Music and sound in the films of Dennis Hopper:
"In his directorial films, American filmmaker Dennis Hopper used music and sound to propel the narrative of his work and to signpost the era in which the films were made and the characters' place within American culture. This book explores five of Hopper's films to show how this deep...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
[2024]
|
| Ausgabe: | First published |
| Schriftenreihe: | Filmmakers and their soundtracks
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "In his directorial films, American filmmaker Dennis Hopper used music and sound to propel the narrative of his work and to signpost the era in which the films were made and the characters' place within American culture. This book explores five of Hopper's films to show how this deep engagement with music to build character and setting continued throughout his career, as Hopper used folk, punk, hip-hop, and jazz to shape the worlds of his films in ways that influenced other filmmakers and foreshadowed the advent of the music video format. In Easy Rider, Hopper was one of the first filmmakers to include popular rock, pop, and folk music on a soundtrack. In his sophomore film The Last Movie, Hopper blended diegetic performances of folk and traditional Peruvian indigenous music to create a textured piece of sound art. In Out of the Blue, Hopper used punk rock as a vibrant shock, but also as a reaction to the failed ethos of the past. In 1988's Colors he incorporated hip-hop and rap music to soundtrack the lives of the gang members who rule the streets of Los Angeles. Finally, in his 1990 film The Hot Spot, Hopper commissioned a hybrid soundtrack of jazz/blues by Miles Davis and John Lee Hooker to accompany his steamy neo-noir. Using case studies of five of Hopper's directorial films, this book aims to uncover the film soundtrack as a vital piece of the narrative, not only in Dennis Hopper's films but in film as a whole. This concise and accessible book offers insights for academic readers in music and film studies, as well as all those interested in Hopper's work." |
| Beschreibung: | x, 79 Seiten Illustrationen |
| ISBN: | 9781032737690 9781032737683 |
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| 505 | 8 | |a Introduction. Dennis Hopper in Context -- Keeping it Cool : The Rock Music Compilation Soundtrack and The Slow Death of the Sixties in Easy Rider -- Never-ending Daydream : Diegetic Sound, Aural Assaults, and Folk Mosaics in The Last Movie and The American Dreamer -- Kill All Hippies : Punk Rock Rebellion, Elvis Presley, and Hippie "burn out" in Out of the Blue -- Rebel Without a Pause : Rap and Hip Hop's Gang Affiliation, Popularity and Battle with Authority in Colors -- Blue Notes : Jazz and Blues Music Hybridity, and (Mis)Representation of Black Voices in The Hot Spot -- Conclusion | |
| 520 | 3 | |a "In his directorial films, American filmmaker Dennis Hopper used music and sound to propel the narrative of his work and to signpost the era in which the films were made and the characters' place within American culture. This book explores five of Hopper's films to show how this deep engagement with music to build character and setting continued throughout his career, as Hopper used folk, punk, hip-hop, and jazz to shape the worlds of his films in ways that influenced other filmmakers and foreshadowed the advent of the music video format. In Easy Rider, Hopper was one of the first filmmakers to include popular rock, pop, and folk music on a soundtrack. In his sophomore film The Last Movie, Hopper blended diegetic performances of folk and traditional Peruvian indigenous music to create a textured piece of sound art. In Out of the Blue, Hopper used punk rock as a vibrant shock, but also as a reaction to the failed ethos of the past. In 1988's Colors he incorporated hip-hop and rap music to soundtrack the lives of the gang members who rule the streets of Los Angeles. Finally, in his 1990 film The Hot Spot, Hopper commissioned a hybrid soundtrack of jazz/blues by Miles Davis and John Lee Hooker to accompany his steamy neo-noir. Using case studies of five of Hopper's directorial films, this book aims to uncover the film soundtrack as a vital piece of the narrative, not only in Dennis Hopper's films but in film as a whole. This concise and accessible book offers insights for academic readers in music and film studies, as well as all those interested in Hopper's work." | |
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Datensatz im Suchindex
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| adam_text |
Contents List ofFigures Series Foreword Acknowledgments viii ix xi Introduction: Dennis Hopper in Context 1 2 3 4 5 1 Keeping It Cool: Easy Rider, the Rock Music Compilation Soundtrack, and The Slow Death of the Sixties 10 Never-ending Daydream: Diegetic Sound, Aural Assaults, and Folk Mosaics in The Last Movie and The American Dreamer 24 Kill All Hippies: Punk Rock Rebellion, Elvis Presley, and Generational “Burn Out” in Out ofthe Blue 34 Rebel Without a Pause: Rap and Hip-Hop’s Gang Affiliation, Popularity, and Battle with Authority in Colors 44 Blue Notes: Jazz and Blues Music Hybridity, and (Mis)Representation of Black Voices in The Hot Spot 57 Conclusion 64 Bibliography Index 71 75 |
| any_adam_object | 1 |
| author | Naish, Stephen Lee |
| author_GND | (DE-588)1114318671 |
| author_facet | Naish, Stephen Lee |
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| building | Verbundindex |
| bvnumber | BV049758413 |
| contents | Introduction. Dennis Hopper in Context -- Keeping it Cool : The Rock Music Compilation Soundtrack and The Slow Death of the Sixties in Easy Rider -- Never-ending Daydream : Diegetic Sound, Aural Assaults, and Folk Mosaics in The Last Movie and The American Dreamer -- Kill All Hippies : Punk Rock Rebellion, Elvis Presley, and Hippie "burn out" in Out of the Blue -- Rebel Without a Pause : Rap and Hip Hop's Gang Affiliation, Popularity and Battle with Authority in Colors -- Blue Notes : Jazz and Blues Music Hybridity, and (Mis)Representation of Black Voices in The Hot Spot -- Conclusion |
| ctrlnum | (OCoLC)1435423181 (DE-599)BVBBV049758413 |
| edition | First published |
| format | Book |
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| id | DE-604.BV049758413 |
| illustrated | Illustrated |
| indexdate | 2024-12-06T13:06:44Z |
| institution | BVB |
| isbn | 9781032737690 9781032737683 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035099902 |
| oclc_num | 1435423181 |
| open_access_boolean | |
| owner | DE-M472 DE-12 |
| owner_facet | DE-M472 DE-12 |
| physical | x, 79 Seiten Illustrationen |
| psigel | BSB_NED_20240924 |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| series2 | Filmmakers and their soundtracks |
| spelling | Naish, Stephen Lee Verfasser (DE-588)1114318671 aut Music and sound in the films of Dennis Hopper Stephen Lee Naish First published London ; New York Routledge, Taylor & Francis Group [2024] x, 79 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Filmmakers and their soundtracks Introduction. Dennis Hopper in Context -- Keeping it Cool : The Rock Music Compilation Soundtrack and The Slow Death of the Sixties in Easy Rider -- Never-ending Daydream : Diegetic Sound, Aural Assaults, and Folk Mosaics in The Last Movie and The American Dreamer -- Kill All Hippies : Punk Rock Rebellion, Elvis Presley, and Hippie "burn out" in Out of the Blue -- Rebel Without a Pause : Rap and Hip Hop's Gang Affiliation, Popularity and Battle with Authority in Colors -- Blue Notes : Jazz and Blues Music Hybridity, and (Mis)Representation of Black Voices in The Hot Spot -- Conclusion "In his directorial films, American filmmaker Dennis Hopper used music and sound to propel the narrative of his work and to signpost the era in which the films were made and the characters' place within American culture. This book explores five of Hopper's films to show how this deep engagement with music to build character and setting continued throughout his career, as Hopper used folk, punk, hip-hop, and jazz to shape the worlds of his films in ways that influenced other filmmakers and foreshadowed the advent of the music video format. In Easy Rider, Hopper was one of the first filmmakers to include popular rock, pop, and folk music on a soundtrack. In his sophomore film The Last Movie, Hopper blended diegetic performances of folk and traditional Peruvian indigenous music to create a textured piece of sound art. In Out of the Blue, Hopper used punk rock as a vibrant shock, but also as a reaction to the failed ethos of the past. In 1988's Colors he incorporated hip-hop and rap music to soundtrack the lives of the gang members who rule the streets of Los Angeles. Finally, in his 1990 film The Hot Spot, Hopper commissioned a hybrid soundtrack of jazz/blues by Miles Davis and John Lee Hooker to accompany his steamy neo-noir. Using case studies of five of Hopper's directorial films, this book aims to uncover the film soundtrack as a vital piece of the narrative, not only in Dennis Hopper's films but in film as a whole. This concise and accessible book offers insights for academic readers in music and film studies, as well as all those interested in Hopper's work." Hopper, Dennis 1936-2010 (DE-588)118938312 gnd rswk-swf Filmmusik (DE-588)4017129-2 gnd rswk-swf Hopper, Dennis / 1936-2010 / Criticism and interpretation Motion picture music / History and criticism Popular music in motion pictures Film soundtracks / History and criticism Film, Musique de / Histoire et critique Musique populaire au cinéma Bandes sonores (Cinéma) / Histoire et critique Hopper, Dennis / 1936-2010 Film soundtracks Motion picture music Criticism, interpretation, etc Hopper, Dennis 1936-2010 (DE-588)118938312 p Filmmusik (DE-588)4017129-2 s DE-604 Erscheint auch als Online-Ausgabe 978-1-003-46584-3 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035099902&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Naish, Stephen Lee Music and sound in the films of Dennis Hopper Introduction. Dennis Hopper in Context -- Keeping it Cool : The Rock Music Compilation Soundtrack and The Slow Death of the Sixties in Easy Rider -- Never-ending Daydream : Diegetic Sound, Aural Assaults, and Folk Mosaics in The Last Movie and The American Dreamer -- Kill All Hippies : Punk Rock Rebellion, Elvis Presley, and Hippie "burn out" in Out of the Blue -- Rebel Without a Pause : Rap and Hip Hop's Gang Affiliation, Popularity and Battle with Authority in Colors -- Blue Notes : Jazz and Blues Music Hybridity, and (Mis)Representation of Black Voices in The Hot Spot -- Conclusion Hopper, Dennis 1936-2010 (DE-588)118938312 gnd Filmmusik (DE-588)4017129-2 gnd |
| subject_GND | (DE-588)118938312 (DE-588)4017129-2 |
| title | Music and sound in the films of Dennis Hopper |
| title_auth | Music and sound in the films of Dennis Hopper |
| title_exact_search | Music and sound in the films of Dennis Hopper |
| title_full | Music and sound in the films of Dennis Hopper Stephen Lee Naish |
| title_fullStr | Music and sound in the films of Dennis Hopper Stephen Lee Naish |
| title_full_unstemmed | Music and sound in the films of Dennis Hopper Stephen Lee Naish |
| title_short | Music and sound in the films of Dennis Hopper |
| title_sort | music and sound in the films of dennis hopper |
| topic | Hopper, Dennis 1936-2010 (DE-588)118938312 gnd Filmmusik (DE-588)4017129-2 gnd |
| topic_facet | Hopper, Dennis 1936-2010 Filmmusik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035099902&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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