Animating Film Theory:
Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to t...
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2014]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be understood, as well as how it relates to concepts such as the still, the moving image, the frame, animism, and utopia. The contributors take on the kinds of theoretical questions that have remained underexplored because, as Karen Beckman argues, scholars of cinema and media studies have allowed themselves to be constrained by too narrow a sense of what cinema is. This collection reanimates and expands film studies by taking the concept of animation seriously.Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken, Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Hervé Joubert-Laurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman, Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess Takahashi |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) |
| Beschreibung: | 1 Online-Ressource (369 Seiten) 49 Illustrationen |
| ISBN: | 9781478091950 |
| DOI: | 10.1515/9781478091950 |
Internformat
MARC
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| 245 | 1 | 0 | |a Animating Film Theory |c ed. by Karen Redrobe |
| 264 | 1 | |a Durham |b Duke University Press |c [2014] | |
| 264 | 4 | |c © 2014 | |
| 300 | |a 1 Online-Ressource (369 Seiten) |b 49 Illustrationen | ||
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| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024) | ||
| 520 | |a Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be understood, as well as how it relates to concepts such as the still, the moving image, the frame, animism, and utopia. The contributors take on the kinds of theoretical questions that have remained underexplored because, as Karen Beckman argues, scholars of cinema and media studies have allowed themselves to be constrained by too narrow a sense of what cinema is. This collection reanimates and expands film studies by taking the concept of animation seriously.Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken, Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Hervé Joubert-Laurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman, Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess Takahashi | ||
| 546 | |a In English | ||
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 4 | |a Animated films |x History and criticism | |
| 650 | 4 | |a Animated films |x Social aspects | |
| 650 | 4 | |a Animation (Cinematography) | |
| 700 | 1 | |a Beckman, Karen |e Sonstige |4 oth | |
| 700 | 1 | |a Buchan, Suzanne |e Sonstige |4 oth | |
| 700 | 1 | |a Bukatman, Scott |e Sonstige |4 oth | |
| 700 | 1 | |a Cholodenko, Alan |e Sonstige |4 oth | |
| 700 | 1 | |a Furuhata, Yuriko |e Sonstige |4 oth | |
| 700 | 1 | |a Galloway, Alexander R. |e Sonstige |4 oth | |
| 700 | 1 | |a Gaycken, Oliver |e Sonstige |4 oth | |
| 700 | 1 | |a Ghosh, Bishnupriya |e Sonstige |4 oth | |
| 700 | 1 | |a Gunning, Tom |e Sonstige |4 oth | |
| 700 | 1 | |a Johnston, Andrew R. |e Sonstige |4 oth | |
| 700 | 1 | |a Joubert-Laurencin, Hervé |e Sonstige |4 oth | |
| 700 | 1 | |a Koch, Gertrud |e Sonstige |4 oth | |
| 700 | 1 | |a LaMarre, Thomas |e Sonstige |4 oth | |
| 700 | 1 | |a Lehman, Christopher P. |e Sonstige |4 oth | |
| 700 | 1 | |a Leslie, Esther |e Sonstige |4 oth | |
| 700 | 1 | |a MacKay, John |e Sonstige |4 oth | |
| 700 | 1 | |a Mihailova, Mihaela |e Sonstige |4 oth | |
| 700 | 1 | |a Redrobe, Karen |e Sonstige |4 oth | |
| 700 | 1 | |a Steinberg, Marc |e Sonstige |4 oth | |
| 700 | 1 | |a Takahashi, Tess |e Sonstige |4 oth | |
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| 912 | |a ZDB-23-DGG |a ZDB-23-GOA | ||
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Datensatz im Suchindex
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| ctrlnum | (ZDB-23-DGG)9781478091950 (OCoLC)1437872248 (DE-599)BVBBV049731156 |
| dewey-full | 791.43/34 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/34 |
| dewey-search | 791.43/34 |
| dewey-sort | 3791.43 234 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.1515/9781478091950 |
| format | Electronic eBook |
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| id | DE-604.BV049731156 |
| illustrated | Not Illustrated |
| indexdate | 2025-02-20T07:09:19Z |
| institution | BVB |
| isbn | 9781478091950 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035073353 |
| oclc_num | 1437872248 |
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| physical | 1 Online-Ressource (369 Seiten) 49 Illustrationen |
| psigel | ZDB-23-DGG ZDB-23-GOA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Duke University Press |
| record_format | marc |
| spellingShingle | Animating Film Theory PERFORMING ARTS / Film & Video / History & Criticism bisacsh Animated films History and criticism Animated films Social aspects Animation (Cinematography) |
| title | Animating Film Theory |
| title_auth | Animating Film Theory |
| title_exact_search | Animating Film Theory |
| title_full | Animating Film Theory ed. by Karen Redrobe |
| title_fullStr | Animating Film Theory ed. by Karen Redrobe |
| title_full_unstemmed | Animating Film Theory ed. by Karen Redrobe |
| title_short | Animating Film Theory |
| title_sort | animating film theory |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Animated films History and criticism Animated films Social aspects Animation (Cinematography) |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Animated films History and criticism Animated films Social aspects Animation (Cinematography) |
| url | https://doi.org/10.1515/9781478091950?locatt=mode:legacy |
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