Queer Books of Late Victorian Print Culture:
Brings together queer theory and textual studies to revise our understanding of nineteenth-century print cultureExamines the collaboration of queer writers and artists: Aubrey Beardsley, Katherine Bradley and Edith Cooper (Michael Field), John Gray, Charles Ricketts, Charles Shannon, and Oscar Wilde...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2024]
|
| Schriftenreihe: | Nineteenth-Century and Neo-Victorian Cultures
|
| Schlagworte: | |
| Online-Zugang: | DE-Aug4 Volltext |
| Zusammenfassung: | Brings together queer theory and textual studies to revise our understanding of nineteenth-century print cultureExamines the collaboration of queer writers and artists: Aubrey Beardsley, Katherine Bradley and Edith Cooper (Michael Field), John Gray, Charles Ricketts, Charles Shannon, and Oscar Wilde are central figures of concernBrings together important criticism from the fields of Victorian studies, queer theory, and Textual studies (postmodern approaches to bibliography, archives, etc)Revises our conception of nineteenth-century print culture through both popular printing as well as the beautiful work of William Morris at the Kelmscott Press to differentiate heteronormative experiences from the queer bookFocuses on queer lives, their influence on book history and their contributions to the Revival of Printing, serving as a reassessment of print culture outside of heteronormative boundariesBased on primary research that examined, in addition to the books being studied by accounting ledgers, correspondence, diaries, and contemporary criticism from the late-Victorian ageQueer books, like LGBTQ+ people, adapt heteronormative structures and institutions to introduce space for discourses of queer desire. Queer Books of Late-Victorian Print Culture explores print culture adaptations of the material book, examining the works of Aubrey Beardsley, Michael Field, John Gray, Charles Ricketts, Charles Shannon and Oscar Wilde. It closely analyses the material book, including the elements of binding, typography, paper, ink and illustration, and brings textual studies and queer theory into conversation with literary experiments in free verse, fairy tales and symbolist drama. King argues that queer authors and artists revised the Revival of Printing's ideals for their own diverse and unique desires, adapting new technological innovations in print culture. Their books created a community of like-minded aesthetes who challenged legal and representational discourses of same-sex desire with one of aesthetic sensuality |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) |
| Beschreibung: | 1 Online-Ressource (272 Seiten) 37 black and white Illustrationen |
| ISBN: | 9781399525961 |
| DOI: | 10.1515/9781399525961 |
Internformat
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| 490 | 0 | |a Nineteenth-Century and Neo-Victorian Cultures | |
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) | ||
| 520 | |a Brings together queer theory and textual studies to revise our understanding of nineteenth-century print cultureExamines the collaboration of queer writers and artists: Aubrey Beardsley, Katherine Bradley and Edith Cooper (Michael Field), John Gray, Charles Ricketts, Charles Shannon, and Oscar Wilde are central figures of concernBrings together important criticism from the fields of Victorian studies, queer theory, and Textual studies (postmodern approaches to bibliography, archives, etc)Revises our conception of nineteenth-century print culture through both popular printing as well as the beautiful work of William Morris at the Kelmscott Press to differentiate heteronormative experiences from the queer bookFocuses on queer lives, their influence on book history and their contributions to the Revival of Printing, serving as a reassessment of print culture outside of heteronormative boundariesBased on primary research that examined, | ||
| 520 | |a in addition to the books being studied by accounting ledgers, correspondence, diaries, and contemporary criticism from the late-Victorian ageQueer books, like LGBTQ+ people, adapt heteronormative structures and institutions to introduce space for discourses of queer desire. Queer Books of Late-Victorian Print Culture explores print culture adaptations of the material book, examining the works of Aubrey Beardsley, Michael Field, John Gray, Charles Ricketts, Charles Shannon and Oscar Wilde. It closely analyses the material book, including the elements of binding, typography, paper, ink and illustration, and brings textual studies and queer theory into conversation with literary experiments in free verse, fairy tales and symbolist drama. King argues that queer authors and artists revised the Revival of Printing's ideals for their own diverse and unique desires, adapting new technological innovations in print culture. | ||
| 520 | |a Their books created a community of like-minded aesthetes who challenged legal and representational discourses of same-sex desire with one of aesthetic sensuality | ||
| 546 | |a In English | ||
| 650 | 4 | |a Literary Studies | |
| 650 | 7 | |a LITERARY CRITICISM / Modern / 19th Century |2 bisacsh | |
| 650 | 4 | |a English literature |y 19th century |x History and criticism | |
| 650 | 4 | |a Gay authors |z Great Britain | |
| 650 | 4 | |a Homosexuality and literature |z Great Britain |x History |y 19th century | |
| 650 | 4 | |a Homosexuality in literature | |
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Datensatz im Suchindex
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| author | King, Frederick D. |
| author_facet | King, Frederick D. |
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| dewey-full | 820.9/353 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 820 - English & Old English literatures |
| dewey-raw | 820.9/353 |
| dewey-search | 820.9/353 |
| dewey-sort | 3820.9 3353 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1515/9781399525961 |
| format | Electronic eBook |
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| id | DE-604.BV049731703 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-20T07:35:22Z |
| institution | BVB |
| isbn | 9781399525961 |
| language | English |
| oclc_num | 1437845424 |
| open_access_boolean | |
| owner | DE-Aug4 |
| owner_facet | DE-Aug4 |
| physical | 1 Online-Ressource (272 Seiten) 37 black and white Illustrationen |
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| publishDate | 2024 |
| publishDateSearch | 2024 |
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| publisher | Edinburgh University Press |
| record_format | marc |
| series2 | Nineteenth-Century and Neo-Victorian Cultures |
| spelling | King, Frederick D. Verfasser aut Queer Books of Late Victorian Print Culture Frederick D. King Edinburgh Edinburgh University Press [2024] © 2024 1 Online-Ressource (272 Seiten) 37 black and white Illustrationen txt rdacontent c rdamedia cr rdacarrier Nineteenth-Century and Neo-Victorian Cultures Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) Brings together queer theory and textual studies to revise our understanding of nineteenth-century print cultureExamines the collaboration of queer writers and artists: Aubrey Beardsley, Katherine Bradley and Edith Cooper (Michael Field), John Gray, Charles Ricketts, Charles Shannon, and Oscar Wilde are central figures of concernBrings together important criticism from the fields of Victorian studies, queer theory, and Textual studies (postmodern approaches to bibliography, archives, etc)Revises our conception of nineteenth-century print culture through both popular printing as well as the beautiful work of William Morris at the Kelmscott Press to differentiate heteronormative experiences from the queer bookFocuses on queer lives, their influence on book history and their contributions to the Revival of Printing, serving as a reassessment of print culture outside of heteronormative boundariesBased on primary research that examined, in addition to the books being studied by accounting ledgers, correspondence, diaries, and contemporary criticism from the late-Victorian ageQueer books, like LGBTQ+ people, adapt heteronormative structures and institutions to introduce space for discourses of queer desire. Queer Books of Late-Victorian Print Culture explores print culture adaptations of the material book, examining the works of Aubrey Beardsley, Michael Field, John Gray, Charles Ricketts, Charles Shannon and Oscar Wilde. It closely analyses the material book, including the elements of binding, typography, paper, ink and illustration, and brings textual studies and queer theory into conversation with literary experiments in free verse, fairy tales and symbolist drama. King argues that queer authors and artists revised the Revival of Printing's ideals for their own diverse and unique desires, adapting new technological innovations in print culture. Their books created a community of like-minded aesthetes who challenged legal and representational discourses of same-sex desire with one of aesthetic sensuality In English Literary Studies LITERARY CRITICISM / Modern / 19th Century bisacsh English literature 19th century History and criticism Gay authors Great Britain Homosexuality and literature Great Britain History 19th century Homosexuality in literature https://doi.org/10.1515/9781399525961 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | King, Frederick D. Queer Books of Late Victorian Print Culture Literary Studies LITERARY CRITICISM / Modern / 19th Century bisacsh English literature 19th century History and criticism Gay authors Great Britain Homosexuality and literature Great Britain History 19th century Homosexuality in literature |
| title | Queer Books of Late Victorian Print Culture |
| title_auth | Queer Books of Late Victorian Print Culture |
| title_exact_search | Queer Books of Late Victorian Print Culture |
| title_full | Queer Books of Late Victorian Print Culture Frederick D. King |
| title_fullStr | Queer Books of Late Victorian Print Culture Frederick D. King |
| title_full_unstemmed | Queer Books of Late Victorian Print Culture Frederick D. King |
| title_short | Queer Books of Late Victorian Print Culture |
| title_sort | queer books of late victorian print culture |
| topic | Literary Studies LITERARY CRITICISM / Modern / 19th Century bisacsh English literature 19th century History and criticism Gay authors Great Britain Homosexuality and literature Great Britain History 19th century Homosexuality in literature |
| topic_facet | Literary Studies LITERARY CRITICISM / Modern / 19th Century English literature 19th century History and criticism Gay authors Great Britain Homosexuality and literature Great Britain History 19th century Homosexuality in literature |
| url | https://doi.org/10.1515/9781399525961 |
| work_keys_str_mv | AT kingfrederickd queerbooksoflatevictorianprintculture |