Staging disgust: rape, shame, and performance in Shakespeare and Middleton
This Element turns to the stage to ask a simple question about gender and affect: what causes the shame of the early modern rape victim? Beneath honour codes and problematic assumptions about consent, the answer lies in affect, disgust. It explores both the textual "performance" of affect,...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2024
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| Schriftenreihe: | Cambridge elements
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 URL des Erstveröffentlichers |
| Zusammenfassung: | This Element turns to the stage to ask a simple question about gender and affect: what causes the shame of the early modern rape victim? Beneath honour codes and problematic assumptions about consent, the answer lies in affect, disgust. It explores both the textual "performance" of affect, how literary language works to evoke emotions and the ways disgust can work in theatrical performance. Here Shakespeare's poem The Rape of Lucrece is the classic paradigm of sexual pollution and shame, where disgust's irrational logic of contamination leaves the raped wife in a permanent state of uncleanness that spreads from body to soul. Staging Disgust offers alternatives to this depressing trajectory: Middleton's Women Beware Women and Shakespeare's Titus Andronicus perform disgust with a difference, deploying the audience's revulsion to challenge the assumption that a raped woman should "naturally" feel intolerable shame |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 16 Feb 2024) |
| Beschreibung: | 1 Online-Ressource (95 Seiten) |
| ISBN: | 9781009379816 |
| DOI: | 10.1017/9781009379816 |
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| 520 | |a This Element turns to the stage to ask a simple question about gender and affect: what causes the shame of the early modern rape victim? Beneath honour codes and problematic assumptions about consent, the answer lies in affect, disgust. It explores both the textual "performance" of affect, how literary language works to evoke emotions and the ways disgust can work in theatrical performance. Here Shakespeare's poem The Rape of Lucrece is the classic paradigm of sexual pollution and shame, where disgust's irrational logic of contamination leaves the raped wife in a permanent state of uncleanness that spreads from body to soul. Staging Disgust offers alternatives to this depressing trajectory: Middleton's Women Beware Women and Shakespeare's Titus Andronicus perform disgust with a difference, deploying the audience's revulsion to challenge the assumption that a raped woman should "naturally" feel intolerable shame | ||
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| 650 | 4 | |a Shame in literature | |
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Datensatz im Suchindex
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| author | Panek, Jennifer |
| author_GND | (DE-588)173737471 |
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| dewey-full | 822.33 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
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| dewey-sort | 3822.33 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/9781009379816 |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-20T07:56:33Z |
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| isbn | 9781009379816 |
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| spelling | Panek, Jennifer (DE-588)173737471 aut Staging disgust rape, shame, and performance in Shakespeare and Middleton Jennifer Panek Cambridge Cambridge University Press 2024 1 Online-Ressource (95 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge elements Title from publisher's bibliographic system (viewed on 16 Feb 2024) This Element turns to the stage to ask a simple question about gender and affect: what causes the shame of the early modern rape victim? Beneath honour codes and problematic assumptions about consent, the answer lies in affect, disgust. It explores both the textual "performance" of affect, how literary language works to evoke emotions and the ways disgust can work in theatrical performance. Here Shakespeare's poem The Rape of Lucrece is the classic paradigm of sexual pollution and shame, where disgust's irrational logic of contamination leaves the raped wife in a permanent state of uncleanness that spreads from body to soul. Staging Disgust offers alternatives to this depressing trajectory: Middleton's Women Beware Women and Shakespeare's Titus Andronicus perform disgust with a difference, deploying the audience's revulsion to challenge the assumption that a raped woman should "naturally" feel intolerable shame Shakespeare, William / 1564-1616 / Criticism and interpretation Middleton, Thomas / -1627 / Criticism and interpretation Rape in literature Shame in literature Aversion in literature Sex crimes in literature Erscheint auch als Druck-Ausgabe 978-1-009-37982-3 https://doi.org/10.1017/9781009379816 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Panek, Jennifer Staging disgust rape, shame, and performance in Shakespeare and Middleton Shakespeare, William / 1564-1616 / Criticism and interpretation Middleton, Thomas / -1627 / Criticism and interpretation Rape in literature Shame in literature Aversion in literature Sex crimes in literature |
| title | Staging disgust rape, shame, and performance in Shakespeare and Middleton |
| title_auth | Staging disgust rape, shame, and performance in Shakespeare and Middleton |
| title_exact_search | Staging disgust rape, shame, and performance in Shakespeare and Middleton |
| title_full | Staging disgust rape, shame, and performance in Shakespeare and Middleton Jennifer Panek |
| title_fullStr | Staging disgust rape, shame, and performance in Shakespeare and Middleton Jennifer Panek |
| title_full_unstemmed | Staging disgust rape, shame, and performance in Shakespeare and Middleton Jennifer Panek |
| title_short | Staging disgust |
| title_sort | staging disgust rape shame and performance in shakespeare and middleton |
| title_sub | rape, shame, and performance in Shakespeare and Middleton |
| topic | Shakespeare, William / 1564-1616 / Criticism and interpretation Middleton, Thomas / -1627 / Criticism and interpretation Rape in literature Shame in literature Aversion in literature Sex crimes in literature |
| topic_facet | Shakespeare, William / 1564-1616 / Criticism and interpretation Middleton, Thomas / -1627 / Criticism and interpretation Rape in literature Shame in literature Aversion in literature Sex crimes in literature |
| url | https://doi.org/10.1017/9781009379816 |
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