The dissident power of queer art and curating in Central Eastern Europe:
The text aims to explore the political, cultural and artistic implications of LGBTQ+ art and curatorial practices in Central Eastern Europe in the 21st century. Currently, queer exhibitions, are on the rise in post-communist Europe, especially those held in contemporary art centres and museums. They...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
[2022]
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| Schlagworte: | |
| Zusammenfassung: | The text aims to explore the political, cultural and artistic implications of LGBTQ+ art and curatorial practices in Central Eastern Europe in the 21st century. Currently, queer exhibitions, are on the rise in post-communist Europe, especially those held in contemporary art centres and museums. They cast light on new queer art and activism and the volatile sexual politics in the region because of the significant increase in the number of artists working with LGBTQ themes and the topical political background of this movement and its impact on cultural debates. Curators are developing innovative perspectives on sexual, social and artistic dimensions of queer exhibitions in this geographic context still seriously affected by homophobic state policy. The objective is to feature three art shows of major queer artists which have been organised in Hungary, Poland and Estonia in the last decade. The exhibitions are: The Survivor’s Shade: The Life and Work of El Kazovsky at the Museum of Fine Art- Hungarian National Gallery, Budapest in 2015/16; Daniel Rycharski: Fears at the Museum of Modern Art, Warsaw in 2019 and Jaanus Samma. Not Suitable for Work. A Chairman’s Tale, Museum of Occupations and Freedom, Tallinn in 2016. The three artists and their exhibitions have been selected because they were organised by major cultural institutions in the capitals, they have achieved a significant social impact and huge audience and the artists have played an important role in the contemporary art scene in each country. Their work is a current manifestation of the queer artistic and intellectual culture that has been developing slowly in the region since the 1980s and has come to play an increasingly important role in recent years. The exhibitions and art of the three artists are a starting point for a broader outline of the themes and important figures in recent queer art in Central Eastern Europe (CEE). |
| Beschreibung: | Illustrationen |
| ISSN: | 0860-5769 |
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| 520 | 3 | |a The text aims to explore the political, cultural and artistic implications of LGBTQ+ art and curatorial practices in Central Eastern Europe in the 21st century. Currently, queer exhibitions, are on the rise in post-communist Europe, especially those held in contemporary art centres and museums. They cast light on new queer art and activism and the volatile sexual politics in the region because of the significant increase in the number of artists working with LGBTQ themes and the topical political background of this movement and its impact on cultural debates. Curators are developing innovative perspectives on sexual, social and artistic dimensions of queer exhibitions in this geographic context still seriously affected by homophobic state policy. The objective is to feature three art shows of major queer artists which have been organised in Hungary, Poland and Estonia in the last decade. The exhibitions are: The Survivor’s Shade: The Life and Work of El Kazovsky at the Museum of Fine Art- Hungarian National Gallery, Budapest in 2015/16; Daniel Rycharski: Fears at the Museum of Modern Art, Warsaw in 2019 and Jaanus Samma. Not Suitable for Work. A Chairman’s Tale, Museum of Occupations and Freedom, Tallinn in 2016. The three artists and their exhibitions have been selected because they were organised by major cultural institutions in the capitals, they have achieved a significant social impact and huge audience and the artists have played an important role in the contemporary art scene in each country. Their work is a current manifestation of the queer artistic and intellectual culture that has been developing slowly in the region since the 1980s and has come to play an increasingly important role in recent years. The exhibitions and art of the three artists are a starting point for a broader outline of the themes and important figures in recent queer art in Central Eastern Europe (CEE). | |
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| spelling | Leszkowicz, Paweł 1970- Verfasser (DE-588)1041226780 aut The dissident power of queer art and curating in Central Eastern Europe Paweł Leszkowicz [2022] Illustrationen txt rdacontent n rdamedia nc rdacarrier The text aims to explore the political, cultural and artistic implications of LGBTQ+ art and curatorial practices in Central Eastern Europe in the 21st century. Currently, queer exhibitions, are on the rise in post-communist Europe, especially those held in contemporary art centres and museums. They cast light on new queer art and activism and the volatile sexual politics in the region because of the significant increase in the number of artists working with LGBTQ themes and the topical political background of this movement and its impact on cultural debates. Curators are developing innovative perspectives on sexual, social and artistic dimensions of queer exhibitions in this geographic context still seriously affected by homophobic state policy. The objective is to feature three art shows of major queer artists which have been organised in Hungary, Poland and Estonia in the last decade. The exhibitions are: The Survivor’s Shade: The Life and Work of El Kazovsky at the Museum of Fine Art- Hungarian National Gallery, Budapest in 2015/16; Daniel Rycharski: Fears at the Museum of Modern Art, Warsaw in 2019 and Jaanus Samma. Not Suitable for Work. A Chairman’s Tale, Museum of Occupations and Freedom, Tallinn in 2016. The three artists and their exhibitions have been selected because they were organised by major cultural institutions in the capitals, they have achieved a significant social impact and huge audience and the artists have played an important role in the contemporary art scene in each country. Their work is a current manifestation of the queer artistic and intellectual culture that has been developing slowly in the region since the 1980s and has come to play an increasingly important role in recent years. The exhibitions and art of the three artists are a starting point for a broader outline of the themes and important figures in recent queer art in Central Eastern Europe (CEE). Rycharski, Daniel 1986- (DE-588)126065415X gnd rswk-swf Kazovszkij, El 1950-2008 (DE-588)137770294 gnd rswk-swf Samma, Jaanus 1982- (DE-588)1073125637 gnd rswk-swf LGBT (DE-588)7705503-2 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Ausstellung (DE-588)4129601-1 gnd rswk-swf Osteuropa (DE-588)4075739-0 gnd rswk-swf Osteuropa (DE-588)4075739-0 g LGBT (DE-588)7705503-2 s Kunst (DE-588)4114333-4 s DE-604 Kazovszkij, El 1950-2008 (DE-588)137770294 p Rycharski, Daniel 1986- (DE-588)126065415X p Samma, Jaanus 1982- (DE-588)1073125637 p Ausstellung (DE-588)4129601-1 s volume:32 year:2022 pages:35-58 Ikonotheka Warszawa, 2022 32 (2022), Seite 35-58 (DE-604)BV025470596 0860-5769 (DE-600)1205583-9 |
| spellingShingle | Leszkowicz, Paweł 1970- The dissident power of queer art and curating in Central Eastern Europe Rycharski, Daniel 1986- (DE-588)126065415X gnd Kazovszkij, El 1950-2008 (DE-588)137770294 gnd Samma, Jaanus 1982- (DE-588)1073125637 gnd LGBT (DE-588)7705503-2 gnd Kunst (DE-588)4114333-4 gnd Ausstellung (DE-588)4129601-1 gnd |
| subject_GND | (DE-588)126065415X (DE-588)137770294 (DE-588)1073125637 (DE-588)7705503-2 (DE-588)4114333-4 (DE-588)4129601-1 (DE-588)4075739-0 |
| title | The dissident power of queer art and curating in Central Eastern Europe |
| title_auth | The dissident power of queer art and curating in Central Eastern Europe |
| title_exact_search | The dissident power of queer art and curating in Central Eastern Europe |
| title_full | The dissident power of queer art and curating in Central Eastern Europe Paweł Leszkowicz |
| title_fullStr | The dissident power of queer art and curating in Central Eastern Europe Paweł Leszkowicz |
| title_full_unstemmed | The dissident power of queer art and curating in Central Eastern Europe Paweł Leszkowicz |
| title_short | The dissident power of queer art and curating in Central Eastern Europe |
| title_sort | the dissident power of queer art and curating in central eastern europe |
| topic | Rycharski, Daniel 1986- (DE-588)126065415X gnd Kazovszkij, El 1950-2008 (DE-588)137770294 gnd Samma, Jaanus 1982- (DE-588)1073125637 gnd LGBT (DE-588)7705503-2 gnd Kunst (DE-588)4114333-4 gnd Ausstellung (DE-588)4129601-1 gnd |
| topic_facet | Rycharski, Daniel 1986- Kazovszkij, El 1950-2008 Samma, Jaanus 1982- LGBT Kunst Ausstellung Osteuropa |
| work_keys_str_mv | AT leszkowiczpaweł thedissidentpowerofqueerartandcuratingincentraleasterneurope |