Late Antique portraits and Early Christian icons: the power of the painted gaze
This book focuses on the earliest surviving Christian icons, dated to the sixth and seventh centuries, which bear many resemblances to three other well-established genres of ‘sacred portrait’ also produced during late antiquity, namely Roman imperial portraiture, Graeco-Egyptian funerary portraiture...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2024
|
Schriftenreihe: | Routledge research in art and religion
|
Schlagworte: | |
Zusammenfassung: | This book focuses on the earliest surviving Christian icons, dated to the sixth and seventh centuries, which bear many resemblances to three other well-established genres of ‘sacred portrait’ also produced during late antiquity, namely Roman imperial portraiture, Graeco-Egyptian funerary portraiture and panel paintings depicting non-Christian deities.Andrew Paterson addresses two fundamental questions about devotional portraiture – both Christian and non-Christian – in the late antique period. Firstly, how did artists visualise and construct these images of divine or sanctified figures? And secondly, how did their intended viewers look at, respond to, and even interact with these images? Paterson argues that a key factor of many of these portrait images is the emphasis given to the depicted gaze, which invites an intensified form of personal encounter with the portrait’s subject.The book will be of interest to scholars working in art history, theology, religion and classical studies |
Beschreibung: | xv, 212 Seiten Illustrationen |
ISBN: | 9780367697587 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV049697202 | ||
003 | DE-604 | ||
005 | 20240811 | ||
007 | t | ||
008 | 240524s2024 a||| |||| 00||| eng d | ||
020 | |a 9780367697587 |c paperback |9 978-0-367-69758-7 | ||
035 | |a (OCoLC)1443585980 | ||
035 | |a (DE-599)BVBBV049697202 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-29 | ||
100 | 1 | |a Paterson, Andrew H. |d 1960- |e Verfasser |0 (DE-588)138120692 |4 aut | |
245 | 1 | 0 | |a Late Antique portraits and Early Christian icons |b the power of the painted gaze |c Andrew Paterson |
264 | 1 | |a New York ; London |b Routledge, Taylor & Francis Group |c 2024 | |
300 | |a xv, 212 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Routledge research in art and religion | |
520 | |a This book focuses on the earliest surviving Christian icons, dated to the sixth and seventh centuries, which bear many resemblances to three other well-established genres of ‘sacred portrait’ also produced during late antiquity, namely Roman imperial portraiture, Graeco-Egyptian funerary portraiture and panel paintings depicting non-Christian deities.Andrew Paterson addresses two fundamental questions about devotional portraiture – both Christian and non-Christian – in the late antique period. Firstly, how did artists visualise and construct these images of divine or sanctified figures? And secondly, how did their intended viewers look at, respond to, and even interact with these images? Paterson argues that a key factor of many of these portrait images is the emphasis given to the depicted gaze, which invites an intensified form of personal encounter with the portrait’s subject.The book will be of interest to scholars working in art history, theology, religion and classical studies | ||
648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Spätantike |0 (DE-588)4124227-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Frühchristentum |0 (DE-588)4129954-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Bildnis |0 (DE-588)4006627-7 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Ikone |0 (DE-588)4026532-8 |2 gnd |9 rswk-swf |
688 | 7 | |a Römisches Portrait |0 (DE-2581)TH000008317 |2 gbd | |
688 | 7 | |a Blick ("gaze") |0 (DE-2581)TH000005889 |2 gbd | |
688 | 7 | |a Kunstgeschichte der Römer |0 (DE-2581)TH000008133 |2 gbd | |
689 | 0 | 0 | |a Bildnis |0 (DE-588)4006627-7 |D s |
689 | 0 | 1 | |a Spätantike |0 (DE-588)4124227-0 |D s |
689 | 0 | 2 | |a Geschichte |A z |
689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a Ikone |0 (DE-588)4026532-8 |D s |
689 | 1 | 1 | |a Frühchristentum |0 (DE-588)4129954-1 |D s |
689 | 1 | 2 | |a Geschichte |A z |
689 | 1 | |5 DE-604 | |
940 | 1 | |n gbd | |
940 | 1 | |q gbd_4_2408 | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035039697 |
Datensatz im Suchindex
_version_ | 1807137768052097024 |
---|---|
adam_text | |
any_adam_object | |
author | Paterson, Andrew H. 1960- |
author_GND | (DE-588)138120692 |
author_facet | Paterson, Andrew H. 1960- |
author_role | aut |
author_sort | Paterson, Andrew H. 1960- |
author_variant | a h p ah ahp |
building | Verbundindex |
bvnumber | BV049697202 |
ctrlnum | (OCoLC)1443585980 (DE-599)BVBBV049697202 |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049697202</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240811</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">240524s2024 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780367697587</subfield><subfield code="c">paperback</subfield><subfield code="9">978-0-367-69758-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1443585980</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049697202</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-29</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Paterson, Andrew H.</subfield><subfield code="d">1960-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)138120692</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Late Antique portraits and Early Christian icons</subfield><subfield code="b">the power of the painted gaze</subfield><subfield code="c">Andrew Paterson</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York ; London</subfield><subfield code="b">Routledge, Taylor & Francis Group</subfield><subfield code="c">2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xv, 212 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Routledge research in art and religion</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This book focuses on the earliest surviving Christian icons, dated to the sixth and seventh centuries, which bear many resemblances to three other well-established genres of ‘sacred portrait’ also produced during late antiquity, namely Roman imperial portraiture, Graeco-Egyptian funerary portraiture and panel paintings depicting non-Christian deities.Andrew Paterson addresses two fundamental questions about devotional portraiture – both Christian and non-Christian – in the late antique period. Firstly, how did artists visualise and construct these images of divine or sanctified figures? And secondly, how did their intended viewers look at, respond to, and even interact with these images? Paterson argues that a key factor of many of these portrait images is the emphasis given to the depicted gaze, which invites an intensified form of personal encounter with the portrait’s subject.The book will be of interest to scholars working in art history, theology, religion and classical studies</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Spätantike</subfield><subfield code="0">(DE-588)4124227-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Frühchristentum</subfield><subfield code="0">(DE-588)4129954-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Bildnis</subfield><subfield code="0">(DE-588)4006627-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ikone</subfield><subfield code="0">(DE-588)4026532-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="688" ind1=" " ind2="7"><subfield code="a">Römisches Portrait</subfield><subfield code="0">(DE-2581)TH000008317</subfield><subfield code="2">gbd</subfield></datafield><datafield tag="688" ind1=" " ind2="7"><subfield code="a">Blick ("gaze")</subfield><subfield code="0">(DE-2581)TH000005889</subfield><subfield code="2">gbd</subfield></datafield><datafield tag="688" ind1=" " ind2="7"><subfield code="a">Kunstgeschichte der Römer</subfield><subfield code="0">(DE-2581)TH000008133</subfield><subfield code="2">gbd</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Bildnis</subfield><subfield code="0">(DE-588)4006627-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Spätantike</subfield><subfield code="0">(DE-588)4124227-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Ikone</subfield><subfield code="0">(DE-588)4026532-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Frühchristentum</subfield><subfield code="0">(DE-588)4129954-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">gbd</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">gbd_4_2408</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035039697</subfield></datafield></record></collection> |
id | DE-604.BV049697202 |
illustrated | Illustrated |
indexdate | 2024-08-12T00:01:15Z |
institution | BVB |
isbn | 9780367697587 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035039697 |
oclc_num | 1443585980 |
open_access_boolean | |
owner | DE-29 |
owner_facet | DE-29 |
physical | xv, 212 Seiten Illustrationen |
psigel | gbd_4_2408 |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | Routledge, Taylor & Francis Group |
record_format | marc |
series2 | Routledge research in art and religion |
spelling | Paterson, Andrew H. 1960- Verfasser (DE-588)138120692 aut Late Antique portraits and Early Christian icons the power of the painted gaze Andrew Paterson New York ; London Routledge, Taylor & Francis Group 2024 xv, 212 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Routledge research in art and religion This book focuses on the earliest surviving Christian icons, dated to the sixth and seventh centuries, which bear many resemblances to three other well-established genres of ‘sacred portrait’ also produced during late antiquity, namely Roman imperial portraiture, Graeco-Egyptian funerary portraiture and panel paintings depicting non-Christian deities.Andrew Paterson addresses two fundamental questions about devotional portraiture – both Christian and non-Christian – in the late antique period. Firstly, how did artists visualise and construct these images of divine or sanctified figures? And secondly, how did their intended viewers look at, respond to, and even interact with these images? Paterson argues that a key factor of many of these portrait images is the emphasis given to the depicted gaze, which invites an intensified form of personal encounter with the portrait’s subject.The book will be of interest to scholars working in art history, theology, religion and classical studies Geschichte gnd rswk-swf Spätantike (DE-588)4124227-0 gnd rswk-swf Frühchristentum (DE-588)4129954-1 gnd rswk-swf Bildnis (DE-588)4006627-7 gnd rswk-swf Ikone (DE-588)4026532-8 gnd rswk-swf Römisches Portrait (DE-2581)TH000008317 gbd Blick ("gaze") (DE-2581)TH000005889 gbd Kunstgeschichte der Römer (DE-2581)TH000008133 gbd Bildnis (DE-588)4006627-7 s Spätantike (DE-588)4124227-0 s Geschichte z DE-604 Ikone (DE-588)4026532-8 s Frühchristentum (DE-588)4129954-1 s |
spellingShingle | Paterson, Andrew H. 1960- Late Antique portraits and Early Christian icons the power of the painted gaze Spätantike (DE-588)4124227-0 gnd Frühchristentum (DE-588)4129954-1 gnd Bildnis (DE-588)4006627-7 gnd Ikone (DE-588)4026532-8 gnd |
subject_GND | (DE-588)4124227-0 (DE-588)4129954-1 (DE-588)4006627-7 (DE-588)4026532-8 |
title | Late Antique portraits and Early Christian icons the power of the painted gaze |
title_auth | Late Antique portraits and Early Christian icons the power of the painted gaze |
title_exact_search | Late Antique portraits and Early Christian icons the power of the painted gaze |
title_full | Late Antique portraits and Early Christian icons the power of the painted gaze Andrew Paterson |
title_fullStr | Late Antique portraits and Early Christian icons the power of the painted gaze Andrew Paterson |
title_full_unstemmed | Late Antique portraits and Early Christian icons the power of the painted gaze Andrew Paterson |
title_short | Late Antique portraits and Early Christian icons |
title_sort | late antique portraits and early christian icons the power of the painted gaze |
title_sub | the power of the painted gaze |
topic | Spätantike (DE-588)4124227-0 gnd Frühchristentum (DE-588)4129954-1 gnd Bildnis (DE-588)4006627-7 gnd Ikone (DE-588)4026532-8 gnd |
topic_facet | Spätantike Frühchristentum Bildnis Ikone |
work_keys_str_mv | AT patersonandrewh lateantiqueportraitsandearlychristianiconsthepowerofthepaintedgaze |