Women and the Piano: A History in 50 Lives
Women are an essential part of the history of the piano-but how many women pianists can you name? Throughout most of the piano's history, women pianists lacked access to formal training and were excluded from male-dominated performance spaces. Even the modern piano's keys were designed wit...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New Haven, CT
Yale University Press
[2024]
|
Schlagworte: | |
Online-Zugang: | DE-Aug4 DE-898 Volltext |
Zusammenfassung: | Women are an essential part of the history of the piano-but how many women pianists can you name? Throughout most of the piano's history, women pianists lacked access to formal training and were excluded from male-dominated performance spaces. Even the modern piano's keys were designed without consideration of women's typically smaller hands. Yet despite their music being largely confined to the domestic sphere, women continued to play, perform, and compose on their own terms. Celebrated pianist and author Susan Tomes traces fifty such women across the piano's history. Including now-famous names such as Clara Schumann and Fanny Mendelssohn, Tomes also highlights overlooked women: from Hélène de Montgeroult, whose playing saved her life during the French Revolution, to Leopoldine Wittgenstein, influential Viennese salonnière, and Hazel Scott, the first Black performer in the United States to have a nationally syndicated TV show. From Maria Szymanowska to Nina Simone, and including interviews with women performing today, this is a much-needed corrective to our understanding of the piano-and a timely testament to women's musical lives |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) |
Beschreibung: | 1 Online-Ressource (256 Seiten) 20 b-w illus |
ISBN: | 9780300277760 |
DOI: | 10.12987/9780300277760 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV049731638 | ||
003 | DE-604 | ||
005 | 20240819 | ||
007 | cr|uuu---uuuuu | ||
008 | 240606s2024 |||| o||u| ||||||eng d | ||
020 | |a 9780300277760 |9 978-0-300-27776-0 | ||
024 | 7 | |a 10.12987/9780300277760 |2 doi | |
035 | |a (ZDB-23-DGG)9780300277760 | ||
035 | |a (OCoLC)1437883461 | ||
035 | |a (DE-599)BVBBV049731638 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-Aug4 |a DE-898 | ||
082 | 0 | |a 780.82 |2 23//eng/20240402eng | |
100 | 1 | |a Tomes, Susan |d ca. 20./21. Jh. |e Verfasser |0 (DE-588)129700916 |4 aut | |
245 | 1 | 0 | |a Women and the Piano |b A History in 50 Lives |c Susan Tomes |
264 | 1 | |a New Haven, CT |b Yale University Press |c [2024] | |
264 | 4 | |c © 2024 | |
300 | |a 1 Online-Ressource (256 Seiten) |b 20 b-w illus | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) | ||
520 | |a Women are an essential part of the history of the piano-but how many women pianists can you name? Throughout most of the piano's history, women pianists lacked access to formal training and were excluded from male-dominated performance spaces. Even the modern piano's keys were designed without consideration of women's typically smaller hands. Yet despite their music being largely confined to the domestic sphere, women continued to play, perform, and compose on their own terms. Celebrated pianist and author Susan Tomes traces fifty such women across the piano's history. Including now-famous names such as Clara Schumann and Fanny Mendelssohn, Tomes also highlights overlooked women: from Hélène de Montgeroult, whose playing saved her life during the French Revolution, to Leopoldine Wittgenstein, influential Viennese salonnière, and Hazel Scott, the first Black performer in the United States to have a nationally syndicated TV show. From Maria Szymanowska to Nina Simone, and including interviews with women performing today, this is a much-needed corrective to our understanding of the piano-and a timely testament to women's musical lives | ||
546 | |a In English | ||
648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians |2 bisacsh | |
650 | 4 | |a Women pianists |v Biography | |
650 | 0 | 7 | |a Pianistin |0 (DE-588)4426550-5 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Pianistin |0 (DE-588)4426550-5 |D s |
689 | 0 | 1 | |a Geschichte |A z |
689 | 0 | |5 DE-604 | |
856 | 4 | 0 | |u https://doi.org/10.12987/9780300277760?locatt=mode:legacy |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG |a ZDB-23-DAD | ||
940 | 1 | |q FHA_PDA_EMB | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035073828 | |
966 | e | |u https://doi.org/10.12987/9780300277760?locatt=mode:legacy |l DE-Aug4 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.12987/9780300277760?locatt=mode:legacy |l DE-898 |p ZDB-23-DAD |q ZDB-23-DAD24 |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1807864681420816384 |
---|---|
adam_text | |
any_adam_object | |
author | Tomes, Susan ca. 20./21. Jh |
author_GND | (DE-588)129700916 |
author_facet | Tomes, Susan ca. 20./21. Jh |
author_role | aut |
author_sort | Tomes, Susan ca. 20./21. Jh |
author_variant | s t st |
building | Verbundindex |
bvnumber | BV049731638 |
collection | ZDB-23-DGG ZDB-23-DAD |
ctrlnum | (ZDB-23-DGG)9780300277760 (OCoLC)1437883461 (DE-599)BVBBV049731638 |
dewey-full | 780.82 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.82 |
dewey-search | 780.82 |
dewey-sort | 3780.82 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
doi_str_mv | 10.12987/9780300277760 |
era | Geschichte gnd |
era_facet | Geschichte |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000zc 4500</leader><controlfield tag="001">BV049731638</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240819</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">240606s2024 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780300277760</subfield><subfield code="9">978-0-300-27776-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.12987/9780300277760</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780300277760</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1437883461</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049731638</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-898</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.82</subfield><subfield code="2">23//eng/20240402eng</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Tomes, Susan</subfield><subfield code="d">ca. 20./21. Jh.</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)129700916</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Women and the Piano</subfield><subfield code="b">A History in 50 Lives</subfield><subfield code="c">Susan Tomes</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New Haven, CT</subfield><subfield code="b">Yale University Press</subfield><subfield code="c">[2024]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (256 Seiten)</subfield><subfield code="b">20 b-w illus</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Women are an essential part of the history of the piano-but how many women pianists can you name? Throughout most of the piano's history, women pianists lacked access to formal training and were excluded from male-dominated performance spaces. Even the modern piano's keys were designed without consideration of women's typically smaller hands. Yet despite their music being largely confined to the domestic sphere, women continued to play, perform, and compose on their own terms. Celebrated pianist and author Susan Tomes traces fifty such women across the piano's history. Including now-famous names such as Clara Schumann and Fanny Mendelssohn, Tomes also highlights overlooked women: from Hélène de Montgeroult, whose playing saved her life during the French Revolution, to Leopoldine Wittgenstein, influential Viennese salonnière, and Hazel Scott, the first Black performer in the United States to have a nationally syndicated TV show. From Maria Szymanowska to Nina Simone, and including interviews with women performing today, this is a much-needed corrective to our understanding of the piano-and a timely testament to women's musical lives</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Women pianists</subfield><subfield code="v">Biography</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Pianistin</subfield><subfield code="0">(DE-588)4426550-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Pianistin</subfield><subfield code="0">(DE-588)4426550-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.12987/9780300277760?locatt=mode:legacy</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield><subfield code="a">ZDB-23-DAD</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">FHA_PDA_EMB</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035073828</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.12987/9780300277760?locatt=mode:legacy</subfield><subfield code="l">DE-Aug4</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.12987/9780300277760?locatt=mode:legacy</subfield><subfield code="l">DE-898</subfield><subfield code="p">ZDB-23-DAD</subfield><subfield code="q">ZDB-23-DAD24</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV049731638 |
illustrated | Not Illustrated |
indexdate | 2024-08-20T00:35:14Z |
institution | BVB |
isbn | 9780300277760 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035073828 |
oclc_num | 1437883461 |
open_access_boolean | |
owner | DE-Aug4 DE-898 DE-BY-UBR |
owner_facet | DE-Aug4 DE-898 DE-BY-UBR |
physical | 1 Online-Ressource (256 Seiten) 20 b-w illus |
psigel | ZDB-23-DGG ZDB-23-DAD FHA_PDA_EMB ZDB-23-DGG FHA_PDA_DGG ZDB-23-DAD ZDB-23-DAD24 |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | Yale University Press |
record_format | marc |
spelling | Tomes, Susan ca. 20./21. Jh. Verfasser (DE-588)129700916 aut Women and the Piano A History in 50 Lives Susan Tomes New Haven, CT Yale University Press [2024] © 2024 1 Online-Ressource (256 Seiten) 20 b-w illus txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) Women are an essential part of the history of the piano-but how many women pianists can you name? Throughout most of the piano's history, women pianists lacked access to formal training and were excluded from male-dominated performance spaces. Even the modern piano's keys were designed without consideration of women's typically smaller hands. Yet despite their music being largely confined to the domestic sphere, women continued to play, perform, and compose on their own terms. Celebrated pianist and author Susan Tomes traces fifty such women across the piano's history. Including now-famous names such as Clara Schumann and Fanny Mendelssohn, Tomes also highlights overlooked women: from Hélène de Montgeroult, whose playing saved her life during the French Revolution, to Leopoldine Wittgenstein, influential Viennese salonnière, and Hazel Scott, the first Black performer in the United States to have a nationally syndicated TV show. From Maria Szymanowska to Nina Simone, and including interviews with women performing today, this is a much-needed corrective to our understanding of the piano-and a timely testament to women's musical lives In English Geschichte gnd rswk-swf BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians bisacsh Women pianists Biography Pianistin (DE-588)4426550-5 gnd rswk-swf Pianistin (DE-588)4426550-5 s Geschichte z DE-604 https://doi.org/10.12987/9780300277760?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Tomes, Susan ca. 20./21. Jh Women and the Piano A History in 50 Lives BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians bisacsh Women pianists Biography Pianistin (DE-588)4426550-5 gnd |
subject_GND | (DE-588)4426550-5 |
title | Women and the Piano A History in 50 Lives |
title_auth | Women and the Piano A History in 50 Lives |
title_exact_search | Women and the Piano A History in 50 Lives |
title_full | Women and the Piano A History in 50 Lives Susan Tomes |
title_fullStr | Women and the Piano A History in 50 Lives Susan Tomes |
title_full_unstemmed | Women and the Piano A History in 50 Lives Susan Tomes |
title_short | Women and the Piano |
title_sort | women and the piano a history in 50 lives |
title_sub | A History in 50 Lives |
topic | BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians bisacsh Women pianists Biography Pianistin (DE-588)4426550-5 gnd |
topic_facet | BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians Women pianists Biography Pianistin |
url | https://doi.org/10.12987/9780300277760?locatt=mode:legacy |
work_keys_str_mv | AT tomessusan womenandthepianoahistoryin50lives |