The jazzmen: how Duke Ellington, Louis Armstrong, and Count Basie transformed America
"This is the story of three revolutionary American musicians, the maestro jazzmen who orchestrated the chords that throb at the soul of twentieth-century America. Duke Ellington, the grandson of slaves who was christened Edward Kennedy Ellington, was a man whose story is as layered and nuanced...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; Boston
Mariner Books
[2024]
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This is the story of three revolutionary American musicians, the maestro jazzmen who orchestrated the chords that throb at the soul of twentieth-century America. Duke Ellington, the grandson of slaves who was christened Edward Kennedy Ellington, was a man whose story is as layered and nuanced as his name suggests and whose music transcended category. Louis Daniel Armstrong was born in a New Orleans slum so tough it was called The Battlefield and, at age seven, got his first musical instrument, a ten-cent tin horn that drew buyers to his rag-peddling wagon and set him on the road to elevating jazz into a pulsating force for spontaneity and freedom. William James Basie, too, grew up in a world unfamiliar to white fans--the son of a coachman and laundress who dreamed of escaping every time the traveling carnival swept into town, and who finally engineered his getaway with help from Fats Waller. What is far less known about these groundbreakers is that they were bound not just by their music or even the discrimination that they, like nearly all Black performers of their day, routinely encountered. Each defied and ultimately overcame racial boundaries by opening America's eyes and souls to the magnificence of their music. In the process they wrote the soundtrack for the civil rights movement"--Dust jacket flap |
| Beschreibung: | xviii, 393 Seiten, 16 ungezählte Seiten Tafeln Illustrationen, Porträts 24 cm |
| ISBN: | 9780358380436 |
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| 505 | 8 | |a Preface: A road map -- Jazzmen chronology -- Part I: Setting the stage. Satchmo's battlefield -- The Count's shrouded roots in Red Bank -- Duke's capital experience -- -- Part II: Musical lives. Nightspots -- Life of the rocky road -- Getting there -- Setting the themes -- The language of jazz -- On center stage -- Part III: It's an ensemble. The sidemen -- Side women -- Managers and mobsters -- Critical audiences and professional critics -- Part IV: Offstage. Family unfriendly -- Mistresses and misogyny -- Keeping the faith -- Cravings and dependencies -- Toilet truths, food fetishes, and other medical matters -- Follow the money -- Part V: Race matters. Artists and entertainers -- Resetting the themes -- Breakthrough battles -- Overseas ambassadors -- Part VI: Last acts. Long-lived -- Last days and lasting memories -- Epilogue: Legacies | |
| 520 | 3 | |a "This is the story of three revolutionary American musicians, the maestro jazzmen who orchestrated the chords that throb at the soul of twentieth-century America. Duke Ellington, the grandson of slaves who was christened Edward Kennedy Ellington, was a man whose story is as layered and nuanced as his name suggests and whose music transcended category. Louis Daniel Armstrong was born in a New Orleans slum so tough it was called The Battlefield and, at age seven, got his first musical instrument, a ten-cent tin horn that drew buyers to his rag-peddling wagon and set him on the road to elevating jazz into a pulsating force for spontaneity and freedom. William James Basie, too, grew up in a world unfamiliar to white fans--the son of a coachman and laundress who dreamed of escaping every time the traveling carnival swept into town, and who finally engineered his getaway with help from Fats Waller. What is far less known about these groundbreakers is that they were bound not just by their music or even the discrimination that they, like nearly all Black performers of their day, routinely encountered. Each defied and ultimately overcame racial boundaries by opening America's eyes and souls to the magnificence of their music. In the process they wrote the soundtrack for the civil rights movement"--Dust jacket flap | |
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Datensatz im Suchindex
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CONTENTS Preface: A Road Map ix Jazzmen Chronology xv Authors Note xix PART I: SETTING THE STAGE 1. Satchmo’s Battlefield 3 2. The Count s Shrouded Roots in Red Bank 3. Dukes Capital Experience 17 24 PART II: MUSICAL LIVES 4. Nightspots 37 5. Life on the Rocky Road 62 73 6. Getting There 7. Setting the Themes 8. The Language of Jazz 9. On Center Stage 84 93 99 PART III: IT'S AN ENSEMBLE 10. The Sidemen 115 11. Side Women 130 12. Managers and Mobsters 139 13. Critical Audiences and Professional Critics 159
CONTENTS * vii PART IV: OFFSTAGE 169 14. Family Unfriendly 15. Mistresses and Misogyny 16. Keeping the Faith 186 198 17. Cravings and Dependencies 204 18. Toilet Truths, Food Fetishes, and Other Medical Matters 19. Follow the Money 227 PART V: RACE MATTERS 20. Artists and Entertainers 237 21. Resetting the Themes 247 22. Breakthrough Battles 257 23. Overseas Ambassadors 273 PART VI: LAST ACTS 24. Long-Lived 289 25. Last Days and Lasting Memories Epilogue: Legacies Acknowledgments Notes 323 Bibliography Index 383 349 315 319 303 216 |
| any_adam_object | 1 |
| author | Tye, Larry |
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| bvnumber | BV049764269 |
| contents | Preface: A road map -- Jazzmen chronology -- Part I: Setting the stage. Satchmo's battlefield -- The Count's shrouded roots in Red Bank -- Duke's capital experience -- -- Part II: Musical lives. Nightspots -- Life of the rocky road -- Getting there -- Setting the themes -- The language of jazz -- On center stage -- Part III: It's an ensemble. The sidemen -- Side women -- Managers and mobsters -- Critical audiences and professional critics -- Part IV: Offstage. Family unfriendly -- Mistresses and misogyny -- Keeping the faith -- Cravings and dependencies -- Toilet truths, food fetishes, and other medical matters -- Follow the money -- Part V: Race matters. Artists and entertainers -- Resetting the themes -- Breakthrough battles -- Overseas ambassadors -- Part VI: Last acts. Long-lived -- Last days and lasting memories -- Epilogue: Legacies |
| ctrlnum | (OCoLC)1454758433 (DE-599)BVBBV049764269 |
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| id | DE-604.BV049764269 |
| illustrated | Illustrated |
| indexdate | 2024-12-11T13:02:42Z |
| institution | BVB |
| isbn | 9780358380436 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035105610 |
| oclc_num | 1454758433 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xviii, 393 Seiten, 16 ungezählte Seiten Tafeln Illustrationen, Porträts 24 cm |
| psigel | BSB_NED_20240903 |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Mariner Books |
| record_format | marc |
| spelling | Tye, Larry Verfasser (DE-588)1112570055 aut The jazzmen how Duke Ellington, Louis Armstrong, and Count Basie transformed America Larry Tye Jazz men First edition New York ; Boston Mariner Books [2024] © 2024 xviii, 393 Seiten, 16 ungezählte Seiten Tafeln Illustrationen, Porträts 24 cm txt rdacontent n rdamedia nc rdacarrier Preface: A road map -- Jazzmen chronology -- Part I: Setting the stage. Satchmo's battlefield -- The Count's shrouded roots in Red Bank -- Duke's capital experience -- -- Part II: Musical lives. Nightspots -- Life of the rocky road -- Getting there -- Setting the themes -- The language of jazz -- On center stage -- Part III: It's an ensemble. The sidemen -- Side women -- Managers and mobsters -- Critical audiences and professional critics -- Part IV: Offstage. Family unfriendly -- Mistresses and misogyny -- Keeping the faith -- Cravings and dependencies -- Toilet truths, food fetishes, and other medical matters -- Follow the money -- Part V: Race matters. Artists and entertainers -- Resetting the themes -- Breakthrough battles -- Overseas ambassadors -- Part VI: Last acts. Long-lived -- Last days and lasting memories -- Epilogue: Legacies "This is the story of three revolutionary American musicians, the maestro jazzmen who orchestrated the chords that throb at the soul of twentieth-century America. Duke Ellington, the grandson of slaves who was christened Edward Kennedy Ellington, was a man whose story is as layered and nuanced as his name suggests and whose music transcended category. Louis Daniel Armstrong was born in a New Orleans slum so tough it was called The Battlefield and, at age seven, got his first musical instrument, a ten-cent tin horn that drew buyers to his rag-peddling wagon and set him on the road to elevating jazz into a pulsating force for spontaneity and freedom. William James Basie, too, grew up in a world unfamiliar to white fans--the son of a coachman and laundress who dreamed of escaping every time the traveling carnival swept into town, and who finally engineered his getaway with help from Fats Waller. What is far less known about these groundbreakers is that they were bound not just by their music or even the discrimination that they, like nearly all Black performers of their day, routinely encountered. Each defied and ultimately overcame racial boundaries by opening America's eyes and souls to the magnificence of their music. In the process they wrote the soundtrack for the civil rights movement"--Dust jacket flap Basie, Count 1904-1984 (DE-588)118821431 gnd rswk-swf Ellington, Duke 1899-1974 (DE-588)118529994 gnd rswk-swf Armstrong, Louis 1901-1971 (DE-588)118504053 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf Bürgerrechtsbewegung (DE-588)4146878-8 gnd rswk-swf Ellington, Duke / 1899-1974 Armstrong, Louis / 1901-1971 Basie, Count / 1904-1984 African American jazz musicians / Biography Jazz musicians / United States / Biography Musiciens de jazz / États-Unis / Biographies Musiciens de jazz noirs américains / Biographies Jazz musicians / Biography Biography Biographies Ellington, Duke 1899-1974 (DE-588)118529994 p Armstrong, Louis 1901-1971 (DE-588)118504053 p Basie, Count 1904-1984 (DE-588)118821431 p Jazz (DE-588)4028532-7 s Bürgerrechtsbewegung (DE-588)4146878-8 s DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035105610&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Tye, Larry The jazzmen how Duke Ellington, Louis Armstrong, and Count Basie transformed America Preface: A road map -- Jazzmen chronology -- Part I: Setting the stage. Satchmo's battlefield -- The Count's shrouded roots in Red Bank -- Duke's capital experience -- -- Part II: Musical lives. Nightspots -- Life of the rocky road -- Getting there -- Setting the themes -- The language of jazz -- On center stage -- Part III: It's an ensemble. The sidemen -- Side women -- Managers and mobsters -- Critical audiences and professional critics -- Part IV: Offstage. Family unfriendly -- Mistresses and misogyny -- Keeping the faith -- Cravings and dependencies -- Toilet truths, food fetishes, and other medical matters -- Follow the money -- Part V: Race matters. Artists and entertainers -- Resetting the themes -- Breakthrough battles -- Overseas ambassadors -- Part VI: Last acts. Long-lived -- Last days and lasting memories -- Epilogue: Legacies Basie, Count 1904-1984 (DE-588)118821431 gnd Ellington, Duke 1899-1974 (DE-588)118529994 gnd Armstrong, Louis 1901-1971 (DE-588)118504053 gnd Jazz (DE-588)4028532-7 gnd Bürgerrechtsbewegung (DE-588)4146878-8 gnd |
| subject_GND | (DE-588)118821431 (DE-588)118529994 (DE-588)118504053 (DE-588)4028532-7 (DE-588)4146878-8 |
| title | The jazzmen how Duke Ellington, Louis Armstrong, and Count Basie transformed America |
| title_alt | Jazz men |
| title_auth | The jazzmen how Duke Ellington, Louis Armstrong, and Count Basie transformed America |
| title_exact_search | The jazzmen how Duke Ellington, Louis Armstrong, and Count Basie transformed America |
| title_full | The jazzmen how Duke Ellington, Louis Armstrong, and Count Basie transformed America Larry Tye |
| title_fullStr | The jazzmen how Duke Ellington, Louis Armstrong, and Count Basie transformed America Larry Tye |
| title_full_unstemmed | The jazzmen how Duke Ellington, Louis Armstrong, and Count Basie transformed America Larry Tye |
| title_short | The jazzmen |
| title_sort | the jazzmen how duke ellington louis armstrong and count basie transformed america |
| title_sub | how Duke Ellington, Louis Armstrong, and Count Basie transformed America |
| topic | Basie, Count 1904-1984 (DE-588)118821431 gnd Ellington, Duke 1899-1974 (DE-588)118529994 gnd Armstrong, Louis 1901-1971 (DE-588)118504053 gnd Jazz (DE-588)4028532-7 gnd Bürgerrechtsbewegung (DE-588)4146878-8 gnd |
| topic_facet | Basie, Count 1904-1984 Ellington, Duke 1899-1974 Armstrong, Louis 1901-1971 Jazz Bürgerrechtsbewegung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035105610&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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