Lutes and marginality in pre-modern China:
"Lutes and Marginality in Pre-Modern China traces the complex history of lutes as they moved from the far west into China, and how these instruments became linked to various forms of social, cultural, ethnic, and religious marginality within and at China's borders. The book argues that the...
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| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY ; London
Routledge
2024
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Lutes and Marginality in Pre-Modern China traces the complex history of lutes as they moved from the far west into China, and how these instruments became linked to various forms of social, cultural, ethnic, and religious marginality within and at China's borders. The book argues that the lute, a musical instrument that likely originated in the Near East or Central Asia, became a highly charged object replete with associations of ethnic and political identity, social status, and gender in China across the third to seventeenth centuries, and as such, offers a crucial vehicle for understanding interactions between the Chinese center and periphery. Using a richly interdisciplinary perspective that brings together music history, performance studies, archaeology, and art history, the author draws together the visual evidence for the history of Chinese lutes and analyzes the political and cultural dimensions of their depictions in art. In exploring the lute's reception across time and space, this book illuminates the shifting relationships between China and cultures along its frontier, as well as the dynamics of gender and social status within China's center. Comprehensive in scope, Lutes and Marginality in Pre-Modern China offers new insights for scholars of pre-modern China, art history, archaeology, music history, ethnomusicology, and Silk Road and frontier studies"-- |
| Beschreibung: | X, 251 Seiten Illustrationen, Karten (teilweise farbig) |
| ISBN: | 9781032309118 9781032309125 |
Internformat
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| 505 | 8 | |a Introduction and Methodology -- PART I. LUTES FROM THE DISTANT MARGINS. The Archaeology of Lutes in Western Asia ; Archaeological Evidence for Lutes in Central and South Asia : Innovation and Diversity -- PART II. LUTES AND CHINA'S BORDER REGIONS. The Round-bodied lute (Ruanxian) in Chinese Funerary Art of the Third to Sixth Centuries ; Lutes and the Deities that Play Them in Buddhist Art of Northwest China -- PART III. FROM PERIPHERY TO CENTER. The Pipa and Marginalized Musicians in Six Dynasties to Tang ; The Round-Bodied Lute (Ruanxian) in Tang Literature and Material Culture -- PART IV. LUTES, GENDER, AND SOCIAL MARGINALITY. Lutes and Frontiers : Remembering and Constructing Wang Zhaojun and the Wusun Princess, The Five Dynasties through Ming ; Wenren Strumming the Ruan : An Overview of Song to Early Qing Poetry and Paintings Depicting Scholars as Lute Players ; Conclusion to Lutes and Marginality in Pre-Modern China | |
| 520 | 3 | |a "Lutes and Marginality in Pre-Modern China traces the complex history of lutes as they moved from the far west into China, and how these instruments became linked to various forms of social, cultural, ethnic, and religious marginality within and at China's borders. The book argues that the lute, a musical instrument that likely originated in the Near East or Central Asia, became a highly charged object replete with associations of ethnic and political identity, social status, and gender in China across the third to seventeenth centuries, and as such, offers a crucial vehicle for understanding interactions between the Chinese center and periphery. Using a richly interdisciplinary perspective that brings together music history, performance studies, archaeology, and art history, the author draws together the visual evidence for the history of Chinese lutes and analyzes the political and cultural dimensions of their depictions in art. In exploring the lute's reception across time and space, this book illuminates the shifting relationships between China and cultures along its frontier, as well as the dynamics of gender and social status within China's center. Comprehensive in scope, Lutes and Marginality in Pre-Modern China offers new insights for scholars of pre-modern China, art history, archaeology, music history, ethnomusicology, and Silk Road and frontier studies"-- | |
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Datensatz im Suchindex
| _version_ | 1815416557561446400 |
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| adam_text |
CONTENTS ix Acknowledgments 1 Introduction and Methodology 1 PART I Lutes from the Distant Margins 29 2 The Archaeology of Lutes in Western Asia 3 Archaeological Evidence for Lutes in Central and South Asia: Innovation and Diversity 31 44 PART II Lutes and China’s Border Regions 4 The Round-Bodied Lute (Ruanxian) in Chinese Funerary Art of the Third to Sixth Centuries 5 Lutes and the Deities That Play Them: Buddhist Art in Northwest China 71 73 103 PART III 149 From Periphery to Center 6 The Pipa and Marginalized Musicians in Six Dynasties to Tang 151 7 The Round-Bodied Lute (Ruanxiari} in Tang Literature and Material Culture 175 vii
CONTENTS PART IV Lutes, Gender, and Social Marginality 193 8 Lutes and Frontiers: Remembering and Constructing Wang Zhaojun and the Wusun Princess, The Five Dynasties through Ming 195 9 Wenren Strumming the Ruan:. An Overview of Song to Early Qing Poetry and Paintings Depicting Scholars as Lute Players 207 10 Conclusion to Lutes and Marginality in Pre-Modern China 236 245 Index viii |
| any_adam_object | 1 |
| author | Furniss, Ingrid Maren 1973- |
| author2 | Lu, Isabella |
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| author_facet | Furniss, Ingrid Maren 1973- Lu, Isabella |
| author_role | aut |
| author_sort | Furniss, Ingrid Maren 1973- |
| author_variant | i m f im imf |
| building | Verbundindex |
| bvnumber | BV049768330 |
| contents | Introduction and Methodology -- PART I. LUTES FROM THE DISTANT MARGINS. The Archaeology of Lutes in Western Asia ; Archaeological Evidence for Lutes in Central and South Asia : Innovation and Diversity -- PART II. LUTES AND CHINA'S BORDER REGIONS. The Round-bodied lute (Ruanxian) in Chinese Funerary Art of the Third to Sixth Centuries ; Lutes and the Deities that Play Them in Buddhist Art of Northwest China -- PART III. FROM PERIPHERY TO CENTER. The Pipa and Marginalized Musicians in Six Dynasties to Tang ; The Round-Bodied Lute (Ruanxian) in Tang Literature and Material Culture -- PART IV. LUTES, GENDER, AND SOCIAL MARGINALITY. Lutes and Frontiers : Remembering and Constructing Wang Zhaojun and the Wusun Princess, The Five Dynasties through Ming ; Wenren Strumming the Ruan : An Overview of Song to Early Qing Poetry and Paintings Depicting Scholars as Lute Players ; Conclusion to Lutes and Marginality in Pre-Modern China |
| ctrlnum | (OCoLC)1446196183 (DE-599)BVBBV049768330 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| spelling | Furniss, Ingrid Maren 1973- Verfasser (DE-588)13863615X aut Lutes and marginality in pre-modern China Ingrid Maren Furniss ; drawings by Isabella Lu New York, NY ; London Routledge 2024 X, 251 Seiten Illustrationen, Karten (teilweise farbig) txt rdacontent n rdamedia nc rdacarrier Introduction and Methodology -- PART I. LUTES FROM THE DISTANT MARGINS. The Archaeology of Lutes in Western Asia ; Archaeological Evidence for Lutes in Central and South Asia : Innovation and Diversity -- PART II. LUTES AND CHINA'S BORDER REGIONS. The Round-bodied lute (Ruanxian) in Chinese Funerary Art of the Third to Sixth Centuries ; Lutes and the Deities that Play Them in Buddhist Art of Northwest China -- PART III. FROM PERIPHERY TO CENTER. The Pipa and Marginalized Musicians in Six Dynasties to Tang ; The Round-Bodied Lute (Ruanxian) in Tang Literature and Material Culture -- PART IV. LUTES, GENDER, AND SOCIAL MARGINALITY. Lutes and Frontiers : Remembering and Constructing Wang Zhaojun and the Wusun Princess, The Five Dynasties through Ming ; Wenren Strumming the Ruan : An Overview of Song to Early Qing Poetry and Paintings Depicting Scholars as Lute Players ; Conclusion to Lutes and Marginality in Pre-Modern China "Lutes and Marginality in Pre-Modern China traces the complex history of lutes as they moved from the far west into China, and how these instruments became linked to various forms of social, cultural, ethnic, and religious marginality within and at China's borders. The book argues that the lute, a musical instrument that likely originated in the Near East or Central Asia, became a highly charged object replete with associations of ethnic and political identity, social status, and gender in China across the third to seventeenth centuries, and as such, offers a crucial vehicle for understanding interactions between the Chinese center and periphery. Using a richly interdisciplinary perspective that brings together music history, performance studies, archaeology, and art history, the author draws together the visual evidence for the history of Chinese lutes and analyzes the political and cultural dimensions of their depictions in art. In exploring the lute's reception across time and space, this book illuminates the shifting relationships between China and cultures along its frontier, as well as the dynamics of gender and social status within China's center. Comprehensive in scope, Lutes and Marginality in Pre-Modern China offers new insights for scholars of pre-modern China, art history, archaeology, music history, ethnomusicology, and Silk Road and frontier studies"-- Geschichte gnd rswk-swf Zupfinstrument (DE-588)4129682-5 gnd rswk-swf Laute (DE-588)4166936-8 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf Lute / China / History Music / Social aspects / China / History China / History / To 1643 Musique / Aspect social / Chine / Histoire China (DE-588)4009937-4 g Laute (DE-588)4166936-8 s Zupfinstrument (DE-588)4129682-5 s Geschichte z DE-604 Lu, Isabella (DE-588)1338620673 ill Äquivalent Druck-Ausgabe, Paperback 978-1-032-30912-5 Online version Furniss, Ingrid Maren, 1973- Lutes and marginality in pre-modern China [1.] New York, NY : Routledge, 2024 9781003307235 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035109593&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Furniss, Ingrid Maren 1973- Lutes and marginality in pre-modern China Introduction and Methodology -- PART I. LUTES FROM THE DISTANT MARGINS. The Archaeology of Lutes in Western Asia ; Archaeological Evidence for Lutes in Central and South Asia : Innovation and Diversity -- PART II. LUTES AND CHINA'S BORDER REGIONS. The Round-bodied lute (Ruanxian) in Chinese Funerary Art of the Third to Sixth Centuries ; Lutes and the Deities that Play Them in Buddhist Art of Northwest China -- PART III. FROM PERIPHERY TO CENTER. The Pipa and Marginalized Musicians in Six Dynasties to Tang ; The Round-Bodied Lute (Ruanxian) in Tang Literature and Material Culture -- PART IV. LUTES, GENDER, AND SOCIAL MARGINALITY. Lutes and Frontiers : Remembering and Constructing Wang Zhaojun and the Wusun Princess, The Five Dynasties through Ming ; Wenren Strumming the Ruan : An Overview of Song to Early Qing Poetry and Paintings Depicting Scholars as Lute Players ; Conclusion to Lutes and Marginality in Pre-Modern China Zupfinstrument (DE-588)4129682-5 gnd Laute (DE-588)4166936-8 gnd |
| subject_GND | (DE-588)4129682-5 (DE-588)4166936-8 (DE-588)4009937-4 |
| title | Lutes and marginality in pre-modern China |
| title_auth | Lutes and marginality in pre-modern China |
| title_exact_search | Lutes and marginality in pre-modern China |
| title_full | Lutes and marginality in pre-modern China Ingrid Maren Furniss ; drawings by Isabella Lu |
| title_fullStr | Lutes and marginality in pre-modern China Ingrid Maren Furniss ; drawings by Isabella Lu |
| title_full_unstemmed | Lutes and marginality in pre-modern China Ingrid Maren Furniss ; drawings by Isabella Lu |
| title_short | Lutes and marginality in pre-modern China |
| title_sort | lutes and marginality in pre modern china |
| topic | Zupfinstrument (DE-588)4129682-5 gnd Laute (DE-588)4166936-8 gnd |
| topic_facet | Zupfinstrument Laute China |
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