Take this hammer: work, song, crisis
"The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an indust...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Goldsmiths Press
[2024]
|
| Schriftenreihe: | Sonics series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too. In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall—Take This Hammer shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself."-- |
| Beschreibung: | 199 Seiten |
| ISBN: | 9781913380168 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049697167 | ||
| 003 | DE-604 | ||
| 005 | 20241107 | ||
| 007 | t| | ||
| 008 | 240524s2024 xx |||| 00||| eng d | ||
| 020 | |a 9781913380168 |c hbk |9 978-1-913380-16-8 | ||
| 035 | |a (OCoLC)1443583059 | ||
| 035 | |a (DE-599)BVBBV049697167 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-29 |a DE-12 |a DE-11 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a MS 8020 |0 (DE-625)123808: |2 rvk | ||
| 084 | |a LS 51580 |0 (DE-625)110637: |2 rvk | ||
| 100 | 1 | |a Rekret, Paul |d 1978- |e Verfasser |0 (DE-588)1147591296 |4 aut | |
| 245 | 1 | 0 | |a Take this hammer |b work, song, crisis |c Paul Rekret |
| 264 | 1 | |a London |b Goldsmiths Press |c [2024] | |
| 300 | |a 199 Seiten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Sonics series | |
| 520 | 3 | |a "The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too. In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall—Take This Hammer shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself."-- | |
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Musiksoziologie |0 (DE-588)4040869-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Arbeitslied |0 (DE-588)4139349-1 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Work songs / History and criticism | |
| 653 | 0 | |a Music / Social aspects / History | |
| 653 | 0 | |a Music / Political aspects / History | |
| 689 | 0 | 0 | |a Arbeitslied |0 (DE-588)4139349-1 |D s |
| 689 | 0 | 1 | |a Musiksoziologie |0 (DE-588)4040869-3 |D s |
| 689 | 0 | 2 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-913380-15-1 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035039662&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20240819 | |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035039662 | |
Datensatz im Suchindex
| _version_ | 1822603555724328960 |
|---|---|
| adam_text |
Contents Introduction: Work, Song, Crisis 1 1 A Collective and Obligatory Rhythm 19 2 Melodies Wander Around as Ghosts: Playlist as Cultural Form 50 3 This is More Than Rap: Labour, Leisure, and Trap 75 4 So Much Wilder Than Me: The New ‘World Music' 103 5 Machine Memory Triumphs in Multiplicity: Nature and Technique 128 Bibliography 159 Discography 183 Acknowledgements 187 Index 189 |
| any_adam_object | 1 |
| author | Rekret, Paul 1978- |
| author_GND | (DE-588)1147591296 |
| author_facet | Rekret, Paul 1978- |
| author_role | aut |
| author_sort | Rekret, Paul 1978- |
| author_variant | p r pr |
| building | Verbundindex |
| bvnumber | BV049697167 |
| classification_rvk | MS 8020 LS 51580 |
| ctrlnum | (OCoLC)1443583059 (DE-599)BVBBV049697167 |
| discipline | Soziologie Musikwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049697167</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20241107</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">240524s2024 xx |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781913380168</subfield><subfield code="c">hbk</subfield><subfield code="9">978-1-913380-16-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1443583059</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049697167</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-29</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MS 8020</subfield><subfield code="0">(DE-625)123808:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LS 51580</subfield><subfield code="0">(DE-625)110637:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Rekret, Paul</subfield><subfield code="d">1978-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1147591296</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Take this hammer</subfield><subfield code="b">work, song, crisis</subfield><subfield code="c">Paul Rekret</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Goldsmiths Press</subfield><subfield code="c">[2024]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">199 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Sonics series</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too. In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall—Take This Hammer shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself."--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musiksoziologie</subfield><subfield code="0">(DE-588)4040869-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Arbeitslied</subfield><subfield code="0">(DE-588)4139349-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Work songs / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Social aspects / History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Political aspects / History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Arbeitslied</subfield><subfield code="0">(DE-588)4139349-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musiksoziologie</subfield><subfield code="0">(DE-588)4040869-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-913380-15-1</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035039662&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20240819</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035039662</subfield></datafield></record></collection> |
| id | DE-604.BV049697167 |
| illustrated | Not Illustrated |
| indexdate | 2025-01-29T17:03:20Z |
| institution | BVB |
| isbn | 9781913380168 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035039662 |
| oclc_num | 1443583059 |
| open_access_boolean | |
| owner | DE-29 DE-12 DE-11 |
| owner_facet | DE-29 DE-12 DE-11 |
| physical | 199 Seiten |
| psigel | BSB_NED_20240819 |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Goldsmiths Press |
| record_format | marc |
| series2 | Sonics series |
| spelling | Rekret, Paul 1978- Verfasser (DE-588)1147591296 aut Take this hammer work, song, crisis Paul Rekret London Goldsmiths Press [2024] 199 Seiten txt rdacontent n rdamedia nc rdacarrier Sonics series "The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too. In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall—Take This Hammer shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself."-- Geschichte gnd rswk-swf Musiksoziologie (DE-588)4040869-3 gnd rswk-swf Arbeitslied (DE-588)4139349-1 gnd rswk-swf Work songs / History and criticism Music / Social aspects / History Music / Political aspects / History Arbeitslied (DE-588)4139349-1 s Musiksoziologie (DE-588)4040869-3 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 978-1-913380-15-1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035039662&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rekret, Paul 1978- Take this hammer work, song, crisis Musiksoziologie (DE-588)4040869-3 gnd Arbeitslied (DE-588)4139349-1 gnd |
| subject_GND | (DE-588)4040869-3 (DE-588)4139349-1 |
| title | Take this hammer work, song, crisis |
| title_auth | Take this hammer work, song, crisis |
| title_exact_search | Take this hammer work, song, crisis |
| title_full | Take this hammer work, song, crisis Paul Rekret |
| title_fullStr | Take this hammer work, song, crisis Paul Rekret |
| title_full_unstemmed | Take this hammer work, song, crisis Paul Rekret |
| title_short | Take this hammer |
| title_sort | take this hammer work song crisis |
| title_sub | work, song, crisis |
| topic | Musiksoziologie (DE-588)4040869-3 gnd Arbeitslied (DE-588)4139349-1 gnd |
| topic_facet | Musiksoziologie Arbeitslied |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035039662&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT rekretpaul takethishammerworksongcrisis |