Catview: eine kritische Lektüre von David Hockneys "Mr and Mrs Clark and Percy" (1971) als interspecies-Begegnung im Wohnen
300 David Hockney’s painting Mr and Mrs Clark and Percy from 1971 is part of a series of depictions of the domestic produced by the British artist during the 1960s and 1970s. It is the only image within this group of portraits of Hockney’s relatives and friends that, along with the human figures, th...
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| Format: | Artikel |
| Sprache: | German |
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[2023]
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| Zusammenfassung: | 300 David Hockney’s painting Mr and Mrs Clark and Percy from 1971 is part of a series of depictions of the domestic produced by the British artist during the 1960s and 1970s. It is the only image within this group of portraits of Hockney’s relatives and friends that, along with the human figures, the interior, and various domestic objects, includes a non-human resident: a cat, identified in the title by the name Percy. Numerous analyses of this very well-known Hockney work either fail to mention the pet animal completely or refer to it only in passing. Given the very prominent po- sitioning of Percy in the picture, this disregard seems astounding, and in my view it is a symptom, a symptomatic over-sight deriving from the concept of anthropological difference, the binary-hierarchical opposition between human and animal that pervades scholarly discourse, including the discourse around dwelling. This paper fosters a reading of this image that is focused on the critique of anthropocentric viewpoints. Two guid- ing texts in this context are Jacques Derrida’s The Animal That Therefore I Am (2010), in which Derrida proceeds from a domestic scene involving eye contact with his cat in his apartment to a revision of thinking and speaking about animals, and Roland Barthes’ lecture series How to Live Together (1977/2007), in which Barthes reflects on types of living and dwelling in communities, including in animal societies. |
| Beschreibung: | Illustration |
| ISBN: | 978-3-8376-6383-9 |
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| 520 | 3 | |a 300 David Hockney’s painting Mr and Mrs Clark and Percy from 1971 is part of a series of depictions of the domestic produced by the British artist during the 1960s and 1970s. It is the only image within this group of portraits of Hockney’s relatives and friends that, along with the human figures, the interior, and various domestic objects, includes a non-human resident: a cat, identified in the title by the name Percy. Numerous analyses of this very well-known Hockney work either fail to mention the pet animal completely or refer to it only in passing. Given the very prominent po- sitioning of Percy in the picture, this disregard seems astounding, and in my view it is a symptom, a symptomatic over-sight deriving from the concept of anthropological difference, the binary-hierarchical opposition between human and animal that pervades scholarly discourse, including the discourse around dwelling. This paper fosters a reading of this image that is focused on the critique of anthropocentric viewpoints. Two guid- ing texts in this context are Jacques Derrida’s The Animal That Therefore I Am (2010), in which Derrida proceeds from a domestic scene involving eye contact with his cat in his apartment to a revision of thinking and speaking about animals, and Roland Barthes’ lecture series How to Live Together (1977/2007), in which Barthes reflects on types of living and dwelling in communities, including in animal societies. | |
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| spelling | Keim, Christiane Verfasser (DE-588)1056217162 aut Catview eine kritische Lektüre von David Hockneys "Mr and Mrs Clark and Percy" (1971) als interspecies-Begegnung im Wohnen Christiane Keim [2023] Illustration txt rdacontent n rdamedia nc rdacarrier 300 David Hockney’s painting Mr and Mrs Clark and Percy from 1971 is part of a series of depictions of the domestic produced by the British artist during the 1960s and 1970s. It is the only image within this group of portraits of Hockney’s relatives and friends that, along with the human figures, the interior, and various domestic objects, includes a non-human resident: a cat, identified in the title by the name Percy. Numerous analyses of this very well-known Hockney work either fail to mention the pet animal completely or refer to it only in passing. Given the very prominent po- sitioning of Percy in the picture, this disregard seems astounding, and in my view it is a symptom, a symptomatic over-sight deriving from the concept of anthropological difference, the binary-hierarchical opposition between human and animal that pervades scholarly discourse, including the discourse around dwelling. This paper fosters a reading of this image that is focused on the critique of anthropocentric viewpoints. Two guid- ing texts in this context are Jacques Derrida’s The Animal That Therefore I Am (2010), in which Derrida proceeds from a domestic scene involving eye contact with his cat in his apartment to a revision of thinking and speaking about animals, and Roland Barthes’ lecture series How to Live Together (1977/2007), in which Barthes reflects on types of living and dwelling in communities, including in animal societies. Text deutsch, Zusammenfassung in englischer Sprache Hockney, David 1937- (DE-588)118551760 gnd rswk-swf Katze Motiv (DE-588)4114158-1 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Hockney, David 1937- (DE-588)118551760 p Malerei (DE-588)4037220-0 s Katze Motiv (DE-588)4114158-1 s DE-604 pages:300-316 Ästhetische Ordnungen und Politiken des Wohnens Bielefeld, [2023] Seite 300-316 wohnen+/-ausstellen Schriftenreihe ; Band 9 (DE-604)BV048812148 978-3-8376-6383-9 |
| spellingShingle | Keim, Christiane Catview eine kritische Lektüre von David Hockneys "Mr and Mrs Clark and Percy" (1971) als interspecies-Begegnung im Wohnen Hockney, David 1937- (DE-588)118551760 gnd Katze Motiv (DE-588)4114158-1 gnd Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)118551760 (DE-588)4114158-1 (DE-588)4037220-0 |
| title | Catview eine kritische Lektüre von David Hockneys "Mr and Mrs Clark and Percy" (1971) als interspecies-Begegnung im Wohnen |
| title_auth | Catview eine kritische Lektüre von David Hockneys "Mr and Mrs Clark and Percy" (1971) als interspecies-Begegnung im Wohnen |
| title_exact_search | Catview eine kritische Lektüre von David Hockneys "Mr and Mrs Clark and Percy" (1971) als interspecies-Begegnung im Wohnen |
| title_full | Catview eine kritische Lektüre von David Hockneys "Mr and Mrs Clark and Percy" (1971) als interspecies-Begegnung im Wohnen Christiane Keim |
| title_fullStr | Catview eine kritische Lektüre von David Hockneys "Mr and Mrs Clark and Percy" (1971) als interspecies-Begegnung im Wohnen Christiane Keim |
| title_full_unstemmed | Catview eine kritische Lektüre von David Hockneys "Mr and Mrs Clark and Percy" (1971) als interspecies-Begegnung im Wohnen Christiane Keim |
| title_short | Catview |
| title_sort | catview eine kritische lekture von david hockneys mr and mrs clark and percy 1971 als interspecies begegnung im wohnen |
| title_sub | eine kritische Lektüre von David Hockneys "Mr and Mrs Clark and Percy" (1971) als interspecies-Begegnung im Wohnen |
| topic | Hockney, David 1937- (DE-588)118551760 gnd Katze Motiv (DE-588)4114158-1 gnd Malerei (DE-588)4037220-0 gnd |
| topic_facet | Hockney, David 1937- Katze Motiv Malerei |
| work_keys_str_mv | AT keimchristiane catvieweinekritischelekturevondavidhockneysmrandmrsclarkandpercy1971alsinterspeciesbegegnungimwohnen |