Outside the frame: art and the moving image: Samstag/AFF and ACMI moving image commissions, 2009-2022
"Artists have been experimenting with film and pushing the boundaries of the moving image since the earliest years of the medium. Gaining momentum with the emergence of the expanded cinema movement in the 1960s, and further solidifying with video art in the 1970s, by the start of the new millen...
Gespeichert in:
| Weitere Verfasser: | , , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
[Adelaide]
Samstag Museum of Art
2023
[Melbourne, Victoria] ACMI 2023 [Melbourne, Victoria] Perimeter Editions |
| Ausgabe: | First edition |
| Schriftenreihe: | Perimeter Editions
083 |
| Schlagworte: | |
| Zusammenfassung: | "Artists have been experimenting with film and pushing the boundaries of the moving image since the earliest years of the medium. Gaining momentum with the emergence of the expanded cinema movement in the 1960s, and further solidifying with video art in the 1970s, by the start of the new millennium, video art, moving image, and broader screen-based practices had become some of art's most dominant and influential genres. Today, as we navigate the opportunities and implications of networked technologies and social media, the moving image is at the nexus of the cultural milieu - a key signpost through avant-garde practice, democratised video culture and the creative technologies pushing artistic boundaries. Among this rich and dynamic cultural space, two Australian institutions have stood out as central pillars of this essential art form. Since 2009, Adelaide's Samstag Museum of Art - in collaboration with the Adelaide Film Festival - and Melbourne's ACMI have driven major commissioning programs for new moving image works that have helped both redefine and further locate the medium at the core of Australian and global creative practice. This book, the first of its kind in Australia, not only provides a rich reference and documentation of these crucial moving image commissions, but also provides a series of historical and newly commissioned critical and discursive reflections on both the artistic outputs and the role and history of commissioning practice. Featuring artworks by Lynette Wallworth, Warwick Thornton, Shaun Gladwell, Daniel Crooks, Angelica Mesiti, David Rosetzky, Hossein Valamanesh, Trent Parke and Narelle Autio, Molly Reynolds and Rolf de Heer, Soda Jerk, Zanny Begg, Amos Gebhardt, John Harvey, Jason Phu, Gabriella Hirst, Madison Bycroft, Reko Rennie, and Amrita Hepi; new contextual essays by Kate Warren and Lauren Carroll Harris; a conversation between Anna Zagala, Amos Gebhardt and Jason Phu; and new and republished historical texts by Catherine Wilson, Anna Zagala, Sarah Tutton, Erica Green, Ulanda Blair, Emma McCrae, Fiona Trigg, Hamid Severi, Gideon Haigh, Robert McFarlane, Jessie Scott, Isobel Parker Philip, Adolfo Aranjuez, Jenna Rain Warwick, Chelsey O’Brien, Shelley McSpedden, Kathryn Weir, McKenzie Wark, and Kate ten Buuren |
| Beschreibung: | First edition of 1500 |
| Beschreibung: | 381 Seiten Illustrationen |
| ISBN: | 9781922545268 1922545260 |
Internformat
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| 520 | 3 | |a "Artists have been experimenting with film and pushing the boundaries of the moving image since the earliest years of the medium. Gaining momentum with the emergence of the expanded cinema movement in the 1960s, and further solidifying with video art in the 1970s, by the start of the new millennium, video art, moving image, and broader screen-based practices had become some of art's most dominant and influential genres. Today, as we navigate the opportunities and implications of networked technologies and social media, the moving image is at the nexus of the cultural milieu - a key signpost through avant-garde practice, democratised video culture and the creative technologies pushing artistic boundaries. Among this rich and dynamic cultural space, two Australian institutions have stood out as central pillars of this essential art form. Since 2009, Adelaide's Samstag Museum of Art - in collaboration with the Adelaide Film Festival - and Melbourne's ACMI have driven major commissioning programs for new moving image works that have helped both redefine and further locate the medium at the core of Australian and global creative practice. This book, the first of its kind in Australia, not only provides a rich reference and documentation of these crucial moving image commissions, but also provides a series of historical and newly commissioned critical and discursive reflections on both the artistic outputs and the role and history of commissioning practice. | |
| 520 | 3 | |a Featuring artworks by Lynette Wallworth, Warwick Thornton, Shaun Gladwell, Daniel Crooks, Angelica Mesiti, David Rosetzky, Hossein Valamanesh, Trent Parke and Narelle Autio, Molly Reynolds and Rolf de Heer, Soda Jerk, Zanny Begg, Amos Gebhardt, John Harvey, Jason Phu, Gabriella Hirst, Madison Bycroft, Reko Rennie, and Amrita Hepi; new contextual essays by Kate Warren and Lauren Carroll Harris; a conversation between Anna Zagala, Amos Gebhardt and Jason Phu; and new and republished historical texts by Catherine Wilson, Anna Zagala, Sarah Tutton, Erica Green, Ulanda Blair, Emma McCrae, Fiona Trigg, Hamid Severi, Gideon Haigh, Robert McFarlane, Jessie Scott, Isobel Parker Philip, Adolfo Aranjuez, Jenna Rain Warwick, Chelsey O’Brien, Shelley McSpedden, Kathryn Weir, McKenzie Wark, and Kate ten Buuren | |
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| indexdate | 2025-03-31T18:06:03Z |
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| isbn | 9781922545268 1922545260 |
| language | English |
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| physical | 381 Seiten Illustrationen |
| publishDate | 2023 |
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| spelling | Outside the frame: art and the moving image Samstag/AFF and ACMI moving image commissions, 2009-2022 editors: Anna Zagala, Matt Millikan, Dan Rule, Justine Ellis Outside the frame First edition [Adelaide] Samstag Museum of Art 2023 [Melbourne, Victoria] ACMI 2023 [Melbourne, Victoria] Perimeter Editions 381 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Perimeter Editions 083 First edition of 1500 "Artists have been experimenting with film and pushing the boundaries of the moving image since the earliest years of the medium. Gaining momentum with the emergence of the expanded cinema movement in the 1960s, and further solidifying with video art in the 1970s, by the start of the new millennium, video art, moving image, and broader screen-based practices had become some of art's most dominant and influential genres. Today, as we navigate the opportunities and implications of networked technologies and social media, the moving image is at the nexus of the cultural milieu - a key signpost through avant-garde practice, democratised video culture and the creative technologies pushing artistic boundaries. Among this rich and dynamic cultural space, two Australian institutions have stood out as central pillars of this essential art form. Since 2009, Adelaide's Samstag Museum of Art - in collaboration with the Adelaide Film Festival - and Melbourne's ACMI have driven major commissioning programs for new moving image works that have helped both redefine and further locate the medium at the core of Australian and global creative practice. This book, the first of its kind in Australia, not only provides a rich reference and documentation of these crucial moving image commissions, but also provides a series of historical and newly commissioned critical and discursive reflections on both the artistic outputs and the role and history of commissioning practice. Featuring artworks by Lynette Wallworth, Warwick Thornton, Shaun Gladwell, Daniel Crooks, Angelica Mesiti, David Rosetzky, Hossein Valamanesh, Trent Parke and Narelle Autio, Molly Reynolds and Rolf de Heer, Soda Jerk, Zanny Begg, Amos Gebhardt, John Harvey, Jason Phu, Gabriella Hirst, Madison Bycroft, Reko Rennie, and Amrita Hepi; new contextual essays by Kate Warren and Lauren Carroll Harris; a conversation between Anna Zagala, Amos Gebhardt and Jason Phu; and new and republished historical texts by Catherine Wilson, Anna Zagala, Sarah Tutton, Erica Green, Ulanda Blair, Emma McCrae, Fiona Trigg, Hamid Severi, Gideon Haigh, Robert McFarlane, Jessie Scott, Isobel Parker Philip, Adolfo Aranjuez, Jenna Rain Warwick, Chelsey O’Brien, Shelley McSpedden, Kathryn Weir, McKenzie Wark, and Kate ten Buuren Geschichte 2000-2022 gnd rswk-swf Videokunst (DE-588)4188229-5 gnd rswk-swf Videokunst (DE-588)4188229-5 s Geschichte 2000-2022 z DE-604 Zagala, Anna (DE-588)1339854988 edt Millikan, Matt (DE-588)1339936097 edt Rule, Dan (DE-588)1339936690 edt Ellis, Justine (DE-588)1339937387 edt Samstag Museum of Art (Adelaide) (DE-588)16167504-9 isb Australian Centre for the Moving Image (Melbourne) (DE-588)10166421-7 isb |
| spellingShingle | Outside the frame: art and the moving image Samstag/AFF and ACMI moving image commissions, 2009-2022 Videokunst (DE-588)4188229-5 gnd |
| subject_GND | (DE-588)4188229-5 |
| title | Outside the frame: art and the moving image Samstag/AFF and ACMI moving image commissions, 2009-2022 |
| title_alt | Outside the frame |
| title_auth | Outside the frame: art and the moving image Samstag/AFF and ACMI moving image commissions, 2009-2022 |
| title_exact_search | Outside the frame: art and the moving image Samstag/AFF and ACMI moving image commissions, 2009-2022 |
| title_full | Outside the frame: art and the moving image Samstag/AFF and ACMI moving image commissions, 2009-2022 editors: Anna Zagala, Matt Millikan, Dan Rule, Justine Ellis |
| title_fullStr | Outside the frame: art and the moving image Samstag/AFF and ACMI moving image commissions, 2009-2022 editors: Anna Zagala, Matt Millikan, Dan Rule, Justine Ellis |
| title_full_unstemmed | Outside the frame: art and the moving image Samstag/AFF and ACMI moving image commissions, 2009-2022 editors: Anna Zagala, Matt Millikan, Dan Rule, Justine Ellis |
| title_short | Outside the frame: art and the moving image |
| title_sort | outside the frame art and the moving image samstag aff and acmi moving image commissions 2009 2022 |
| title_sub | Samstag/AFF and ACMI moving image commissions, 2009-2022 |
| topic | Videokunst (DE-588)4188229-5 gnd |
| topic_facet | Videokunst |
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