The Performer: Art, Life, Politics
An acclaimed sociologist's exploration of the connections among performances in life, art, and politics In The Performer, Richard Sennett explores the relations between performing in art (particularly music), politics, and everyday experience. It focuses on the bodily and physical dimensions of...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Haven, CT
Yale University Press
[2024]
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| Schlagworte: | |
| Online-Zugang: | DE-Aug4 Volltext |
| Zusammenfassung: | An acclaimed sociologist's exploration of the connections among performances in life, art, and politics In The Performer, Richard Sennett explores the relations between performing in art (particularly music), politics, and everyday experience. It focuses on the bodily and physical dimensions of performing, rather than on words. Sennett is particularly attuned to the ways in which the rituals of ordinary life are performances. The book draws on history and sociology, and more personally on the author's early career as a professional cellist, as well as on his later work as a city planner and social thinker. It traces the evolution of performing spaces in the city; the emergence of actors, musicians, and dancers as independent artists; the inequality between performer and spectator; the uneasy relations between artistic creation and social and religious ritual; the uses and abuses of acting by politicians. The Janus-faced art of performing is both destructive and civilizing |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) |
| Beschreibung: | 1 Online-Ressource (304 Seiten) |
| ISBN: | 9780300274752 |
| DOI: | 10.12987/9780300274752 |
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| 520 | |a An acclaimed sociologist's exploration of the connections among performances in life, art, and politics In The Performer, Richard Sennett explores the relations between performing in art (particularly music), politics, and everyday experience. It focuses on the bodily and physical dimensions of performing, rather than on words. Sennett is particularly attuned to the ways in which the rituals of ordinary life are performances. The book draws on history and sociology, and more personally on the author's early career as a professional cellist, as well as on his later work as a city planner and social thinker. It traces the evolution of performing spaces in the city; the emergence of actors, musicians, and dancers as independent artists; the inequality between performer and spectator; the uneasy relations between artistic creation and social and religious ritual; the uses and abuses of acting by politicians. The Janus-faced art of performing is both destructive and civilizing | ||
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Datensatz im Suchindex
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| spelling | Sennett, Richard Verfasser aut The Performer Art, Life, Politics Richard Sennett New Haven, CT Yale University Press [2024] © 2024 1 Online-Ressource (304 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) An acclaimed sociologist's exploration of the connections among performances in life, art, and politics In The Performer, Richard Sennett explores the relations between performing in art (particularly music), politics, and everyday experience. It focuses on the bodily and physical dimensions of performing, rather than on words. Sennett is particularly attuned to the ways in which the rituals of ordinary life are performances. The book draws on history and sociology, and more personally on the author's early career as a professional cellist, as well as on his later work as a city planner and social thinker. It traces the evolution of performing spaces in the city; the emergence of actors, musicians, and dancers as independent artists; the inequality between performer and spectator; the uneasy relations between artistic creation and social and religious ritual; the uses and abuses of acting by politicians. The Janus-faced art of performing is both destructive and civilizing In English PERFORMING ARTS / General bisacsh Art and society Performance art Political aspects Performance art Social aspects https://doi.org/10.12987/9780300274752?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Sennett, Richard The Performer Art, Life, Politics PERFORMING ARTS / General bisacsh Art and society Performance art Political aspects Performance art Social aspects |
| title | The Performer Art, Life, Politics |
| title_auth | The Performer Art, Life, Politics |
| title_exact_search | The Performer Art, Life, Politics |
| title_full | The Performer Art, Life, Politics Richard Sennett |
| title_fullStr | The Performer Art, Life, Politics Richard Sennett |
| title_full_unstemmed | The Performer Art, Life, Politics Richard Sennett |
| title_short | The Performer |
| title_sort | the performer art life politics |
| title_sub | Art, Life, Politics |
| topic | PERFORMING ARTS / General bisacsh Art and society Performance art Political aspects Performance art Social aspects |
| topic_facet | PERFORMING ARTS / General Art and society Performance art Political aspects Performance art Social aspects |
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