Claes Oldenburg's theater of vision: poetry, sculpture, film, and performance art
"In four chronologically organized chapters, this study traces the conceptual dependence and deep connectivity among Claes Oldenburg's poetry, sculpture, films, and performance art between 1956 and 1965. This research-intensive book argues that Oldenburg's art relies on machine vision...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2024
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Schriftenreihe: | Routledge research in art history
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Schlagworte: | |
Zusammenfassung: | "In four chronologically organized chapters, this study traces the conceptual dependence and deep connectivity among Claes Oldenburg's poetry, sculpture, films, and performance art between 1956 and 1965. This research-intensive book argues that Oldenburg's art relies on machine vision and other metaphors to visualize the structure and image content of human thought as an artistic problem. Anchored in new oral history interviews and extensive archival material, it brings together understudied visual and concrete poetry, experimental films, fifteen group performances (commonly referred to as happenings), and a close analysis of his well-known installations of The Street (1960) and The Store (1961-62), effectively setting in place a reexamination of Oldenburg's pop art from the street, store, home, and cinema years. The book will be of interest to scholars working in art history, film studies, performance studies, literature, intermedia studies, and media theory"-- |
Beschreibung: | xii, 244 Seiten Illustrationen |
ISBN: | 9781032449883 9781032450926 |
Internformat
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490 | 0 | |a Routledge research in art history | |
520 | 3 | |a "In four chronologically organized chapters, this study traces the conceptual dependence and deep connectivity among Claes Oldenburg's poetry, sculpture, films, and performance art between 1956 and 1965. This research-intensive book argues that Oldenburg's art relies on machine vision and other metaphors to visualize the structure and image content of human thought as an artistic problem. Anchored in new oral history interviews and extensive archival material, it brings together understudied visual and concrete poetry, experimental films, fifteen group performances (commonly referred to as happenings), and a close analysis of his well-known installations of The Street (1960) and The Store (1961-62), effectively setting in place a reexamination of Oldenburg's pop art from the street, store, home, and cinema years. The book will be of interest to scholars working in art history, film studies, performance studies, literature, intermedia studies, and media theory"-- | |
600 | 1 | 7 | |a Oldenburg, Claes |d 1929-2022 |x Criticism and interpretation |2 DLC |
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Datensatz im Suchindex
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id | DE-604.BV049737909 |
illustrated | Illustrated |
indexdate | 2024-07-20T07:56:10Z |
institution | BVB |
isbn | 9781032449883 9781032450926 |
language | English |
lccn | 2023026290 |
oclc_num | 1432789714 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
physical | xii, 244 Seiten Illustrationen |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | Routledge, Taylor & Francis Group |
record_format | marc |
series2 | Routledge research in art history |
spelling | Rottner, Nadja 1972- Verfasser (DE-588)132138557 aut Claes Oldenburg's theater of vision poetry, sculpture, film, and performance art Nadja Rottner New York ; London Routledge, Taylor & Francis Group 2024 xii, 244 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Routledge research in art history "In four chronologically organized chapters, this study traces the conceptual dependence and deep connectivity among Claes Oldenburg's poetry, sculpture, films, and performance art between 1956 and 1965. This research-intensive book argues that Oldenburg's art relies on machine vision and other metaphors to visualize the structure and image content of human thought as an artistic problem. Anchored in new oral history interviews and extensive archival material, it brings together understudied visual and concrete poetry, experimental films, fifteen group performances (commonly referred to as happenings), and a close analysis of his well-known installations of The Street (1960) and The Store (1961-62), effectively setting in place a reexamination of Oldenburg's pop art from the street, store, home, and cinema years. The book will be of interest to scholars working in art history, film studies, performance studies, literature, intermedia studies, and media theory"-- Oldenburg, Claes 1929-2022 Criticism and interpretation DLC Oldenburg, Claes 1929-2022 (DE-588)118589792 gnd rswk-swf Oldenburg, Claes 1929-2022 (DE-588)118589792 p DE-604 Erscheint auch als Online-Ausgabe 978-1-003-37535-7 |
spellingShingle | Rottner, Nadja 1972- Claes Oldenburg's theater of vision poetry, sculpture, film, and performance art Oldenburg, Claes 1929-2022 Criticism and interpretation DLC Oldenburg, Claes 1929-2022 (DE-588)118589792 gnd |
subject_GND | (DE-588)118589792 |
title | Claes Oldenburg's theater of vision poetry, sculpture, film, and performance art |
title_auth | Claes Oldenburg's theater of vision poetry, sculpture, film, and performance art |
title_exact_search | Claes Oldenburg's theater of vision poetry, sculpture, film, and performance art |
title_full | Claes Oldenburg's theater of vision poetry, sculpture, film, and performance art Nadja Rottner |
title_fullStr | Claes Oldenburg's theater of vision poetry, sculpture, film, and performance art Nadja Rottner |
title_full_unstemmed | Claes Oldenburg's theater of vision poetry, sculpture, film, and performance art Nadja Rottner |
title_short | Claes Oldenburg's theater of vision |
title_sort | claes oldenburg s theater of vision poetry sculpture film and performance art |
title_sub | poetry, sculpture, film, and performance art |
topic | Oldenburg, Claes 1929-2022 Criticism and interpretation DLC Oldenburg, Claes 1929-2022 (DE-588)118589792 gnd |
topic_facet | Oldenburg, Claes 1929-2022 Criticism and interpretation Oldenburg, Claes 1929-2022 |
work_keys_str_mv | AT rottnernadja claesoldenburgstheaterofvisionpoetrysculpturefilmandperformanceart |