Cinematic encounters with disaster: realisms for the Anthropocene
"Cinematic Encounters with Disastertakes Hollywood’s disaster movies and their codified versions of natural disaster, post-apocalyptic survival, and extra-terrestrial threat as the starting point for an analytical trajectory that works toward new understandings of how cinema shapes and informs...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Bloomsbury Academic
2024
|
| Schriftenreihe: | Thinking cinema
volume 12 |
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-703 Volltext |
| Zusammenfassung: | "Cinematic Encounters with Disastertakes Hollywood’s disaster movies and their codified versions of natural disaster, post-apocalyptic survival, and extra-terrestrial threat as the starting point for an analytical trajectory that works toward new understandings of how cinema shapes and informs our conceptions of disaster and catastrophe. It examines a range of films from distinct regional and industrial contexts: Hollywood, indie movies, different kinds of documentaries from the US and elsewhere, and auteurist-realist cinema from Europe and Asia. Moving across and beyond critical and industrial categories that often inform thinking about cinema, this book contends that different approaches to film style can push us to imagine disaster in distinct ways, with distinct ethical connotations. Framed by contemporary concerns around the global climate crisis and the advent of the Anthropocene, questions about how films can best offer responses to historical exigency guide the book’s explorations of spectacular 2010s blockbusters likeGravity(2013) andSan Andreas(2015), environmental documentaries including the paradigmaticAn Inconvenient Truth(2006), post-disaster films by auteurs including Abbas Kiarostami and Lav Diaz, and more. Conceiving of disaster as intersubjective ethics between humans and nonhuman alterity – forces of nature, errant technology, monsters, ghosts, and other entities – it analyses how formal techniques and narrative strategies render encounters in which human protagonists are confronted with the threat of death and respond in ways that can be instructive for our planet’s present juncture." |
| Beschreibung: | 1 Online-Ressource (216 Seiten) |
| ISBN: | 9798765101537 9798765101520 9798765101513 |
| DOI: | 10.5040/9798765101537 |
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| id | DE-604.BV049743405 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-20T07:56:32Z |
| institution | BVB |
| isbn | 9798765101537 9798765101520 9798765101513 |
| language | English |
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| series | Thinking cinema |
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| spelling | Troon, Simon R. Verfasser (DE-588)1333160828 aut Cinematic encounters with disaster realisms for the Anthropocene Simon R. Troon New York Bloomsbury Academic 2024 1 Online-Ressource (216 Seiten) txt rdacontent c rdamedia cr rdacarrier Thinking cinema volume 12 Bloomsbury collections "Cinematic Encounters with Disastertakes Hollywood’s disaster movies and their codified versions of natural disaster, post-apocalyptic survival, and extra-terrestrial threat as the starting point for an analytical trajectory that works toward new understandings of how cinema shapes and informs our conceptions of disaster and catastrophe. It examines a range of films from distinct regional and industrial contexts: Hollywood, indie movies, different kinds of documentaries from the US and elsewhere, and auteurist-realist cinema from Europe and Asia. Moving across and beyond critical and industrial categories that often inform thinking about cinema, this book contends that different approaches to film style can push us to imagine disaster in distinct ways, with distinct ethical connotations. Framed by contemporary concerns around the global climate crisis and the advent of the Anthropocene, questions about how films can best offer responses to historical exigency guide the book’s explorations of spectacular 2010s blockbusters likeGravity(2013) andSan Andreas(2015), environmental documentaries including the paradigmaticAn Inconvenient Truth(2006), post-disaster films by auteurs including Abbas Kiarostami and Lav Diaz, and more. Conceiving of disaster as intersubjective ethics between humans and nonhuman alterity – forces of nature, errant technology, monsters, ghosts, and other entities – it analyses how formal techniques and narrative strategies render encounters in which human protagonists are confronted with the threat of death and respond in ways that can be instructive for our planet’s present juncture." Disaster films / History and criticism Disasters / Philosophy Realism in motion pictures Apocalypse in motion pictures Ecocriticism Erscheint auch als Druck-Ausgabe 979-8-7651-0150-6 Thinking cinema volume 12 (DE-604)BV043906494 12 https://doi.org/10.5040/9798765101537?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Troon, Simon R. Cinematic encounters with disaster realisms for the Anthropocene Thinking cinema |
| title | Cinematic encounters with disaster realisms for the Anthropocene |
| title_auth | Cinematic encounters with disaster realisms for the Anthropocene |
| title_exact_search | Cinematic encounters with disaster realisms for the Anthropocene |
| title_full | Cinematic encounters with disaster realisms for the Anthropocene Simon R. Troon |
| title_fullStr | Cinematic encounters with disaster realisms for the Anthropocene Simon R. Troon |
| title_full_unstemmed | Cinematic encounters with disaster realisms for the Anthropocene Simon R. Troon |
| title_short | Cinematic encounters with disaster |
| title_sort | cinematic encounters with disaster realisms for the anthropocene |
| title_sub | realisms for the Anthropocene |
| url | https://doi.org/10.5040/9798765101537?locatt=label:secondary_bloomsburyCollections |
| volume_link | (DE-604)BV043906494 |
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