The great vogue for the guitar in Western Europe: 1800-1840
The first book devoted to the composers, instrument makers and amateur players who advanced the great guitar vogue throughout Western Europe during the early decades of the nineteenth century. Contemporary critics viewed the fashion for the guitar with sheer hostility, seeing in it a rejection of tr...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Woodbridge, Suffolk ; Rochester, NY
Boydell Press
2024
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 Volltext |
| Zusammenfassung: | The first book devoted to the composers, instrument makers and amateur players who advanced the great guitar vogue throughout Western Europe during the early decades of the nineteenth century. Contemporary critics viewed the fashion for the guitar with sheer hostility, seeing in it a rejection of true musical value. After all, such trends advanced against the grain of mainstream musical developments of ground-breaking (often Austro-German) repertoire for standard instruments. Yet amateur musicians throughout Europe persisted; many instruments were built to meet the demand, a substantial volume of music was published for amateurs to play, and soloist-composers moved freely between European cities. This book follows these lines of travel venturing as far as Moscow, and visiting all the great musical cities of the period, from London to Vienna, Madrid to Naples. The first section of the book looks at eighteenth-century precedents, the instrument - its makers and owners, amateur and professional musicians, printing and publishing, pedagogy, as well as aspects of repertoire. The second section explores the extensive repertoire for accompanied song and chamber music. A final substantive section assembles chapters on a wide array of the most significant soloist-composers of the time. The chapters evoke the guitar milieu in the various cities where each composer-player worked and offer a discussion of some representative works. This book, bringing together an international tally of contributors and never before examined sources, will be of interest to devotees of the guitar, as well as music historians of the Romantic period |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 10 Jan 2024) |
| Beschreibung: | 1 Online-Ressource (xxi, 312 Seiten) |
| ISBN: | 9781800109070 |
| DOI: | 10.1017/9781800109070 |
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| 520 | |a The first book devoted to the composers, instrument makers and amateur players who advanced the great guitar vogue throughout Western Europe during the early decades of the nineteenth century. Contemporary critics viewed the fashion for the guitar with sheer hostility, seeing in it a rejection of true musical value. After all, such trends advanced against the grain of mainstream musical developments of ground-breaking (often Austro-German) repertoire for standard instruments. Yet amateur musicians throughout Europe persisted; many instruments were built to meet the demand, a substantial volume of music was published for amateurs to play, and soloist-composers moved freely between European cities. This book follows these lines of travel venturing as far as Moscow, and visiting all the great musical cities of the period, from London to Vienna, Madrid to Naples. The first section of the book looks at eighteenth-century precedents, the instrument - its makers and owners, amateur and professional musicians, printing and publishing, pedagogy, as well as aspects of repertoire. The second section explores the extensive repertoire for accompanied song and chamber music. A final substantive section assembles chapters on a wide array of the most significant soloist-composers of the time. The chapters evoke the guitar milieu in the various cities where each composer-player worked and offer a discussion of some representative works. This book, bringing together an international tally of contributors and never before examined sources, will be of interest to devotees of the guitar, as well as music historians of the Romantic period | ||
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Datensatz im Suchindex
| _version_ | 1805082403806380032 |
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| author2 | Page, Christopher 1952- Sparks, Paul Westbrook, Jim |
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| dewey-full | 787.87194 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 787 - Stringed instruments (Chordophones) |
| dewey-raw | 787.87194 |
| dewey-search | 787.87194 |
| dewey-sort | 3787.87194 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/9781800109070 |
| format | Electronic eBook |
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| id | DE-604.BV049696936 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-20T07:32:07Z |
| institution | BVB |
| isbn | 9781800109070 |
| language | English |
| oclc_num | 1437885858 |
| open_access_boolean | |
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| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 Online-Ressource (xxi, 312 Seiten) |
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| publishDate | 2024 |
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| publisher | Boydell Press |
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| spelling | The great vogue for the guitar in Western Europe 1800-1840 edited by Christopher Page, Paul Sparks and James Westbrook Woodbridge, Suffolk ; Rochester, NY Boydell Press 2024 1 Online-Ressource (xxi, 312 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 10 Jan 2024) The first book devoted to the composers, instrument makers and amateur players who advanced the great guitar vogue throughout Western Europe during the early decades of the nineteenth century. Contemporary critics viewed the fashion for the guitar with sheer hostility, seeing in it a rejection of true musical value. After all, such trends advanced against the grain of mainstream musical developments of ground-breaking (often Austro-German) repertoire for standard instruments. Yet amateur musicians throughout Europe persisted; many instruments were built to meet the demand, a substantial volume of music was published for amateurs to play, and soloist-composers moved freely between European cities. This book follows these lines of travel venturing as far as Moscow, and visiting all the great musical cities of the period, from London to Vienna, Madrid to Naples. The first section of the book looks at eighteenth-century precedents, the instrument - its makers and owners, amateur and professional musicians, printing and publishing, pedagogy, as well as aspects of repertoire. The second section explores the extensive repertoire for accompanied song and chamber music. A final substantive section assembles chapters on a wide array of the most significant soloist-composers of the time. The chapters evoke the guitar milieu in the various cities where each composer-player worked and offer a discussion of some representative works. This book, bringing together an international tally of contributors and never before examined sources, will be of interest to devotees of the guitar, as well as music historians of the Romantic period Guitar / Europe / 19th century Page, Christopher 1952- (DE-588)123687691 edt Sparks, Paul (DE-588)1049174798 edt Westbrook, Jim (DE-588)136272703 edt Erscheint auch als Druck-Ausgabe 9781837650330 https://doi.org/10.1017/9781800109070 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | The great vogue for the guitar in Western Europe 1800-1840 Guitar / Europe / 19th century |
| title | The great vogue for the guitar in Western Europe 1800-1840 |
| title_auth | The great vogue for the guitar in Western Europe 1800-1840 |
| title_exact_search | The great vogue for the guitar in Western Europe 1800-1840 |
| title_full | The great vogue for the guitar in Western Europe 1800-1840 edited by Christopher Page, Paul Sparks and James Westbrook |
| title_fullStr | The great vogue for the guitar in Western Europe 1800-1840 edited by Christopher Page, Paul Sparks and James Westbrook |
| title_full_unstemmed | The great vogue for the guitar in Western Europe 1800-1840 edited by Christopher Page, Paul Sparks and James Westbrook |
| title_short | The great vogue for the guitar in Western Europe |
| title_sort | the great vogue for the guitar in western europe 1800 1840 |
| title_sub | 1800-1840 |
| topic | Guitar / Europe / 19th century |
| topic_facet | Guitar / Europe / 19th century |
| url | https://doi.org/10.1017/9781800109070 |
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