The playbook: a story of theater, democracy, and the making of a culture war
"A brilliant and daring account of a culture war over the place of theater in American democracy in the 1930s, one that anticipates our current divide, by the acclaimed Shakespeare scholar James Shapiro. From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 sta...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Penguin Press
2024
|
Schlagworte: | |
Zusammenfassung: | "A brilliant and daring account of a culture war over the place of theater in American democracy in the 1930s, one that anticipates our current divide, by the acclaimed Shakespeare scholar James Shapiro. From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. At its helm was an unassuming theater professor, Hallie Flanagan. It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft." "It was the product of a moment when the arts, no less than industry and agriculture, were thought to be vital to the health of the republic, bringing Shakespeare to the public, alongside modern plays that confronted the pressing issues of the day--from slum housing and public health to racism and the rising threat of fascism. The Playbook takes us through some of its most remarkable productions, including a groundbreaking Black production of Macbeth in Harlem and an adaptation of Sinclair Lewis's anti-fascist novel It Can't Happen Here that opened simultaneously in 18 cities, underscoring the Federal Theatre's incredible range and vitality. But this once thriving Works Progress Administration relief program did not survive and has left little trace." "For the Federal Theatre was the first New Deal project to be attacked and ended on the grounds that it promoted "un-American" activity, sowing the seeds not only for the McCarthyism of the 1950s but also for our own era of merciless polarization. It was targeted by the first House un-American Affairs Committee, and its demise was a turning point in American cultural life--for, as Shapiro brilliantly argues, "the health of democracy and theater, twin born in ancient Greece, have always been mutually dependent." A defining legacy of this culture war was how the strategies used to undermine and ultimately destroy the Federal Theatre were assembled by a charismatic and cunning congressman from East Texas, the now largely forgotten Martin Dies, who in doing so pioneered the right-wing political playbook now so prevalent that it seems eternal." |
Beschreibung: | xxii, 358 Seiten Illustrationen 24 cm |
ISBN: | 9780593490204 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV049750027 | ||
003 | DE-604 | ||
005 | 20240819 | ||
007 | t | ||
008 | 240620s2024 a||| |||| 00||| eng d | ||
020 | |a 9780593490204 |c Hardcover |9 978-0-593-49020-4 | ||
035 | |a (OCoLC)1450747269 | ||
035 | |a (DE-599)BVBBV049750027 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-188 |a DE-12 | ||
082 | 0 | |a 792.0973 |2 23 | |
100 | 1 | |a Shapiro, James S. |d 1955- |e Verfasser |0 (DE-588)133366901 |4 aut | |
245 | 1 | 0 | |a The playbook |b a story of theater, democracy, and the making of a culture war |c James Shapiro |
264 | 1 | |a New York |b Penguin Press |c 2024 | |
300 | |a xxii, 358 Seiten |b Illustrationen |c 24 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a "A brilliant and daring account of a culture war over the place of theater in American democracy in the 1930s, one that anticipates our current divide, by the acclaimed Shakespeare scholar James Shapiro. From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. At its helm was an unassuming theater professor, Hallie Flanagan. It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft." | |
520 | 3 | |a "It was the product of a moment when the arts, no less than industry and agriculture, were thought to be vital to the health of the republic, bringing Shakespeare to the public, alongside modern plays that confronted the pressing issues of the day--from slum housing and public health to racism and the rising threat of fascism. The Playbook takes us through some of its most remarkable productions, including a groundbreaking Black production of Macbeth in Harlem and an adaptation of Sinclair Lewis's anti-fascist novel It Can't Happen Here that opened simultaneously in 18 cities, underscoring the Federal Theatre's incredible range and vitality. But this once thriving Works Progress Administration relief program did not survive and has left little trace." | |
520 | 3 | |a "For the Federal Theatre was the first New Deal project to be attacked and ended on the grounds that it promoted "un-American" activity, sowing the seeds not only for the McCarthyism of the 1950s but also for our own era of merciless polarization. It was targeted by the first House un-American Affairs Committee, and its demise was a turning point in American cultural life--for, as Shapiro brilliantly argues, "the health of democracy and theater, twin born in ancient Greece, have always been mutually dependent." A defining legacy of this culture war was how the strategies used to undermine and ultimately destroy the Federal Theatre were assembled by a charismatic and cunning congressman from East Texas, the now largely forgotten Martin Dies, who in doing so pioneered the right-wing political playbook now so prevalent that it seems eternal." | |
650 | 0 | 7 | |a Politik |0 (DE-588)4046514-7 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Demokratie |0 (DE-588)4011413-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Theater |0 (DE-588)4059702-7 |2 gnd |9 rswk-swf |
651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
653 | 2 | |a Federal Theatre Project (U.S.) / History | |
653 | 2 | |a United States / Congress / House / Special Committee on Un-American Activities (1938-1944) | |
653 | 0 | |a Theater and society / United States / History / 20th century | |
653 | 0 | |a Politics and literature / United States / History / 20th century | |
653 | 0 | |a Culture conflict / United States | |
653 | 6 | |a Informational works | |
653 | 6 | |a Illustrated works | |
689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
689 | 0 | 1 | |a Theater |0 (DE-588)4059702-7 |D s |
689 | 0 | 2 | |a Politik |0 (DE-588)4046514-7 |D s |
689 | 0 | 3 | |a Demokratie |0 (DE-588)4011413-2 |D s |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-593-49021-1 |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035091728 |
Datensatz im Suchindex
_version_ | 1807864443723317248 |
---|---|
adam_text | |
any_adam_object | |
author | Shapiro, James S. 1955- |
author_GND | (DE-588)133366901 |
author_facet | Shapiro, James S. 1955- |
author_role | aut |
author_sort | Shapiro, James S. 1955- |
author_variant | j s s js jss |
building | Verbundindex |
bvnumber | BV049750027 |
contents | Preface -- Is Marlowe a communist? -- The creation of the Federal Theater -- Macbeth: The first hit -- It can't happen here: going national -- How long, brethern?: Radical dance -- One third of a nation: riling Congress -- Liberty deferred: Confronting racism -- The creation of the Dies Committee -- The Dies Committee v. the Federal Theater -- The end of the Federal Theater -- Epilogue -- Acknowledgments -- Bibliographic essay -- Index |
ctrlnum | (OCoLC)1450747269 (DE-599)BVBBV049750027 |
dewey-full | 792.0973 |
dewey-hundreds | 700 - The arts |
dewey-ones | 792 - Stage presentations |
dewey-raw | 792.0973 |
dewey-search | 792.0973 |
dewey-sort | 3792.0973 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049750027</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240819</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">240620s2024 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780593490204</subfield><subfield code="c">Hardcover</subfield><subfield code="9">978-0-593-49020-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1450747269</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049750027</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-188</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">792.0973</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Shapiro, James S.</subfield><subfield code="d">1955-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)133366901</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The playbook</subfield><subfield code="b">a story of theater, democracy, and the making of a culture war</subfield><subfield code="c">James Shapiro</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Penguin Press</subfield><subfield code="c">2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxii, 358 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"A brilliant and daring account of a culture war over the place of theater in American democracy in the 1930s, one that anticipates our current divide, by the acclaimed Shakespeare scholar James Shapiro. From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. At its helm was an unassuming theater professor, Hallie Flanagan. It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft."</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"It was the product of a moment when the arts, no less than industry and agriculture, were thought to be vital to the health of the republic, bringing Shakespeare to the public, alongside modern plays that confronted the pressing issues of the day--from slum housing and public health to racism and the rising threat of fascism. The Playbook takes us through some of its most remarkable productions, including a groundbreaking Black production of Macbeth in Harlem and an adaptation of Sinclair Lewis's anti-fascist novel It Can't Happen Here that opened simultaneously in 18 cities, underscoring the Federal Theatre's incredible range and vitality. But this once thriving Works Progress Administration relief program did not survive and has left little trace."</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"For the Federal Theatre was the first New Deal project to be attacked and ended on the grounds that it promoted "un-American" activity, sowing the seeds not only for the McCarthyism of the 1950s but also for our own era of merciless polarization. It was targeted by the first House un-American Affairs Committee, and its demise was a turning point in American cultural life--for, as Shapiro brilliantly argues, "the health of democracy and theater, twin born in ancient Greece, have always been mutually dependent." A defining legacy of this culture war was how the strategies used to undermine and ultimately destroy the Federal Theatre were assembled by a charismatic and cunning congressman from East Texas, the now largely forgotten Martin Dies, who in doing so pioneered the right-wing political playbook now so prevalent that it seems eternal."</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Politik</subfield><subfield code="0">(DE-588)4046514-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Demokratie</subfield><subfield code="0">(DE-588)4011413-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Federal Theatre Project (U.S.) / History</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">United States / Congress / House / Special Committee on Un-American Activities (1938-1944)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Theater and society / United States / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Politics and literature / United States / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Culture conflict / United States</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Informational works</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Illustrated works</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Politik</subfield><subfield code="0">(DE-588)4046514-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Demokratie</subfield><subfield code="0">(DE-588)4011413-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-0-593-49021-1</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035091728</subfield></datafield></record></collection> |
geographic | USA (DE-588)4078704-7 gnd |
geographic_facet | USA |
id | DE-604.BV049750027 |
illustrated | Illustrated |
indexdate | 2024-08-20T00:31:27Z |
institution | BVB |
isbn | 9780593490204 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035091728 |
oclc_num | 1450747269 |
open_access_boolean | |
owner | DE-188 DE-12 |
owner_facet | DE-188 DE-12 |
physical | xxii, 358 Seiten Illustrationen 24 cm |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | Penguin Press |
record_format | marc |
spelling | Shapiro, James S. 1955- Verfasser (DE-588)133366901 aut The playbook a story of theater, democracy, and the making of a culture war James Shapiro New York Penguin Press 2024 xxii, 358 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier "A brilliant and daring account of a culture war over the place of theater in American democracy in the 1930s, one that anticipates our current divide, by the acclaimed Shakespeare scholar James Shapiro. From 1935 to 1939, the Federal Theatre Project staged over a thousand productions in 29 states that were seen by thirty million (or nearly one in four) Americans, two thirds of whom had never seen a play before. At its helm was an unassuming theater professor, Hallie Flanagan. It employed, at its peak, over twelve thousand struggling artists, some of whom, like Orson Welles and Arthur Miller, would soon be famous, but most of whom were just ordinary people eager to work again at their craft." "It was the product of a moment when the arts, no less than industry and agriculture, were thought to be vital to the health of the republic, bringing Shakespeare to the public, alongside modern plays that confronted the pressing issues of the day--from slum housing and public health to racism and the rising threat of fascism. The Playbook takes us through some of its most remarkable productions, including a groundbreaking Black production of Macbeth in Harlem and an adaptation of Sinclair Lewis's anti-fascist novel It Can't Happen Here that opened simultaneously in 18 cities, underscoring the Federal Theatre's incredible range and vitality. But this once thriving Works Progress Administration relief program did not survive and has left little trace." "For the Federal Theatre was the first New Deal project to be attacked and ended on the grounds that it promoted "un-American" activity, sowing the seeds not only for the McCarthyism of the 1950s but also for our own era of merciless polarization. It was targeted by the first House un-American Affairs Committee, and its demise was a turning point in American cultural life--for, as Shapiro brilliantly argues, "the health of democracy and theater, twin born in ancient Greece, have always been mutually dependent." A defining legacy of this culture war was how the strategies used to undermine and ultimately destroy the Federal Theatre were assembled by a charismatic and cunning congressman from East Texas, the now largely forgotten Martin Dies, who in doing so pioneered the right-wing political playbook now so prevalent that it seems eternal." Politik (DE-588)4046514-7 gnd rswk-swf Demokratie (DE-588)4011413-2 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Federal Theatre Project (U.S.) / History United States / Congress / House / Special Committee on Un-American Activities (1938-1944) Theater and society / United States / History / 20th century Politics and literature / United States / History / 20th century Culture conflict / United States Informational works Illustrated works USA (DE-588)4078704-7 g Theater (DE-588)4059702-7 s Politik (DE-588)4046514-7 s Demokratie (DE-588)4011413-2 s DE-604 Erscheint auch als Online-Ausgabe 978-0-593-49021-1 |
spellingShingle | Shapiro, James S. 1955- The playbook a story of theater, democracy, and the making of a culture war Preface -- Is Marlowe a communist? -- The creation of the Federal Theater -- Macbeth: The first hit -- It can't happen here: going national -- How long, brethern?: Radical dance -- One third of a nation: riling Congress -- Liberty deferred: Confronting racism -- The creation of the Dies Committee -- The Dies Committee v. the Federal Theater -- The end of the Federal Theater -- Epilogue -- Acknowledgments -- Bibliographic essay -- Index Politik (DE-588)4046514-7 gnd Demokratie (DE-588)4011413-2 gnd Theater (DE-588)4059702-7 gnd |
subject_GND | (DE-588)4046514-7 (DE-588)4011413-2 (DE-588)4059702-7 (DE-588)4078704-7 |
title | The playbook a story of theater, democracy, and the making of a culture war |
title_auth | The playbook a story of theater, democracy, and the making of a culture war |
title_exact_search | The playbook a story of theater, democracy, and the making of a culture war |
title_full | The playbook a story of theater, democracy, and the making of a culture war James Shapiro |
title_fullStr | The playbook a story of theater, democracy, and the making of a culture war James Shapiro |
title_full_unstemmed | The playbook a story of theater, democracy, and the making of a culture war James Shapiro |
title_short | The playbook |
title_sort | the playbook a story of theater democracy and the making of a culture war |
title_sub | a story of theater, democracy, and the making of a culture war |
topic | Politik (DE-588)4046514-7 gnd Demokratie (DE-588)4011413-2 gnd Theater (DE-588)4059702-7 gnd |
topic_facet | Politik Demokratie Theater USA |
work_keys_str_mv | AT shapirojamess theplaybookastoryoftheaterdemocracyandthemakingofaculturewar |