- Chapter 1. "Oh, but you're just analogizing..." -- Chapter 2. Learning to read in a force field: Songs of Innocence, Hartleyan psychology, and the physics of R.J. Boscovich -- Chapter 3. The Book of Urizen as a vortex of perception -- Chapter 4. A brief particular history of the fourth dimension of space, with special reference to Milton: A Poem -- Chapter 5. The Neoplatonism of Blake's mundane soul -- Chapter 6. Berkeley: very close, but no cigar -- Conclusion: The unified space-time of The Vision of the Last Judgment | |
| 520 | 3 | |a "Ranges widely and deeply across William Blake's oeuvre to show how his post-Newtonian vision of space-time anticipates Einsteinian relativity"-- | |
| 520 | 3 | |a What do Einsteinian relativity, eighteenth-century field theory, Neoplatonism, and the overthrow of three-dimensional perspective have in common? The poet and artist William Blake's geometry--the conception of space-time that informs his work across media and genres. In this illuminating, inventive new study, Andrew M. Cooper reveals Blake to be the vehicle of a single imaginative vision in which art, literature, physics, and metaphysics stand united. Romantic-period physics was not, as others have assumed, materialist. Blake's cosmology forms part of his age's deep reevaluation of body and soul, of matter and Heaven, and even probes what it is to understand understanding, reason, and substance. Far from being anti-Newtonian, Black was prophetically post-Newtonian. His poetry and art realized the revolutionary potential of Enlightened natural philosophy even as that philosophy still needed an Einstein for its physics to snap fully into focus. Blake's mythmaking exploits the imaginative reach of formal abstractions to generate a model of how sensation imparts physical extension to the world. More striking still, Cooper shows how Blake's art of vision leads us today to visualize four-dimensional concepts of space, time, and Man for ourselves--back cover | |
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| 653 | 1 | |a Blake, William / 1757-1827 / Criticism and interpretation | |
| 653 | 0 | |a Literature and science / Great Britain / History / 18th century | |
| 653 | 1 | |a Newton, Isaac / 1642-1727 / Influence | |
| 653 | 0 | |a Geometry in literature | |
| 653 | 0 | |a Mathematics in literature | |
| 653 | 0 | |a Physics in literature | |
| 653 | 0 | |a Space and time in literature | |
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| 653 | 0 | |a Géométrie dans la littérature | |
| 653 | 0 | |a Mathématiques dans la littérature | |
| 653 | 0 | |a Physique dans la littérature | |
| 653 | 1 | |a Blake, William / 1757-1827 | |
| 653 | 1 | |a Newton, Isaac / 1642-1727 | |
| 653 | 0 | |a Geometry in literature | |
| 653 | 0 | |a Influence (Literary, artistic, etc.) | |
| 653 | 0 | |a Literature and science | |
| 653 | 0 | |a Mathematics in literature | |
| 653 | 0 | |a Physics in literature | |
| 653 | 0 | |a Space and time in literature | |
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| 653 | 6 | |a Literary criticism | |
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Datensatz im Suchindex
| _version_ | 1808769345488158720 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Cooper, Andrew M. 1953- |
| author_GND | (DE-588)1216969590 |
| author_facet | Cooper, Andrew M. 1953- |
| author_role | aut |
| author_sort | Cooper, Andrew M. 1953- |
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| bvnumber | BV049785852 |
| contents | Introduction: Geometry and Blake's Newton print -- Chapter 1. "Oh, but you're just analogizing..." -- Chapter 2. Learning to read in a force field: Songs of Innocence, Hartleyan psychology, and the physics of R.J. Boscovich -- Chapter 3. The Book of Urizen as a vortex of perception -- Chapter 4. A brief particular history of the fourth dimension of space, with special reference to Milton: A Poem -- Chapter 5. The Neoplatonism of Blake's mundane soul -- Chapter 6. Berkeley: very close, but no cigar -- Conclusion: The unified space-time of The Vision of the Last Judgment |
| ctrlnum | (OCoLC)1378573293 (DE-599)BVBBV049785852 |
| format | Book |
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| id | DE-604.BV049785852 |
| illustrated | Illustrated |
| indexdate | 2024-08-30T00:14:29Z |
| institution | BVB |
| isbn | 9781438493220 1438493223 9781438493213 1438493215 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035126731 |
| oclc_num | 1378573293 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | xiii, 323 Seiten Illustrationen 24 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | SUNY Press |
| record_format | marc |
| series2 | SUNY series, studies in the long nineteenth century |
| spelling | Cooper, Andrew M. 1953- Verfasser (DE-588)1216969590 aut A bastard kind of reasoning William Blake and geometry Andrew M. Cooper Albany, NY SUNY Press [2023] xiii, 323 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier SUNY series, studies in the long nineteenth century Introduction: Geometry and Blake's Newton print -- Chapter 1. "Oh, but you're just analogizing..." -- Chapter 2. Learning to read in a force field: Songs of Innocence, Hartleyan psychology, and the physics of R.J. Boscovich -- Chapter 3. The Book of Urizen as a vortex of perception -- Chapter 4. A brief particular history of the fourth dimension of space, with special reference to Milton: A Poem -- Chapter 5. The Neoplatonism of Blake's mundane soul -- Chapter 6. Berkeley: very close, but no cigar -- Conclusion: The unified space-time of The Vision of the Last Judgment "Ranges widely and deeply across William Blake's oeuvre to show how his post-Newtonian vision of space-time anticipates Einsteinian relativity"-- What do Einsteinian relativity, eighteenth-century field theory, Neoplatonism, and the overthrow of three-dimensional perspective have in common? The poet and artist William Blake's geometry--the conception of space-time that informs his work across media and genres. In this illuminating, inventive new study, Andrew M. Cooper reveals Blake to be the vehicle of a single imaginative vision in which art, literature, physics, and metaphysics stand united. Romantic-period physics was not, as others have assumed, materialist. Blake's cosmology forms part of his age's deep reevaluation of body and soul, of matter and Heaven, and even probes what it is to understand understanding, reason, and substance. Far from being anti-Newtonian, Black was prophetically post-Newtonian. His poetry and art realized the revolutionary potential of Enlightened natural philosophy even as that philosophy still needed an Einstein for its physics to snap fully into focus. Blake's mythmaking exploits the imaginative reach of formal abstractions to generate a model of how sensation imparts physical extension to the world. More striking still, Cooper shows how Blake's art of vision leads us today to visualize four-dimensional concepts of space, time, and Man for ourselves--back cover Blake, William 1757-1827 (DE-588)118511513 gnd rswk-swf Geometrie (DE-588)4020236-7 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Perspektive (DE-588)4045301-7 gnd rswk-swf Blake, William / 1757-1827 / Criticism and interpretation Literature and science / Great Britain / History / 18th century Newton, Isaac / 1642-1727 / Influence Geometry in literature Mathematics in literature Physics in literature Space and time in literature Littérature et sciences / Grande-Bretagne / Histoire / 18e siècle Géométrie dans la littérature Mathématiques dans la littérature Physique dans la littérature Blake, William / 1757-1827 Newton, Isaac / 1642-1727 Influence (Literary, artistic, etc.) Literature and science Great Britain 1700-1799 Criticism, interpretation, etc History Literary criticism Critiques littéraires Blake, William 1757-1827 (DE-588)118511513 p Geometrie (DE-588)4020236-7 s Perspektive (DE-588)4045301-7 s Ästhetik (DE-588)4000626-8 s DE-604 Erscheint auch als Online-Ausgabe 978-1-4384-9323-7 |
| spellingShingle | Cooper, Andrew M. 1953- A bastard kind of reasoning William Blake and geometry Introduction: Geometry and Blake's Newton print -- Chapter 1. "Oh, but you're just analogizing..." -- Chapter 2. Learning to read in a force field: Songs of Innocence, Hartleyan psychology, and the physics of R.J. Boscovich -- Chapter 3. The Book of Urizen as a vortex of perception -- Chapter 4. A brief particular history of the fourth dimension of space, with special reference to Milton: A Poem -- Chapter 5. The Neoplatonism of Blake's mundane soul -- Chapter 6. Berkeley: very close, but no cigar -- Conclusion: The unified space-time of The Vision of the Last Judgment Blake, William 1757-1827 (DE-588)118511513 gnd Geometrie (DE-588)4020236-7 gnd Ästhetik (DE-588)4000626-8 gnd Perspektive (DE-588)4045301-7 gnd |
| subject_GND | (DE-588)118511513 (DE-588)4020236-7 (DE-588)4000626-8 (DE-588)4045301-7 |
| title | A bastard kind of reasoning William Blake and geometry |
| title_auth | A bastard kind of reasoning William Blake and geometry |
| title_exact_search | A bastard kind of reasoning William Blake and geometry |
| title_full | A bastard kind of reasoning William Blake and geometry Andrew M. Cooper |
| title_fullStr | A bastard kind of reasoning William Blake and geometry Andrew M. Cooper |
| title_full_unstemmed | A bastard kind of reasoning William Blake and geometry Andrew M. Cooper |
| title_short | A bastard kind of reasoning |
| title_sort | a bastard kind of reasoning william blake and geometry |
| title_sub | William Blake and geometry |
| topic | Blake, William 1757-1827 (DE-588)118511513 gnd Geometrie (DE-588)4020236-7 gnd Ästhetik (DE-588)4000626-8 gnd Perspektive (DE-588)4045301-7 gnd |
| topic_facet | Blake, William 1757-1827 Geometrie Ästhetik Perspektive |
| work_keys_str_mv | AT cooperandrewm abastardkindofreasoningwilliamblakeandgeometry |