Transnational German film at the end of neoliberalism: radical aesthetics, radical politics
"Posits a new, aesthetically and politically radical, transnational German cinema-"transnational" also in the sense of concerns with migration, the movement of capital across borders, and globalization. This book makes a bold claim that, since around 2015, a new, transnational German...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Rochester, New York
Camden House
2024
|
| Schriftenreihe: | Screen cultures : German film and the visual
|
| Schlagworte: | |
| Zusammenfassung: | "Posits a new, aesthetically and politically radical, transnational German cinema-"transnational" also in the sense of concerns with migration, the movement of capital across borders, and globalization. This book makes a bold claim that, since around 2015, a new, transnational German cinema has arisen that is aesthetically and politically radical. "Transnational" here denotes not merely international co-productions but extends to theme and form in the films' concerns with movements of people and capital across borders and with globalization. The volume analyzes key films ranging in genre and mode from dramas and comedies, including the "New German Discourse Comedy," to documentaries and installations. The essays illuminate a shift beyond neoliberal stasis and a renewed embrace of political filmmaking that confronts realities of the present. Analyzing works by a diverse array of filmmakers - including Fatih Akın, Irene von Alberti, Amel Alzakout and Khaled Abdulwahed, Forensic Architecture, Ruth Beckermann, Nils Bökamp, Susanne Heinrich, Gerd Kroske, Burhan Qurbani, Christian Petzold, Mario Pfeifer, Julian Radlmaier, Maria Speth, Tatjana Turanskyj, and Monika Treut - the contributions provide a broad yet in-depth look at contemporary German film. Through formal innovation as well as explicitly political storytelling, this cinema, the essays argue, points beyond political crises, social precarity, and the impasses of the present, sometimes with imagination and fantasy and often by embracing collectivity and resistance. Edited by Claudia Breger and Olivia Landry. Contributors: Hester Baer, Angelica Fenner, Randall Halle, Lutz Koepnick, Angelos Koutsourakis, Richard Langston, Priscilla Layne, Ervin Malakaj, Gozde Naiboglu, and Fatima Naqvi"-- |
| Beschreibung: | vi, 247 Seiten Illustrationen 24 cm |
| ISBN: | 9781640141520 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049769236 | ||
| 003 | DE-604 | ||
| 005 | 20240807 | ||
| 007 | t| | ||
| 008 | 240704s2024 xx a||| |||| 00||| eng d | ||
| 020 | |a 9781640141520 |9 9781640141520 | ||
| 035 | |a (OCoLC)1443877397 | ||
| 035 | |a (DE-599)BVBBV049769236 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 245 | 1 | 0 | |a Transnational German film at the end of neoliberalism |b radical aesthetics, radical politics |c edited by Claudia Breger and Olivia Landry |
| 264 | 1 | |a Rochester, New York |b Camden House |c 2024 | |
| 300 | |a vi, 247 Seiten |b Illustrationen |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Screen cultures : German film and the visual | |
| 520 | 3 | |a "Posits a new, aesthetically and politically radical, transnational German cinema-"transnational" also in the sense of concerns with migration, the movement of capital across borders, and globalization. This book makes a bold claim that, since around 2015, a new, transnational German cinema has arisen that is aesthetically and politically radical. "Transnational" here denotes not merely international co-productions but extends to theme and form in the films' concerns with movements of people and capital across borders and with globalization. The volume analyzes key films ranging in genre and mode from dramas and comedies, including the "New German Discourse Comedy," to documentaries and installations. The essays illuminate a shift beyond neoliberal stasis and a renewed embrace of political filmmaking that confronts realities of the present. Analyzing works by a diverse array of filmmakers - including Fatih Akın, Irene von Alberti, Amel Alzakout and Khaled Abdulwahed, Forensic Architecture, Ruth Beckermann, Nils Bökamp, Susanne Heinrich, Gerd Kroske, Burhan Qurbani, Christian Petzold, Mario Pfeifer, Julian Radlmaier, Maria Speth, Tatjana Turanskyj, and Monika Treut - the contributions provide a broad yet in-depth look at contemporary German film. Through formal innovation as well as explicitly political storytelling, this cinema, the essays argue, points beyond political crises, social precarity, and the impasses of the present, sometimes with imagination and fantasy and often by embracing collectivity and resistance. Edited by Claudia Breger and Olivia Landry. Contributors: Hester Baer, Angelica Fenner, Randall Halle, Lutz Koepnick, Angelos Koutsourakis, Richard Langston, Priscilla Layne, Ervin Malakaj, Gozde Naiboglu, and Fatima Naqvi"-- | |
| 648 | 7 | |a Geschichte 2015- |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Spielfilm |0 (DE-588)1286825091 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Deutschland |0 (DE-588)4011882-4 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Transnationalism in motion pictures | |
| 653 | 0 | |a Motion pictures / Germany / History | |
| 653 | 0 | |a Transnationalisme au cinéma | |
| 653 | 0 | |a Cinéma / Allemagne / Histoire | |
| 653 | 6 | |a Film criticism | |
| 653 | 6 | |a Essays | |
| 653 | 6 | |a Critiques cinématographiques | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Deutschland |0 (DE-588)4011882-4 |D g |
| 689 | 0 | 1 | |a Spielfilm |0 (DE-588)1286825091 |D s |
| 689 | 0 | 2 | |a Geschichte 2015- |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Breger, Claudia |d 1969- |e Sonstige |0 (DE-588)129030406 |4 oth | |
| 700 | 1 | |a Landry, Olivia |d 1981- |0 (DE-588)1186948108 |4 edt | |
| 776 | 0 | 8 | |i Online version |z 9781805432364 |t Transnational German film at the end of neoliberalism |d Rochester, New York : Camden House, 2024 |
| 940 | 1 | |q BSB_NED_20240807 | |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 090512 |g 43 |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 090513 |g 43 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035110479 | |
Datensatz im Suchindex
| _version_ | 1821403032761401344 |
|---|---|
| adam_text | |
| any_adam_object | |
| author2 | Landry, Olivia 1981- |
| author2_role | edt |
| author2_variant | o l ol |
| author_GND | (DE-588)129030406 (DE-588)1186948108 |
| author_facet | Landry, Olivia 1981- |
| building | Verbundindex |
| bvnumber | BV049769236 |
| ctrlnum | (OCoLC)1443877397 (DE-599)BVBBV049769236 |
| era | Geschichte 2015- gnd |
| era_facet | Geschichte 2015- |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049769236</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240807</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">240704s2024 xx a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781640141520</subfield><subfield code="9">9781640141520</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1443877397</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049769236</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Transnational German film at the end of neoliberalism</subfield><subfield code="b">radical aesthetics, radical politics</subfield><subfield code="c">edited by Claudia Breger and Olivia Landry</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Rochester, New York</subfield><subfield code="b">Camden House</subfield><subfield code="c">2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">vi, 247 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Screen cultures : German film and the visual</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Posits a new, aesthetically and politically radical, transnational German cinema-"transnational" also in the sense of concerns with migration, the movement of capital across borders, and globalization. This book makes a bold claim that, since around 2015, a new, transnational German cinema has arisen that is aesthetically and politically radical. "Transnational" here denotes not merely international co-productions but extends to theme and form in the films' concerns with movements of people and capital across borders and with globalization. The volume analyzes key films ranging in genre and mode from dramas and comedies, including the "New German Discourse Comedy," to documentaries and installations. The essays illuminate a shift beyond neoliberal stasis and a renewed embrace of political filmmaking that confronts realities of the present. Analyzing works by a diverse array of filmmakers - including Fatih Akın, Irene von Alberti, Amel Alzakout and Khaled Abdulwahed, Forensic Architecture, Ruth Beckermann, Nils Bökamp, Susanne Heinrich, Gerd Kroske, Burhan Qurbani, Christian Petzold, Mario Pfeifer, Julian Radlmaier, Maria Speth, Tatjana Turanskyj, and Monika Treut - the contributions provide a broad yet in-depth look at contemporary German film. Through formal innovation as well as explicitly political storytelling, this cinema, the essays argue, points beyond political crises, social precarity, and the impasses of the present, sometimes with imagination and fantasy and often by embracing collectivity and resistance. Edited by Claudia Breger and Olivia Landry. Contributors: Hester Baer, Angelica Fenner, Randall Halle, Lutz Koepnick, Angelos Koutsourakis, Richard Langston, Priscilla Layne, Ervin Malakaj, Gozde Naiboglu, and Fatima Naqvi"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 2015-</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Spielfilm</subfield><subfield code="0">(DE-588)1286825091</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Deutschland</subfield><subfield code="0">(DE-588)4011882-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Transnationalism in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures / Germany / History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Transnationalisme au cinéma</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Cinéma / Allemagne / Histoire</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Film criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Essays</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Critiques cinématographiques</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Deutschland</subfield><subfield code="0">(DE-588)4011882-4</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Spielfilm</subfield><subfield code="0">(DE-588)1286825091</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 2015-</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Breger, Claudia</subfield><subfield code="d">1969-</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)129030406</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Landry, Olivia</subfield><subfield code="d">1981-</subfield><subfield code="0">(DE-588)1186948108</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Online version</subfield><subfield code="z">9781805432364</subfield><subfield code="t">Transnational German film at the end of neoliberalism</subfield><subfield code="d">Rochester, New York : Camden House, 2024</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20240807</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090512</subfield><subfield code="g">43</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090513</subfield><subfield code="g">43</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035110479</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | Deutschland (DE-588)4011882-4 gnd |
| geographic_facet | Deutschland |
| id | DE-604.BV049769236 |
| illustrated | Illustrated |
| indexdate | 2025-01-16T11:01:32Z |
| institution | BVB |
| isbn | 9781640141520 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035110479 |
| oclc_num | 1443877397 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | vi, 247 Seiten Illustrationen 24 cm |
| psigel | BSB_NED_20240807 |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Camden House |
| record_format | marc |
| series2 | Screen cultures : German film and the visual |
| spelling | Transnational German film at the end of neoliberalism radical aesthetics, radical politics edited by Claudia Breger and Olivia Landry Rochester, New York Camden House 2024 vi, 247 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Screen cultures : German film and the visual "Posits a new, aesthetically and politically radical, transnational German cinema-"transnational" also in the sense of concerns with migration, the movement of capital across borders, and globalization. This book makes a bold claim that, since around 2015, a new, transnational German cinema has arisen that is aesthetically and politically radical. "Transnational" here denotes not merely international co-productions but extends to theme and form in the films' concerns with movements of people and capital across borders and with globalization. The volume analyzes key films ranging in genre and mode from dramas and comedies, including the "New German Discourse Comedy," to documentaries and installations. The essays illuminate a shift beyond neoliberal stasis and a renewed embrace of political filmmaking that confronts realities of the present. Analyzing works by a diverse array of filmmakers - including Fatih Akın, Irene von Alberti, Amel Alzakout and Khaled Abdulwahed, Forensic Architecture, Ruth Beckermann, Nils Bökamp, Susanne Heinrich, Gerd Kroske, Burhan Qurbani, Christian Petzold, Mario Pfeifer, Julian Radlmaier, Maria Speth, Tatjana Turanskyj, and Monika Treut - the contributions provide a broad yet in-depth look at contemporary German film. Through formal innovation as well as explicitly political storytelling, this cinema, the essays argue, points beyond political crises, social precarity, and the impasses of the present, sometimes with imagination and fantasy and often by embracing collectivity and resistance. Edited by Claudia Breger and Olivia Landry. Contributors: Hester Baer, Angelica Fenner, Randall Halle, Lutz Koepnick, Angelos Koutsourakis, Richard Langston, Priscilla Layne, Ervin Malakaj, Gozde Naiboglu, and Fatima Naqvi"-- Geschichte 2015- gnd rswk-swf Spielfilm (DE-588)1286825091 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf Transnationalism in motion pictures Motion pictures / Germany / History Transnationalisme au cinéma Cinéma / Allemagne / Histoire Film criticism Essays Critiques cinématographiques (DE-588)4143413-4 Aufsatzsammlung gnd-content Deutschland (DE-588)4011882-4 g Spielfilm (DE-588)1286825091 s Geschichte 2015- z DE-604 Breger, Claudia 1969- Sonstige (DE-588)129030406 oth Landry, Olivia 1981- (DE-588)1186948108 edt Online version 9781805432364 Transnational German film at the end of neoliberalism Rochester, New York : Camden House, 2024 |
| spellingShingle | Transnational German film at the end of neoliberalism radical aesthetics, radical politics Spielfilm (DE-588)1286825091 gnd |
| subject_GND | (DE-588)1286825091 (DE-588)4011882-4 (DE-588)4143413-4 |
| title | Transnational German film at the end of neoliberalism radical aesthetics, radical politics |
| title_auth | Transnational German film at the end of neoliberalism radical aesthetics, radical politics |
| title_exact_search | Transnational German film at the end of neoliberalism radical aesthetics, radical politics |
| title_full | Transnational German film at the end of neoliberalism radical aesthetics, radical politics edited by Claudia Breger and Olivia Landry |
| title_fullStr | Transnational German film at the end of neoliberalism radical aesthetics, radical politics edited by Claudia Breger and Olivia Landry |
| title_full_unstemmed | Transnational German film at the end of neoliberalism radical aesthetics, radical politics edited by Claudia Breger and Olivia Landry |
| title_short | Transnational German film at the end of neoliberalism |
| title_sort | transnational german film at the end of neoliberalism radical aesthetics radical politics |
| title_sub | radical aesthetics, radical politics |
| topic | Spielfilm (DE-588)1286825091 gnd |
| topic_facet | Spielfilm Deutschland Aufsatzsammlung |
| work_keys_str_mv | AT bregerclaudia transnationalgermanfilmattheendofneoliberalismradicalaestheticsradicalpolitics AT landryolivia transnationalgermanfilmattheendofneoliberalismradicalaestheticsradicalpolitics |