Moscow conceptualism, 1975-1985: words, deeds, legacies
"As the last generation of underground artists in the Soviet Union and the first on the post-Soviet scene, Moscow conceptualists provide a unique point of view on the breakup of the USSR, the changing role of unofficial art in a repressive state, and the beginning of a new world order in both a...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London
Bloomsbury Visual Arts
2024
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Schriftenreihe: | Bloomsbury collections
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Schlagworte: | |
Online-Zugang: | DE-12 Volltext |
Zusammenfassung: | "As the last generation of underground artists in the Soviet Union and the first on the post-Soviet scene, Moscow conceptualists provide a unique point of view on the breakup of the USSR, the changing role of unofficial art in a repressive state, and the beginning of a new world order in both art and politics. Offering a counter-narrative to the tradition of Socialist Realism that dominates Soviet art history, this book provides insight into the production and activism of the experimental artists that worked in Moscow during this watershed moment in Russian history. Based on extensive original research and in-depth interviews with the original artists, Nicholas demonstrates how the work of these radical, unconventional artists challenged the Soviet authorities, official doctrine, and even other colleagues in the nonconformist art world. They rebelled against political and artistic restraints alike, turning everyday texts and engaged performances into powerful statements of creative independence and unrestrained imagination. Unlike many of their fellow dissenters, these artists rejected elitist notions about art for art’s sake in favor of a more open, democratic, and on-going dialogue about everyday concerns. Their embrace of humor, their focus on the real meaning of words, and their insistence on the importance of broad participation in the creation of art make these artists important models for the challenges of our own time. A crucial link between the revolutionary avant-garde and contemporary protest art, Moscow conceptualism offers lessons for activists under pressure from authoritarian regimes around the world. By highlighting the importance of laughter, imaginative outreach, and direct engagement with everyday citizens, this book presents fascinating evidence of the importance of individual protest and demonstrates that socially-engaged art can be a powerful weapon for change in building a better world." |
Beschreibung: | 1 Online-Ressource (238 Seiten) Illustrationen |
ISBN: | 9781350227897 9781350227873 9781350227880 |
DOI: | 10.5040/9781350227897 |
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520 | 3 | |a "As the last generation of underground artists in the Soviet Union and the first on the post-Soviet scene, Moscow conceptualists provide a unique point of view on the breakup of the USSR, the changing role of unofficial art in a repressive state, and the beginning of a new world order in both art and politics. Offering a counter-narrative to the tradition of Socialist Realism that dominates Soviet art history, this book provides insight into the production and activism of the experimental artists that worked in Moscow during this watershed moment in Russian history. Based on extensive original research and in-depth interviews with the original artists, Nicholas demonstrates how the work of these radical, unconventional artists challenged the Soviet authorities, official doctrine, and even other colleagues in the nonconformist art world. They rebelled against political and artistic restraints alike, turning everyday texts and engaged performances into powerful statements of creative independence and unrestrained imagination. Unlike many of their fellow dissenters, these artists rejected elitist notions about art for art’s sake in favor of a more open, democratic, and on-going dialogue about everyday concerns. Their embrace of humor, their focus on the real meaning of words, and their insistence on the importance of broad participation in the creation of art make these artists important models for the challenges of our own time. A crucial link between the revolutionary avant-garde and contemporary protest art, Moscow conceptualism offers lessons for activists under pressure from authoritarian regimes around the world. By highlighting the importance of laughter, imaginative outreach, and direct engagement with everyday citizens, this book presents fascinating evidence of the importance of individual protest and demonstrates that socially-engaged art can be a powerful weapon for change in building a better world." | |
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Datensatz im Suchindex
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adam_text | |
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author | Nicholas, Mary A. 1954- |
author_GND | (DE-588)1333157819 |
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author_sort | Nicholas, Mary A. 1954- |
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era | Geschichte 1975-1985 gnd |
era_facet | Geschichte 1975-1985 |
format | Electronic eBook |
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spelling | Nicholas, Mary A. 1954- Verfasser (DE-588)1333157819 aut Moscow conceptualism, 1975-1985 words, deeds, legacies Mary A. Nicholas Moscow conceptualism London Bloomsbury Visual Arts 2024 1 Online-Ressource (238 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Bloomsbury collections "As the last generation of underground artists in the Soviet Union and the first on the post-Soviet scene, Moscow conceptualists provide a unique point of view on the breakup of the USSR, the changing role of unofficial art in a repressive state, and the beginning of a new world order in both art and politics. Offering a counter-narrative to the tradition of Socialist Realism that dominates Soviet art history, this book provides insight into the production and activism of the experimental artists that worked in Moscow during this watershed moment in Russian history. Based on extensive original research and in-depth interviews with the original artists, Nicholas demonstrates how the work of these radical, unconventional artists challenged the Soviet authorities, official doctrine, and even other colleagues in the nonconformist art world. They rebelled against political and artistic restraints alike, turning everyday texts and engaged performances into powerful statements of creative independence and unrestrained imagination. Unlike many of their fellow dissenters, these artists rejected elitist notions about art for art’s sake in favor of a more open, democratic, and on-going dialogue about everyday concerns. Their embrace of humor, their focus on the real meaning of words, and their insistence on the importance of broad participation in the creation of art make these artists important models for the challenges of our own time. A crucial link between the revolutionary avant-garde and contemporary protest art, Moscow conceptualism offers lessons for activists under pressure from authoritarian regimes around the world. By highlighting the importance of laughter, imaginative outreach, and direct engagement with everyday citizens, this book presents fascinating evidence of the importance of individual protest and demonstrates that socially-engaged art can be a powerful weapon for change in building a better world." Geschichte 1975-1985 gnd rswk-swf Concept-art (DE-588)4032354-7 gnd rswk-swf Moskau (DE-588)4074987-3 gnd rswk-swf Conceptual art / Russia (Federation) / Moscow Dissident art / Russia (Federation) / Moscow Art & design styles: Postmodernism Russia Theory of art Moskau (DE-588)4074987-3 g Concept-art (DE-588)4032354-7 s Geschichte 1975-1985 z DE-604 Erscheint auch als Druck-Ausgabe 978-1-350-22786-6 https://doi.org/10.5040/9781350227897?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Nicholas, Mary A. 1954- Moscow conceptualism, 1975-1985 words, deeds, legacies Concept-art (DE-588)4032354-7 gnd |
subject_GND | (DE-588)4032354-7 (DE-588)4074987-3 |
title | Moscow conceptualism, 1975-1985 words, deeds, legacies |
title_alt | Moscow conceptualism |
title_auth | Moscow conceptualism, 1975-1985 words, deeds, legacies |
title_exact_search | Moscow conceptualism, 1975-1985 words, deeds, legacies |
title_full | Moscow conceptualism, 1975-1985 words, deeds, legacies Mary A. Nicholas |
title_fullStr | Moscow conceptualism, 1975-1985 words, deeds, legacies Mary A. Nicholas |
title_full_unstemmed | Moscow conceptualism, 1975-1985 words, deeds, legacies Mary A. Nicholas |
title_short | Moscow conceptualism, 1975-1985 |
title_sort | moscow conceptualism 1975 1985 words deeds legacies |
title_sub | words, deeds, legacies |
topic | Concept-art (DE-588)4032354-7 gnd |
topic_facet | Concept-art Moskau |
url | https://doi.org/10.5040/9781350227897?locatt=label:secondary_bloomsburyCollections |
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