John Zorn's file card works: hypertextual intermediality in composition and analysis
"This book is the first study of John Zorn's 'file card' works, with special focus made on the pieces Godard (1985), Spillane (1986), Interzone (2010), and Liber Novus (2010). It explains the unique creative process behind these compositions, contextualizing them in relation to t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2024
|
| Schriftenreihe: | Ashgate Studies in Theory and Analysis of Music After 1900
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This book is the first study of John Zorn's 'file card' works, with special focus made on the pieces Godard (1985), Spillane (1986), Interzone (2010), and Liber Novus (2010). It explains the unique creative process behind these compositions, contextualizing them in relation to the history of file cards, the 'open work' concept, cinematic listening, and uncreative aesthetics. Semiotic, hermeneutic, and ekphrastic analyses draw hypertextual links between the four file card compositions and the worlds of their respective dedicatees: author Mickey Spillane, filmmaker Jean-Luc Godard, novelist William S. Burroughs and painter Brion Gysin, and psychiatrist C. G. Jung. This book will appeal not only to those interested in Zorn's music, but also to scholars of music semiotics and hermeneutics, intermedia studies, and avant-garde music"-- |
| Beschreibung: | x, 140 Seiten 11 Illustrationen 24,3 cm |
| ISBN: | 9781032341224 9781032342887 |
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| 520 | 3 | |a "This book is the first study of John Zorn's 'file card' works, with special focus made on the pieces Godard (1985), Spillane (1986), Interzone (2010), and Liber Novus (2010). It explains the unique creative process behind these compositions, contextualizing them in relation to the history of file cards, the 'open work' concept, cinematic listening, and uncreative aesthetics. Semiotic, hermeneutic, and ekphrastic analyses draw hypertextual links between the four file card compositions and the worlds of their respective dedicatees: author Mickey Spillane, filmmaker Jean-Luc Godard, novelist William S. Burroughs and painter Brion Gysin, and psychiatrist C. G. Jung. This book will appeal not only to those interested in Zorn's music, but also to scholars of music semiotics and hermeneutics, intermedia studies, and avant-garde music"-- | |
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| 653 | 0 | |a Musique / 21e siècle / Histoire et critique | |
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Datensatz im Suchindex
| _version_ | 1815416420212670464 |
|---|---|
| adam_text |
Contents List of Illustrations Preface Acknowledgments Introduction viii ix xi 1 1 The File Card Work and its Model Listener 24 2 The Hypotexts of Sound Blocks 52 3 Hypertextual Hermeneutics 82 4 From Meta text to Hypertext viaUncreativity 115 Conclusion 136 Index 139 |
| any_adam_object | 1 |
| author | Windleburn, Maurice ca. 20./21. Jh |
| author_GND | (DE-588)1187790915 |
| author_facet | Windleburn, Maurice ca. 20./21. Jh |
| author_role | aut |
| author_sort | Windleburn, Maurice ca. 20./21. Jh |
| author_variant | m w mw |
| building | Verbundindex |
| bvnumber | BV049699063 |
| contents | The File Card Work and its Model Listener -- The Hypotexts of Sound Blocks -- Hypertextual Hermeneutics -- From Metatext to Hypertext via Uncreativity |
| ctrlnum | (OCoLC)1435167500 (DE-599)BVBBV049699063 |
| format | Book |
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| id | DE-604.BV049699063 |
| illustrated | Illustrated |
| indexdate | 2024-11-11T09:06:53Z |
| institution | BVB |
| isbn | 9781032341224 9781032342887 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035041507 |
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| physical | x, 140 Seiten 11 Illustrationen 24,3 cm |
| psigel | BSB_NED_20240708 |
| publishDate | 2024 |
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| publisher | Routledge |
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| series2 | Ashgate Studies in Theory and Analysis of Music After 1900 |
| spelling | Windleburn, Maurice ca. 20./21. Jh. Verfasser (DE-588)1187790915 aut John Zorn's file card works hypertextual intermediality in composition and analysis Maurice Windleburn London ; New York Routledge 2024 x, 140 Seiten 11 Illustrationen 24,3 cm txt rdacontent n rdamedia nc rdacarrier Ashgate Studies in Theory and Analysis of Music After 1900 The File Card Work and its Model Listener -- The Hypotexts of Sound Blocks -- Hypertextual Hermeneutics -- From Metatext to Hypertext via Uncreativity "This book is the first study of John Zorn's 'file card' works, with special focus made on the pieces Godard (1985), Spillane (1986), Interzone (2010), and Liber Novus (2010). It explains the unique creative process behind these compositions, contextualizing them in relation to the history of file cards, the 'open work' concept, cinematic listening, and uncreative aesthetics. Semiotic, hermeneutic, and ekphrastic analyses draw hypertextual links between the four file card compositions and the worlds of their respective dedicatees: author Mickey Spillane, filmmaker Jean-Luc Godard, novelist William S. Burroughs and painter Brion Gysin, and psychiatrist C. G. Jung. This book will appeal not only to those interested in Zorn's music, but also to scholars of music semiotics and hermeneutics, intermedia studies, and avant-garde music"-- Zorn, John 1953- (DE-588)133960943 gnd rswk-swf Komposition (DE-588)4032012-1 gnd rswk-swf Zorn, John / 1953- / Criticism and interpretation Music / 20th century / History and criticism Music / 21st century / History and criticism Intermediality Musique / 21e siècle / Histoire et critique Intermédialité Zorn, John 1953- (DE-588)133960943 p Komposition (DE-588)4032012-1 s DE-604 Äquivalent Druck-Ausgabe, Paperback 978-1-032-34288-7 Online version Windleburn, Maurice John Zorn's file card works [1.] Abingdon, Oxon ; New York : Routledge, 2024 9781003321361 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035041507&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Windleburn, Maurice ca. 20./21. Jh John Zorn's file card works hypertextual intermediality in composition and analysis The File Card Work and its Model Listener -- The Hypotexts of Sound Blocks -- Hypertextual Hermeneutics -- From Metatext to Hypertext via Uncreativity Zorn, John 1953- (DE-588)133960943 gnd Komposition (DE-588)4032012-1 gnd |
| subject_GND | (DE-588)133960943 (DE-588)4032012-1 |
| title | John Zorn's file card works hypertextual intermediality in composition and analysis |
| title_auth | John Zorn's file card works hypertextual intermediality in composition and analysis |
| title_exact_search | John Zorn's file card works hypertextual intermediality in composition and analysis |
| title_full | John Zorn's file card works hypertextual intermediality in composition and analysis Maurice Windleburn |
| title_fullStr | John Zorn's file card works hypertextual intermediality in composition and analysis Maurice Windleburn |
| title_full_unstemmed | John Zorn's file card works hypertextual intermediality in composition and analysis Maurice Windleburn |
| title_short | John Zorn's file card works |
| title_sort | john zorn s file card works hypertextual intermediality in composition and analysis |
| title_sub | hypertextual intermediality in composition and analysis |
| topic | Zorn, John 1953- (DE-588)133960943 gnd Komposition (DE-588)4032012-1 gnd |
| topic_facet | Zorn, John 1953- Komposition |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035041507&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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