Parce que j'étais peintre: l'art rescapé des camps nazis
"An unprecedented investigation into the artworks created secretly in Nazi concentration and death camps. It converses with the rare handful of living artists who survived the camps and with their curators: about the emotions the works stir, their marginalization, their signature or anonymity,...
Gespeichert in:
Weitere Verfasser: | , , , |
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Format: | Video Software |
Sprache: | French |
Veröffentlicht: |
[Paris]
Jour2Fête
[2014]
|
Schlagworte: | |
Zusammenfassung: | "An unprecedented investigation into the artworks created secretly in Nazi concentration and death camps. It converses with the rare handful of living artists who survived the camps and with their curators: about the emotions the works stir, their marginalization, their signature or anonymity, their style, as well as the representation of horror and extermination. But more importantly, perhaps, the film takes a long look at the drawings, wash drawings and paintings held in collections in France, Germany, Israel, Poland, the Czech Republic, Belgium and Switzerland. Director's statement 'I hardly dare to say it, but for a painter, the beauty of it was incredible. It was absolutely vital to reproduce it, to represent and to show it, in order to preserve it for the future', wrote Zoran Music, a survivor of Dachau. The film moves between these fragments of clandestine images and the vestiges of the camps, offering a sensitive search of faces, bodies and landscapes to explore the very notion of artwork and confront the idea of beauty head-on. The stakes are disconcerting, but perhaps it may help us to truly imagine what the camps must have been like, and to feel the respect due an artist, no matter how small or fragile his gesture of drawing." [amazon.co.uk |
Beschreibung: | Original: Frankreich, Deutschland, Polen, Israel 2013 Suppléments: Quand nos veux sont fermés, l'art clandestin à Buchenwald, un film de Christophe Cognet (documentaire, 54 min) ; interview de Christophe Cognet par universciné ; livret: texte de Cyril Neyrat, liste des artistes, noms des intervenants, biographies ; bande-annonce Bildformat 16:9 |
Beschreibung: | 1 DVD-Video (100 min) farbig 12 cm 1 Beiheft |
Internformat
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520 | 3 | |a "An unprecedented investigation into the artworks created secretly in Nazi concentration and death camps. It converses with the rare handful of living artists who survived the camps and with their curators: about the emotions the works stir, their marginalization, their signature or anonymity, their style, as well as the representation of horror and extermination. But more importantly, perhaps, the film takes a long look at the drawings, wash drawings and paintings held in collections in France, Germany, Israel, Poland, the Czech Republic, Belgium and Switzerland. Director's statement 'I hardly dare to say it, but for a painter, the beauty of it was incredible. It was absolutely vital to reproduce it, to represent and to show it, in order to preserve it for the future', wrote Zoran Music, a survivor of Dachau. The film moves between these fragments of clandestine images and the vestiges of the camps, offering a sensitive search of faces, bodies and landscapes to explore the very notion of artwork and confront the idea of beauty head-on. The stakes are disconcerting, but perhaps it may help us to truly imagine what the camps must have been like, and to feel the respect due an artist, no matter how small or fragile his gesture of drawing." [amazon.co.uk | |
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Datensatz im Suchindex
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---|---|
adam_text | |
any_adam_object | |
author2 | Cognet, Christophe 1966- Breschand, Jean Moreau, Pierre-François Kosal, Nara Keo |
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author_GND | (DE-588)138601496 (DE-588)139742662 |
author_facet | Cognet, Christophe 1966- Breschand, Jean Moreau, Pierre-François Kosal, Nara Keo |
building | Verbundindex |
bvnumber | BV049691861 |
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era | Geschichte 1938-1945 gnd |
era_facet | Geschichte 1938-1945 |
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geographic_facet | Deutschland |
id | DE-604.BV049691861 |
illustrated | Not Illustrated |
indexdate | 2024-07-31T00:41:30Z |
institution | BVB |
language | French |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035034437 |
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physical | 1 DVD-Video (100 min) farbig 12 cm 1 Beiheft |
publishDate | 2014 |
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publisher | Jour2Fête |
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spelling | Parce que j'étais peintre l'art rescapé des camps nazis un film réalise par Christophe Cognet ; écrit par Christophe Cognet, Jean Breschand, Pierre-François Moreau ; image: Nara Keo Kosal Because i was a painter, art that survived the Nazi camps Weil ich Künstler war [Paris] Jour2Fête [2014] © 2014 1 DVD-Video (100 min) farbig 12 cm 1 Beiheft tdi rdacontent v rdamedia vd rdacarrier digital Dolby digital 2.0 Laser optical PAL Videodatei DVD-Video Alle Regionen Original: Frankreich, Deutschland, Polen, Israel 2013 Suppléments: Quand nos veux sont fermés, l'art clandestin à Buchenwald, un film de Christophe Cognet (documentaire, 54 min) ; interview de Christophe Cognet par universciné ; livret: texte de Cyril Neyrat, liste des artistes, noms des intervenants, biographies ; bande-annonce Bildformat 16:9 "An unprecedented investigation into the artworks created secretly in Nazi concentration and death camps. It converses with the rare handful of living artists who survived the camps and with their curators: about the emotions the works stir, their marginalization, their signature or anonymity, their style, as well as the representation of horror and extermination. But more importantly, perhaps, the film takes a long look at the drawings, wash drawings and paintings held in collections in France, Germany, Israel, Poland, the Czech Republic, Belgium and Switzerland. Director's statement 'I hardly dare to say it, but for a painter, the beauty of it was incredible. It was absolutely vital to reproduce it, to represent and to show it, in order to preserve it for the future', wrote Zoran Music, a survivor of Dachau. The film moves between these fragments of clandestine images and the vestiges of the camps, offering a sensitive search of faces, bodies and landscapes to explore the very notion of artwork and confront the idea of beauty head-on. The stakes are disconcerting, but perhaps it may help us to truly imagine what the camps must have been like, and to feel the respect due an artist, no matter how small or fragile his gesture of drawing." [amazon.co.uk Französisch - Untertitel: Französisch, Englisch Geschichte 1938-1945 gnd rswk-swf Kulturleben (DE-588)4126540-3 gnd rswk-swf Kunstproduktion (DE-588)4166043-2 gnd rswk-swf Konzentrationslager (DE-588)4032352-3 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf (DE-588)4017102-4 Film gnd-content (DE-588)4585125-6 DVD-Video gnd-carrier Deutschland (DE-588)4011882-4 g Konzentrationslager (DE-588)4032352-3 s Kulturleben (DE-588)4126540-3 s Kunstproduktion (DE-588)4166043-2 s Geschichte 1938-1945 z DE-604 Cognet, Christophe 1966- (DE-588)138601496 fmd aus Breschand, Jean aus Moreau, Pierre-François aus Kosal, Nara Keo (DE-588)139742662 cng |
spellingShingle | Parce que j'étais peintre l'art rescapé des camps nazis Kulturleben (DE-588)4126540-3 gnd Kunstproduktion (DE-588)4166043-2 gnd Konzentrationslager (DE-588)4032352-3 gnd |
subject_GND | (DE-588)4126540-3 (DE-588)4166043-2 (DE-588)4032352-3 (DE-588)4011882-4 (DE-588)4017102-4 (DE-588)4585125-6 |
title | Parce que j'étais peintre l'art rescapé des camps nazis |
title_alt | Because i was a painter, art that survived the Nazi camps Weil ich Künstler war |
title_auth | Parce que j'étais peintre l'art rescapé des camps nazis |
title_exact_search | Parce que j'étais peintre l'art rescapé des camps nazis |
title_full | Parce que j'étais peintre l'art rescapé des camps nazis un film réalise par Christophe Cognet ; écrit par Christophe Cognet, Jean Breschand, Pierre-François Moreau ; image: Nara Keo Kosal |
title_fullStr | Parce que j'étais peintre l'art rescapé des camps nazis un film réalise par Christophe Cognet ; écrit par Christophe Cognet, Jean Breschand, Pierre-François Moreau ; image: Nara Keo Kosal |
title_full_unstemmed | Parce que j'étais peintre l'art rescapé des camps nazis un film réalise par Christophe Cognet ; écrit par Christophe Cognet, Jean Breschand, Pierre-François Moreau ; image: Nara Keo Kosal |
title_short | Parce que j'étais peintre |
title_sort | parce que j etais peintre l art rescape des camps nazis |
title_sub | l'art rescapé des camps nazis |
topic | Kulturleben (DE-588)4126540-3 gnd Kunstproduktion (DE-588)4166043-2 gnd Konzentrationslager (DE-588)4032352-3 gnd |
topic_facet | Kulturleben Kunstproduktion Konzentrationslager Deutschland Film DVD-Video |
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