Film psychoanalysis: relational approaches to film interpretation
"Through the development of psychoanalytically-informed film interpretation, Andreas Hamburger provides new insights into the experience of watching films and their influence upon our internal lives. Building upon a relational understanding of psychoanalysis, this volume develops a methodical p...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English German |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2024
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "Through the development of psychoanalytically-informed film interpretation, Andreas Hamburger provides new insights into the experience of watching films and their influence upon our internal lives. Building upon a relational understanding of psychoanalysis, this volume develops a methodical procedure for psychoanalytical film interpretation, discusses individual aspects of the medium - such as editing, spatial and temporal design - and puts approaches to film psychoanalysis and cinema theory into a systematic perspective. Hamburger exemplifies his arguments in a detailed analysis of numerous film examples and demonstrates how an in-depth encounter with the medium can provoke new and surprising understandings. Providing an interdisciplinary perspective that crosses the study of popular culture with psychoanalytic theory, this book will be required reading not only for students and scholars of film, but also for psychoanalysts in practice and in training"-- |
| Beschreibung: | xii, 263 Seiten Illustrationen, Diagramme |
| ISBN: | 9780367424299 9780367424305 |
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Datensatz im Suchindex
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| adam_text |
CONTENTS Preface xi 1 INTRODUCTION 1 2 NATURAL BORN VIEWERS: ON THE PSYCHOANALYSIS OF CINEMA EXPERIENCE 3 2.1 2.2 2.3 3 FREUD IN WONDERLAND: TRAVERSING THE FOREST OF IMAGES 3.1 3.2 3.3 4 Luminaries - Why cinema is the heir to psychoanalysis 2.1.1 Why Freud abhorred cinema 2.1.2 Cinematographic and other illusions 2.1.3 Freud and the luminaries ~ Enlightenment and illusion Films and dreams - An illuminating but misleading comparison The surface of images - Specificities of the medium of film Traditional psychoanalytic approaches to film - Progress or cul-de-sac? 3.1.1 Explication of underlying cultural mythology 3.1.2 The filmmaker’s subjectivity reflected in the film 3.1.3 Film as reflective of a universal developmental moment or crisis 3.1.4 Applying Freud’s dreamwork to film 3.1.5 Spectatorship or audience reaction analysis? 3.1.6 Explication of psychoanalytic constructs within the film itself 3.1.7 Analysing film characters 3.1.8 In brief conclusion: Towards a reflexive, relational film psychoanalysis Scenic understanding in film theory 3.2.1 Method transfer, not transfer of clinicalcontent 3.2.2 Recursive reading strategy 3.2.3 Participation in the scene 3.2.4 The aim is to change the viewer The steps of film analysis 3.3.1 Experiencing and remembering - Presence and recalling of the cinematic experience, or: How the film finds the analyst 3.3.2 Viewings 3.3.3 Repetition - Self-analytical work with the film 3.3.4 Working through - The travails of the plains 3.3.5 Working with the audience FILM PRACTICE 4.1 Genre 4.1.1 Freud’s Jokes and the psychoanalysis of film comedy
4.1.2 Bond on the couch: Skyfall and the secret agent thriller 7 7 10 15 16 17 20 22 22 26 30 31 32 36 37 39 40 40 43 44 45 46 47 48 50 52 53 56 57 58 63
Contents 4.2 4.3 4.4 4.5 On the psychoanalysis of film narration 4.2.1 Writers and screenwriters on screen 4.2.2 Dramaturgy and unconscious effects Mirroring and editing: Affect regulation, temporality, and film aesthetics 4.3.1 Apperception - Mirror images and identities 4.3.2 Narrative time: A cut in the eye Let there be cinema lights - On the psychoanalysis of the cinema space 4.4.1 The sociology of the audience 4.4.2 Temporal aspects of performance 4.4.3 The basic assumption group 4.4.4 Suture Summary: The psychoanalysis of dramaturgical effect FILM THEORY AND PSYCHOANALYSIS 5.1 Embodiment - Film psychoanalysis and the body 5.1.1 The physiological body 5.1.2 The phenomenological body 5.1.3 Bodies in film psychoanalysis 5.2 Recapitulation; Film and dream 5.2.1 A brief cultural history of dreams 5.2.2 Dreamed films 5.2.3 Filmed dreams 5.2.4 So films are not dreams, but they are experienced as such 5.2.5 Literature, dream and cinema 5.2.6 The film-dream of psychoanalysis 5.2.7 So which is it: Film as a dream or dream as a film? 5.3 Film and media studies - Metz and the consequences 5.4 Film metaphors 5.5 Images of women and men in cinema 5.5.1 The feminist uncovering of the male gaze and psychoanalysis 5.5.2 And what about the female gaze? 5.6 What you always wanted to know about Hitchcock but only learned from Zizek about Lacan 5.7 Beauty and resonance - A plea for a temporal aesthetics 5.8 Scene and seduction 5 6 AND THE MORAL OF THE STORY? References Index 72 73 76 103 104 131 152 153 158 159 160 164 166 167 169 170 172 178 178 180 183 187 188 190 191 192 195 200 200
203 206 212 219 227 229
Through the development of psychoanalytically-informed film interpretation, Andreas Hamburger provides new insights into the experience of watching films and their influence upon our internal lives. Building upon a relational understanding of psychoanalysis, this volume develops a methodical procedure for psychoanalytical film interpretation, discusses individual aspects of the medium — such as editing, spatial and temporal design — and puts approaches to film psychoanalysis and cinema theory into a systematic perspective. Hamburger exemplifies his arguments in a detailed analysis of numerous film examples and demonstrates how an in-depth encounter with the medium can provoke new and surprising understandings. Providing an interdisciplinary perspective that crosses the study of popular culture with psychoanalytic theory, this book will be required reading not only for students and scholars of film, but also for psychoanalysts in practice and in training. Andreas Hamburger works as a psychoanalyst (DPG/IPA), training analyst and supervisor in Munich and as a professor of clinical psychology and psychoanalysis at the International Psychoanalytic University, Berlin. Besides his research on social trauma and narrative, he has published extensively on film psychoanalysis. |
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| id | DE-604.BV049701700 |
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| indexdate | 2024-11-11T09:07:00Z |
| institution | BVB |
| isbn | 9780367424299 9780367424305 |
| language | English German |
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| spelling | Hamburger, Andreas 1954- Verfasser (DE-588)141038497 aut Filmpsychoanalyse Film psychoanalysis relational approaches to film interpretation Andreas Hamburger London ; New York Routledge, Taylor & Francis Group 2024 xii, 263 Seiten Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier "Through the development of psychoanalytically-informed film interpretation, Andreas Hamburger provides new insights into the experience of watching films and their influence upon our internal lives. Building upon a relational understanding of psychoanalysis, this volume develops a methodical procedure for psychoanalytical film interpretation, discusses individual aspects of the medium - such as editing, spatial and temporal design - and puts approaches to film psychoanalysis and cinema theory into a systematic perspective. Hamburger exemplifies his arguments in a detailed analysis of numerous film examples and demonstrates how an in-depth encounter with the medium can provoke new and surprising understandings. Providing an interdisciplinary perspective that crosses the study of popular culture with psychoanalytic theory, this book will be required reading not only for students and scholars of film, but also for psychoanalysts in practice and in training"-- Psychoanalysis and motion pictures Motion pictures / Psychological aspects Psychanalyse et cinéma Cinéma / Aspect psychologique Erscheint auch als Online-Ausgabe 978-0-367-82406-8 In Beziehung stehendes Werk Hamburger, Andreas, 1954- Filmpsychoanalyse [2018] 978-3-8379-2673-6 (DE-604)BV044446799 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035044083&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035044083&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title_auth | Film psychoanalysis relational approaches to film interpretation |
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| title_full | Film psychoanalysis relational approaches to film interpretation Andreas Hamburger |
| title_fullStr | Film psychoanalysis relational approaches to film interpretation Andreas Hamburger |
| title_full_unstemmed | Film psychoanalysis relational approaches to film interpretation Andreas Hamburger |
| title_short | Film psychoanalysis |
| title_sort | film psychoanalysis relational approaches to film interpretation |
| title_sub | relational approaches to film interpretation |
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