Now you see us: women artists in Britain 1520-1920
From Tudor times to the First World War, this paperback exhibition book accompanying Now You See Us: Women Artists in Britain 1520–1920 charts these women’s journeys to becoming professional artists. From Levina Teerlinc, a miniaturist at the court of Elizabeth I, to Laura Knight, the first woman to...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Tate Publishing
2024
|
| Schlagworte: | |
| Zusammenfassung: | From Tudor times to the First World War, this paperback exhibition book accompanying Now You See Us: Women Artists in Britain 1520–1920 charts these women’s journeys to becoming professional artists. From Levina Teerlinc, a miniaturist at the court of Elizabeth I, to Laura Knight, the first woman to be elected a member of the Royal Academy after a gap of more than 150 years, women have been a constant presence in the art world, conducting commercially successful careers and exhibiting in public exhibitions. Against society’s expectations of wives, mothers and daughters, limited to the private domestic sphere, they dared to pursue public careers, and to paint history pieces, battle scenes and the nude, usually regarded as the preserve of men. An examination of figures such as Mary Beale, Angelica Kauffman, Elizabeth, Lady Butler and many more reveals careers very far from the stereotypical view of women as amateur watercolourists, pursuing art as a ladylike accomplishment. Instead, in this exhibition catalogue. they are revealed as professionals who navigated the art world despite being excluded from academy training and art institution membership, and who were determined to succeed despite the obstacles they faced. In English Female Artists, 1876, Ellen Creathorne Clayton wrote that women artists had ‘left only but faintly impressed footprints on the sands of time’. By looking at what women painted, how their work was received by exhibition critics, what women said themselves about their status in the art world, including their links to campaigns for women’s rights, Women Artists in Britain shines a spotlight on their true legacy and place in art history |
| Beschreibung: | Distributed in the United States and Canada by ABRAMS Rückseite Titelblatt: First published 2024 ... on the occasion of the exhibition "Now You See Us: Women Artists in Britain 1520-1920", Tate Britain, London, 16 May - 13 October 2024 |
| Beschreibung: | 224 Seiten Illustrationen |
| ISBN: | 9781849769259 9781849768818 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049691527 | ||
| 003 | DE-604 | ||
| 005 | 20241111 | ||
| 007 | t | ||
| 008 | 240521s2024 a||| |||| 00||| eng d | ||
| 020 | |a 9781849769259 |c hardback |9 978-1-84976-925-9 | ||
| 020 | |a 9781849768818 |c paperback |9 978-1-84976-881-8 | ||
| 035 | |a (OCoLC)1437865623 | ||
| 035 | |a (DE-599)KXP1885818351 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-B170 |a DE-Y2 |a DE-12 |a DE-255 |a DE-355 |a DE-11 |a DE-Y7 | ||
| 084 | |a LH 45290 |0 (DE-625)93574: |2 rvk | ||
| 084 | |a LH 60250 |0 (DE-625)94185: |2 rvk | ||
| 245 | 1 | 0 | |a Now you see us |b women artists in Britain 1520-1920 |c edited by Tabitha Barber ; with contributions by Clare Barlow, Tim Batchelor, Amy Concannon, James Finch, Alicia Foster, Eliza Goodpasture, Melissa L. Gustin, Jenny Head, Alice Insley, Hope Kingsley, Amy Lim, Stephen Lloyd, Hannah Lyons, Jan Marsh, Emma Merkling, Patricia de Montfort, Katy Norris, Pamela Gerrish Nunn, Kate Retford, Catriona Seth and Alison Thomas |
| 246 | 1 | 3 | |a Women artists in Britain 1520-1920 |
| 264 | 1 | |a London |b Tate Publishing |c 2024 | |
| 300 | |a 224 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Distributed in the United States and Canada by ABRAMS | ||
| 500 | |a Rückseite Titelblatt: First published 2024 ... on the occasion of the exhibition "Now You See Us: Women Artists in Britain 1520-1920", Tate Britain, London, 16 May - 13 October 2024 | ||
| 520 | 3 | |a From Tudor times to the First World War, this paperback exhibition book accompanying Now You See Us: Women Artists in Britain 1520–1920 charts these women’s journeys to becoming professional artists. From Levina Teerlinc, a miniaturist at the court of Elizabeth I, to Laura Knight, the first woman to be elected a member of the Royal Academy after a gap of more than 150 years, women have been a constant presence in the art world, conducting commercially successful careers and exhibiting in public exhibitions. Against society’s expectations of wives, mothers and daughters, limited to the private domestic sphere, they dared to pursue public careers, and to paint history pieces, battle scenes and the nude, usually regarded as the preserve of men. An examination of figures such as Mary Beale, Angelica Kauffman, Elizabeth, Lady Butler and many more reveals careers very far from the stereotypical view of women as amateur watercolourists, pursuing art as a ladylike accomplishment. Instead, in this exhibition catalogue. they are revealed as professionals who navigated the art world despite being excluded from academy training and art institution membership, and who were determined to succeed despite the obstacles they faced. In English Female Artists, 1876, Ellen Creathorne Clayton wrote that women artists had ‘left only but faintly impressed footprints on the sands of time’. By looking at what women painted, how their work was received by exhibition critics, what women said themselves about their status in the art world, including their links to campaigns for women’s rights, Women Artists in Britain shines a spotlight on their true legacy and place in art history | |
| 648 | 7 | |a Geschichte 1520-1920 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Künstlerin |0 (DE-588)4033430-2 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Großbritannien |0 (DE-588)4022153-2 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Women artists / Great Britain / Exhibitions | |
| 653 | 0 | |a Art, British / History / Exhibitions | |
| 653 | 0 | |a Femmes artistes / Grande-Bretagne / Expositions | |
| 653 | 0 | |a Art britannique / Histoire / Expositions | |
| 653 | 6 | |a Exhibition catalogs | |
| 653 | 6 | |a Catalogues d'exposition | |
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Tate Britain |y 16.05.2024-13.10.2024 |z London |2 gnd-content | |
| 689 | 0 | 0 | |a Großbritannien |0 (DE-588)4022153-2 |D g |
| 689 | 0 | 1 | |a Künstlerin |0 (DE-588)4033430-2 |D s |
| 689 | 0 | 2 | |a Geschichte 1520-1920 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Barber, Tabitha |0 (DE-588)138414637 |4 edt | |
| 700 | 1 | |a Barlow, Clare |0 (DE-588)1132098548 |4 wst | |
| 710 | 2 | |a Tate Britain |0 (DE-588)10012396-X |4 isb |4 his | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035034111 | |
Datensatz im Suchindex
| _version_ | 1815431140423499776 |
|---|---|
| adam_text | |
| any_adam_object | |
| author2 | Barber, Tabitha |
| author2_role | edt |
| author2_variant | t b tb |
| author_GND | (DE-588)138414637 (DE-588)1132098548 |
| author_facet | Barber, Tabitha |
| building | Verbundindex |
| bvnumber | BV049691527 |
| classification_rvk | LH 45290 LH 60250 |
| ctrlnum | (OCoLC)1437865623 (DE-599)KXP1885818351 |
| discipline | Kunstgeschichte |
| era | Geschichte 1520-1920 gnd |
| era_facet | Geschichte 1520-1920 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049691527</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20241111</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">240521s2024 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781849769259</subfield><subfield code="c">hardback</subfield><subfield code="9">978-1-84976-925-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781849768818</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-84976-881-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1437865623</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KXP1885818351</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-B170</subfield><subfield code="a">DE-Y2</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-Y7</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 45290</subfield><subfield code="0">(DE-625)93574:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 60250</subfield><subfield code="0">(DE-625)94185:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Now you see us</subfield><subfield code="b">women artists in Britain 1520-1920</subfield><subfield code="c">edited by Tabitha Barber ; with contributions by Clare Barlow, Tim Batchelor, Amy Concannon, James Finch, Alicia Foster, Eliza Goodpasture, Melissa L. Gustin, Jenny Head, Alice Insley, Hope Kingsley, Amy Lim, Stephen Lloyd, Hannah Lyons, Jan Marsh, Emma Merkling, Patricia de Montfort, Katy Norris, Pamela Gerrish Nunn, Kate Retford, Catriona Seth and Alison Thomas</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Women artists in Britain 1520-1920</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Tate Publishing</subfield><subfield code="c">2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">224 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Distributed in the United States and Canada by ABRAMS</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Rückseite Titelblatt: First published 2024 ... on the occasion of the exhibition "Now You See Us: Women Artists in Britain 1520-1920", Tate Britain, London, 16 May - 13 October 2024</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">From Tudor times to the First World War, this paperback exhibition book accompanying Now You See Us: Women Artists in Britain 1520–1920 charts these women’s journeys to becoming professional artists. From Levina Teerlinc, a miniaturist at the court of Elizabeth I, to Laura Knight, the first woman to be elected a member of the Royal Academy after a gap of more than 150 years, women have been a constant presence in the art world, conducting commercially successful careers and exhibiting in public exhibitions. Against society’s expectations of wives, mothers and daughters, limited to the private domestic sphere, they dared to pursue public careers, and to paint history pieces, battle scenes and the nude, usually regarded as the preserve of men. An examination of figures such as Mary Beale, Angelica Kauffman, Elizabeth, Lady Butler and many more reveals careers very far from the stereotypical view of women as amateur watercolourists, pursuing art as a ladylike accomplishment. Instead, in this exhibition catalogue. they are revealed as professionals who navigated the art world despite being excluded from academy training and art institution membership, and who were determined to succeed despite the obstacles they faced. In English Female Artists, 1876, Ellen Creathorne Clayton wrote that women artists had ‘left only but faintly impressed footprints on the sands of time’. By looking at what women painted, how their work was received by exhibition critics, what women said themselves about their status in the art world, including their links to campaigns for women’s rights, Women Artists in Britain shines a spotlight on their true legacy and place in art history</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1520-1920</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Künstlerin</subfield><subfield code="0">(DE-588)4033430-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Women artists / Great Britain / Exhibitions</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art, British / History / Exhibitions</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Femmes artistes / Grande-Bretagne / Expositions</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art britannique / Histoire / Expositions</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Exhibition catalogs</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Catalogues d'exposition</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4135467-9</subfield><subfield code="a">Ausstellungskatalog</subfield><subfield code="x">Tate Britain</subfield><subfield code="y">16.05.2024-13.10.2024</subfield><subfield code="z">London</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Künstlerin</subfield><subfield code="0">(DE-588)4033430-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1520-1920</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Barber, Tabitha</subfield><subfield code="0">(DE-588)138414637</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Barlow, Clare</subfield><subfield code="0">(DE-588)1132098548</subfield><subfield code="4">wst</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Tate Britain</subfield><subfield code="0">(DE-588)10012396-X</subfield><subfield code="4">isb</subfield><subfield code="4">his</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035034111</subfield></datafield></record></collection> |
| genre | (DE-588)4135467-9 Ausstellungskatalog Tate Britain 16.05.2024-13.10.2024 London gnd-content |
| genre_facet | Ausstellungskatalog Tate Britain 16.05.2024-13.10.2024 London |
| geographic | Großbritannien (DE-588)4022153-2 gnd |
| geographic_facet | Großbritannien |
| id | DE-604.BV049691527 |
| illustrated | Illustrated |
| indexdate | 2024-11-11T13:00:51Z |
| institution | BVB |
| institution_GND | (DE-588)10012396-X |
| isbn | 9781849769259 9781849768818 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035034111 |
| oclc_num | 1437865623 |
| open_access_boolean | |
| owner | DE-B170 DE-Y2 DE-12 DE-255 DE-355 DE-BY-UBR DE-11 DE-Y7 |
| owner_facet | DE-B170 DE-Y2 DE-12 DE-255 DE-355 DE-BY-UBR DE-11 DE-Y7 |
| physical | 224 Seiten Illustrationen |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Tate Publishing |
| record_format | marc |
| spelling | Now you see us women artists in Britain 1520-1920 edited by Tabitha Barber ; with contributions by Clare Barlow, Tim Batchelor, Amy Concannon, James Finch, Alicia Foster, Eliza Goodpasture, Melissa L. Gustin, Jenny Head, Alice Insley, Hope Kingsley, Amy Lim, Stephen Lloyd, Hannah Lyons, Jan Marsh, Emma Merkling, Patricia de Montfort, Katy Norris, Pamela Gerrish Nunn, Kate Retford, Catriona Seth and Alison Thomas Women artists in Britain 1520-1920 London Tate Publishing 2024 224 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Distributed in the United States and Canada by ABRAMS Rückseite Titelblatt: First published 2024 ... on the occasion of the exhibition "Now You See Us: Women Artists in Britain 1520-1920", Tate Britain, London, 16 May - 13 October 2024 From Tudor times to the First World War, this paperback exhibition book accompanying Now You See Us: Women Artists in Britain 1520–1920 charts these women’s journeys to becoming professional artists. From Levina Teerlinc, a miniaturist at the court of Elizabeth I, to Laura Knight, the first woman to be elected a member of the Royal Academy after a gap of more than 150 years, women have been a constant presence in the art world, conducting commercially successful careers and exhibiting in public exhibitions. Against society’s expectations of wives, mothers and daughters, limited to the private domestic sphere, they dared to pursue public careers, and to paint history pieces, battle scenes and the nude, usually regarded as the preserve of men. An examination of figures such as Mary Beale, Angelica Kauffman, Elizabeth, Lady Butler and many more reveals careers very far from the stereotypical view of women as amateur watercolourists, pursuing art as a ladylike accomplishment. Instead, in this exhibition catalogue. they are revealed as professionals who navigated the art world despite being excluded from academy training and art institution membership, and who were determined to succeed despite the obstacles they faced. In English Female Artists, 1876, Ellen Creathorne Clayton wrote that women artists had ‘left only but faintly impressed footprints on the sands of time’. By looking at what women painted, how their work was received by exhibition critics, what women said themselves about their status in the art world, including their links to campaigns for women’s rights, Women Artists in Britain shines a spotlight on their true legacy and place in art history Geschichte 1520-1920 gnd rswk-swf Künstlerin (DE-588)4033430-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Women artists / Great Britain / Exhibitions Art, British / History / Exhibitions Femmes artistes / Grande-Bretagne / Expositions Art britannique / Histoire / Expositions Exhibition catalogs Catalogues d'exposition (DE-588)4135467-9 Ausstellungskatalog Tate Britain 16.05.2024-13.10.2024 London gnd-content Großbritannien (DE-588)4022153-2 g Künstlerin (DE-588)4033430-2 s Geschichte 1520-1920 z DE-604 Barber, Tabitha (DE-588)138414637 edt Barlow, Clare (DE-588)1132098548 wst Tate Britain (DE-588)10012396-X isb his |
| spellingShingle | Now you see us women artists in Britain 1520-1920 Künstlerin (DE-588)4033430-2 gnd |
| subject_GND | (DE-588)4033430-2 (DE-588)4022153-2 (DE-588)4135467-9 |
| title | Now you see us women artists in Britain 1520-1920 |
| title_alt | Women artists in Britain 1520-1920 |
| title_auth | Now you see us women artists in Britain 1520-1920 |
| title_exact_search | Now you see us women artists in Britain 1520-1920 |
| title_full | Now you see us women artists in Britain 1520-1920 edited by Tabitha Barber ; with contributions by Clare Barlow, Tim Batchelor, Amy Concannon, James Finch, Alicia Foster, Eliza Goodpasture, Melissa L. Gustin, Jenny Head, Alice Insley, Hope Kingsley, Amy Lim, Stephen Lloyd, Hannah Lyons, Jan Marsh, Emma Merkling, Patricia de Montfort, Katy Norris, Pamela Gerrish Nunn, Kate Retford, Catriona Seth and Alison Thomas |
| title_fullStr | Now you see us women artists in Britain 1520-1920 edited by Tabitha Barber ; with contributions by Clare Barlow, Tim Batchelor, Amy Concannon, James Finch, Alicia Foster, Eliza Goodpasture, Melissa L. Gustin, Jenny Head, Alice Insley, Hope Kingsley, Amy Lim, Stephen Lloyd, Hannah Lyons, Jan Marsh, Emma Merkling, Patricia de Montfort, Katy Norris, Pamela Gerrish Nunn, Kate Retford, Catriona Seth and Alison Thomas |
| title_full_unstemmed | Now you see us women artists in Britain 1520-1920 edited by Tabitha Barber ; with contributions by Clare Barlow, Tim Batchelor, Amy Concannon, James Finch, Alicia Foster, Eliza Goodpasture, Melissa L. Gustin, Jenny Head, Alice Insley, Hope Kingsley, Amy Lim, Stephen Lloyd, Hannah Lyons, Jan Marsh, Emma Merkling, Patricia de Montfort, Katy Norris, Pamela Gerrish Nunn, Kate Retford, Catriona Seth and Alison Thomas |
| title_short | Now you see us |
| title_sort | now you see us women artists in britain 1520 1920 |
| title_sub | women artists in Britain 1520-1920 |
| topic | Künstlerin (DE-588)4033430-2 gnd |
| topic_facet | Künstlerin Großbritannien Ausstellungskatalog Tate Britain 16.05.2024-13.10.2024 London |
| work_keys_str_mv | AT barbertabitha nowyouseeuswomenartistsinbritain15201920 AT barlowclare nowyouseeuswomenartistsinbritain15201920 AT tatebritain nowyouseeuswomenartistsinbritain15201920 AT barbertabitha womenartistsinbritain15201920 AT barlowclare womenartistsinbritain15201920 AT tatebritain womenartistsinbritain15201920 |