The Lied at the crossroads of performance and musicology:
There seems to be an essential relationship between the performance and the scholarship of the German Lied. Yet the process by which scholarly inquiry and performative practices mutually benefit one another can appear mysterious and undefined, in part because any dialogue between the two invariably...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2024
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| Online-Zugang: | DE-12 DE-473 Volltext |
| Zusammenfassung: | There seems to be an essential relationship between the performance and the scholarship of the German Lied. Yet the process by which scholarly inquiry and performative practices mutually benefit one another can appear mysterious and undefined, in part because any dialogue between the two invariably unfolds in relatively informal environments - such as the rehearsal studio, seminar room or conference workshop. Contributions from leading musicologists and prominent Lied performers here build on and deepen these interactions to reconsider topics including Werktreue aesthetics and concert practices; the authority of the composer versus the performer; the value of lesser-known, incomplete, or compositionally modified songs; and the traditions, habits and prejudices of song recitalists regarding issues like transposition, programming and dramatic modes of presentation. The book as a whole reveals the reciprocal relevance of Lied musicology and Lied performance, thereby opening doors to fresh and exciting modes of interpretative artistry and intellectual discovery |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 09 Feb 2024) Introduction / Benjamin Binder and Jennifer Ronyak -- In Search of Song : Richard Strauss's "Schlechtes Wetter" between Poem, Music, and Performance / Benjamin Binder -- Max Heinrich, "Wizard of Song" : Dramatizing Lieder for American Audiences / Heather Platt -- Fragmenting Frauenliebe und -leben : Reading and Performing Alternative Lives and Loves / Natasha Loges -- Robert Schumann's "Ich grolle nicht" : Unsettling the Song Cycle / Laura Tunbridge -- Schubert's Mignon and Reimann's Mignon : Advocacy and Analysis in the Arrangement of Little-Known Lieder / Frankie Perry -- Locating the Wanderer's Solitude in Choral and Non-Solo Performances of Winterreise / Jennifer Ronyak -- Analysis, Performance, and the Deep Nineteenth Century : The Case of Marie Franz / Stephen Rodgers -- Crossing Boundaries : Lieder in Mixed-Genre Performance and the Intersection of Research and Praxis / Lisa Feurzeig -- Singers Speak about Musicology and Performance / Benjamin Binder and Jennifer Ronyak |
| Beschreibung: | 1 Online-Ressource (xxvi, 220 Seiten) |
| ISBN: | 9781009003605 |
| DOI: | 10.1017/9781009003605 |
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| discipline | Musikwissenschaft |
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| era_facet | Geschichte 1810-1950 |
| format | Electronic eBook |
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| spelling | The Lied at the crossroads of performance and musicology edited by Benjamin Binder, Jennifer Ronyak Cambridge Cambridge University Press 2024 1 Online-Ressource (xxvi, 220 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 09 Feb 2024) Introduction / Benjamin Binder and Jennifer Ronyak -- In Search of Song : Richard Strauss's "Schlechtes Wetter" between Poem, Music, and Performance / Benjamin Binder -- Max Heinrich, "Wizard of Song" : Dramatizing Lieder for American Audiences / Heather Platt -- Fragmenting Frauenliebe und -leben : Reading and Performing Alternative Lives and Loves / Natasha Loges -- Robert Schumann's "Ich grolle nicht" : Unsettling the Song Cycle / Laura Tunbridge -- Schubert's Mignon and Reimann's Mignon : Advocacy and Analysis in the Arrangement of Little-Known Lieder / Frankie Perry -- Locating the Wanderer's Solitude in Choral and Non-Solo Performances of Winterreise / Jennifer Ronyak -- Analysis, Performance, and the Deep Nineteenth Century : The Case of Marie Franz / Stephen Rodgers -- Crossing Boundaries : Lieder in Mixed-Genre Performance and the Intersection of Research and Praxis / Lisa Feurzeig -- Singers Speak about Musicology and Performance / Benjamin Binder and Jennifer Ronyak There seems to be an essential relationship between the performance and the scholarship of the German Lied. Yet the process by which scholarly inquiry and performative practices mutually benefit one another can appear mysterious and undefined, in part because any dialogue between the two invariably unfolds in relatively informal environments - such as the rehearsal studio, seminar room or conference workshop. Contributions from leading musicologists and prominent Lied performers here build on and deepen these interactions to reconsider topics including Werktreue aesthetics and concert practices; the authority of the composer versus the performer; the value of lesser-known, incomplete, or compositionally modified songs; and the traditions, habits and prejudices of song recitalists regarding issues like transposition, programming and dramatic modes of presentation. The book as a whole reveals the reciprocal relevance of Lied musicology and Lied performance, thereby opening doors to fresh and exciting modes of interpretative artistry and intellectual discovery Geschichte 1810-1950 gnd rswk-swf Songs, German / 19th century / History and criticism Songs, German / Performances Interpretation (DE-588)4072905-9 gnd rswk-swf Musikwissenschaft (DE-588)4130526-7 gnd rswk-swf Aufführungspraxis (DE-588)4141464-0 gnd rswk-swf Kunstlied (DE-588)4166040-7 gnd rswk-swf Deutsches Sprachgebiet (DE-588)4070370-8 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Deutsches Sprachgebiet (DE-588)4070370-8 g Kunstlied (DE-588)4166040-7 s Interpretation (DE-588)4072905-9 s Aufführungspraxis (DE-588)4141464-0 s Musikwissenschaft (DE-588)4130526-7 s Geschichte 1810-1950 z DE-604 Binder, Benjamin 1974- (DE-588)1042486859 edt Ronyak, Jennifer (DE-588)1063077885 edt Erscheint auch als Druck-Ausgabe, Hardback 978-1-316-51884-7 Erscheint auch als Druck-Ausgabe, Paperback 978-1-009-00916-4 https://doi.org/10.1017/9781009003605 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | The Lied at the crossroads of performance and musicology Songs, German / 19th century / History and criticism Songs, German / Performances Interpretation (DE-588)4072905-9 gnd Musikwissenschaft (DE-588)4130526-7 gnd Aufführungspraxis (DE-588)4141464-0 gnd Kunstlied (DE-588)4166040-7 gnd |
| subject_GND | (DE-588)4072905-9 (DE-588)4130526-7 (DE-588)4141464-0 (DE-588)4166040-7 (DE-588)4070370-8 (DE-588)4143413-4 |
| title | The Lied at the crossroads of performance and musicology |
| title_auth | The Lied at the crossroads of performance and musicology |
| title_exact_search | The Lied at the crossroads of performance and musicology |
| title_full | The Lied at the crossroads of performance and musicology edited by Benjamin Binder, Jennifer Ronyak |
| title_fullStr | The Lied at the crossroads of performance and musicology edited by Benjamin Binder, Jennifer Ronyak |
| title_full_unstemmed | The Lied at the crossroads of performance and musicology edited by Benjamin Binder, Jennifer Ronyak |
| title_short | The Lied at the crossroads of performance and musicology |
| title_sort | the lied at the crossroads of performance and musicology |
| topic | Songs, German / 19th century / History and criticism Songs, German / Performances Interpretation (DE-588)4072905-9 gnd Musikwissenschaft (DE-588)4130526-7 gnd Aufführungspraxis (DE-588)4141464-0 gnd Kunstlied (DE-588)4166040-7 gnd |
| topic_facet | Songs, German / 19th century / History and criticism Songs, German / Performances Interpretation Musikwissenschaft Aufführungspraxis Kunstlied Deutsches Sprachgebiet Aufsatzsammlung |
| url | https://doi.org/10.1017/9781009003605 |
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